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ViacomCBS Reports Q4 and Full Year 2020 Earnings Results

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ViacomCBS Reports Q4 and Full Year 2020 Earnings Results

Grew Global Streaming Subscribers to Nearly 30M and Pluto TV Global MAUs to 43M; Domestic Streaming Subscribers Rose to 19.2M, up 71% Year-Over-Year, and Pluto TV Domestic MAUs Increased to 30.1M

Accelerated Domestic Streaming & Digital Video Revenue Growth to 72% Year-Over-Year in Q4, Driven by Strong Streaming Subscription and Streaming Advertising Revenue

Increased Q4 Affiliate Revenue 13% Year-Over-Year and Advertising Revenue 4% Year-Over-Year, Driving a 3% Year-Over-Year Increase in Total Revenue

Delivered Year-Over-Year Improvements in Q4 Operating Income, Adjusted OIBDA, Operating Cash Flow From Continuing Operations and Free Cash Flow

Hosting Virtual Investor Event Today, Detailing Paramount+ – a Differentiated Streaming Offering Spanning Live Sports, Breaking News and a Mountain of Entertainment – Ahead of March 4 Launch

NEW YORK--February 24, 2021--ViacomCBS Inc. (NASDAQ: VIAC; VIACA) today reported financial results for the quarter ended December 31, 2020.


Statement from Bob Bakish, President & CEO

“We started 2020 with clear goals: unlock the power of our combination, build robust operating momentum and accelerate our streaming strategy – and we delivered. In Q4, despite the ongoing impacts of COVID-19, we finished the year with strong advertising and affiliate results that demonstrate the strength of our core businesses and achieved incredible growth across our linked streaming ecosystem, reaching nearly 30 million global subscribers and over 43 million Pluto TV global MAUs. At today’s streaming investor event, we look forward to showcasing our opportunity to expand our position and bring ViacomCBS content and brands to streaming audiences around the world.”

OVERVIEW OF Q4 REVENUE

REVENUE BY TYPE

- Affiliate revenue increased 13% year-over-year, driven by strong growth in streaming subscription revenue, higher reverse compensation and retransmission fees, as well as expanded distribution.

- Advertising revenue grew 4% year-over-year, reflecting higher streaming advertising and political advertising sales, which more than offset the adverse effects of COVID-19.

- Content licensing revenue decreased 3% year-over-year, reflecting a lower volume of licensing due to COVID-related production delays.

SPOTLIGHT ON STREAMING

In Q4, ViacomCBS delivered robust global streaming & digital video revenue and user growth across its premium, pay and free services.

Q4 GLOBAL HIGHLIGHTS*

- Global streaming & digital video revenue increased 71% year-over-year to $888M, driven by 74% growth in streaming subscription revenue and 69% streaming advertising revenue growth.
-- Domestic streaming & digital video revenue growth accelerated from 56% in Q3 to 72% in Q4, resulting in revenue of $845M.

- Global streaming subscribers rose to nearly 30M, up 56% year-over-year.
-- Domestic streaming subscribers reached 19.2M, up 71% year-over-year.
--- CBS All Access and SHOWTIME OTT delivered their best quarter ever in sign-ups.
---- CBS All Access’ momentum was driven by demand for sports content, including the NFL, UEFA and SEC, as well as original programming, including Star Trek: Discovery and The Stand, and content from ViacomCBS cable brands.
---- SHOWTIME OTT benefitted from strong demand for original programming, including the premieres of Shameless and the limited series Your Honor, as well as theatricals.

- Pluto TV grew its global monthly active users (MAUs) to 43M, up 80% year-over-year.
-- Pluto TV’s domestic MAUs increased to 30.1M, up 34% year-over-year, and more than doubled its advertising revenue in the quarter.
--- User engagement increased, with strong growth in total viewing minutes and average monthly watch time per user, including across connected TVs and mobile devices.
- Internationally, Pluto TV MAUs grew to 12.9M, including expanding in Spain and Brazil during the quarter.
- Pluto TV also closed new global distribution agreements with Samsung and Google.

* Beginning Q1 2021, streaming & digital video revenue will be presented as global streaming revenue, including global revenue from advertising on the company’s pay and free streaming services, subscription fees for its pay streaming services, and advertising and subscriptions for its other digital video products. Global subscribers include customers who access the company's domestic or international streaming services, either directly through its owned and operated apps and websites, or through third-party distributors. Streaming metrics are as of December 31, 2020.

REPORTING SEGMENTS

TV ENTERTAINMENT

- In Q4, CBS was the most-watched network in Daytime and Late Night and claimed the quarter’s top drama, news magazine and 4 of the top 5 comedies, as well as the top new comedy series.

- Q4 2020 revenue benefitted from strong affiliate revenue growth, which was offset by lower content licensing revenue.
-- Affiliate revenue increased 23% year-over-year, driven by growth in reverse compensation and retransmission fees, as well as robust streaming subscription revenue from CBS All Access.
-- Advertising revenue declined 1% year-over-year, reflecting the impacts from the delayed start of the fall broadcast season and the sale of CNET Media Group, which was offset by record growth in political advertising.
-- Content licensing revenue decreased 20% year-over-year due to a lower volume of licensing from COVID-related production delays.
- Adjusted OIBDA decreased 12% year-over-year mainly because of increased expenses to support the growth and expansion of CBS All Access.

CABLE NETWORKS

- In Q4, ViacomCBS owned the most top 30 cable networks among viewers 18-49 and 9 of the top 10 original series with kids 2-11; Showtime also had 2 of the top 4 scripted shows on premium cable in the quarter.

- Q4 2020 revenue increased 11% year-over-year, driven by growth in content licensing, affiliate and advertising revenue.
-- Affiliate revenue increased 8% year-over-year, fueled by growth in streaming subscription revenue, including from SHOWTIME OTT, as well as expanded distribution and contractual rate increases, partially offset by linear subscriber declines.
-- Advertising revenue rose 8% year-over-year, reflecting growth in streaming advertising revenue from Pluto TV as well as higher pricing, which more than offset lower linear impressions.
-- Content licensing revenue increased 48% year-over-year, driven by growth from the licensing of library programming.

- Adjusted OIBDA grew 1% year-over-year as a result of the increase in revenue and savings from restructuring activities, which was mostly offset by increased expenses for programming, participations, advertising and promotions, including to support the growth of the company’s streaming services.

FILMED ENTERTAINMENT

- Q4 2020 revenue decreased 3% year-over-year, reflecting the decline in theatrical revenue, partially offset by growth in licensing and home entertainment revenue.
-- Theatrical revenue was immaterial in the quarter as a result of the closure or reduction in capacity of movie theaters in response to COVID-19.
-- Home entertainment revenue increased 14% year-over-year, driven by higher sales of catalog and Miramax titles.
-- Licensing revenue grew 39% year-over-year due to higher licensing of catalog titles.

- Adjusted OIBDA was $18M compared to a loss of $119M in the prior year quarter as lower revenue was more than offset by lower distribution costs from fewer theatrical releases.

BALANCE SHEET & LIQUIDITY

- For the full year, ViacomCBS generated $2.2B of operating cash flow from continuing operations and $1.9B of free cash flow†, benefiting from the timing of production spending and cost savings.
-- In Q4, as expected, the ramp up in production spend led to negative operating cash flow from continuing operations of $339 million and negative free cash flow† of $453 million.

- As of December 31, 2020, the company had $3B of cash on its balance sheet and a committed $3.5B revolving credit facility that remains undrawn.

You can read Viacom's press release featuring the company's 4th Quarter and Full Year 2020 results report in full, including tables of ViacomCBS' statements and balance sheets, here on BusinessWire.com.

ABOUT VIACOMCBS

ViacomCBS (NASDAQ: VIAC; VIACA) is a leading global media and entertainment company that creates premium content and experiences for audiences worldwide. Driven by iconic consumer brands, its portfolio includes CBS, Showtime Networks, Paramount Pictures, Nickelodeon, MTV, Comedy Central, BET, CBS All Access, Pluto TV and Simon & Schuster, among others. The company delivers the largest share of the US television audience and boasts one of the industry’s most important and extensive libraries of TV and film titles. In addition to offering innovative streaming services and digital video products, ViacomCBS provides powerful capabilities in production, distribution and advertising solutions for partners on five continents.

For more information about ViacomCBS, please visit www.viacomcbs.com and follow @ViacomCBS on social platforms.

CAUTIONARY NOTE CONCERNING FORWARD-LOOKING STATEMENTS

This communication contains both historical and forward-looking statements. All statements that are not statements of historical fact are, or may be deemed to be, forward-looking statements within the Private Securities Litigation Reform Act of 1995. Similarly, statements that describe our objectives, plans or goals are or may be forward-looking statements. These forward-looking statements reflect our current expectations concerning future results and events; generally can be identified by the use of statements that include phrases such as “believe,” “expect,” “anticipate,” “intend,” “plan,” “foresee,” “likely,” “will,” “may,” “could,” “estimate” or other similar words or phrases; and involve known and unknown risks, uncertainties and other factors that are difficult to predict and which may cause our actual results, performance or achievements to be different from any future results, performance or achievements expressed or implied by these statements. These risks, uncertainties and other factors include, among others: changes in consumer behavior, as well as evolving technologies, distribution platforms and packaging; the impact on our advertising revenues of changes in consumers’ content viewership, deficiencies in audience measurement and advertising market conditions; our ability to maintain attractive brands and our reputation, and to offer popular programming and other content; increased costs for programming, films and other rights; competition for content, audiences, advertising and distribution; the potential for loss of carriage or other reduction in or the impact of negotiations for the distribution of our content; losses due to asset impairment charges for goodwill, intangible assets, FCC licenses and programming; the risks and costs associated with the integration of the CBS Corporation and Viacom Inc. businesses and investments in new businesses, products, services and technologies, including our streaming initiatives; evolving business continuity, cybersecurity, privacy and data protection and similar risks; content infringement; the impact of COVID-19 (and other widespread health emergencies or pandemics) and measures taken in response thereto; domestic and global political, economic and/or regulatory factors affecting our businesses generally; liabilities related to discontinued operations and former businesses; the loss of key talent and strikes and other union activity; potential conflicts of interest arising from our ownership structure with a controlling stockholder; and other factors described in our news releases and filings with the Securities and Exchange Commission, including but not limited to our most recent Annual Report on Form 10-K and reports on Form 10-Q and Form 8-K. There may be additional risks, uncertainties and factors that we do not currently view as material or that are not necessarily known. The forward-looking statements included in this communication are made only as of the date of this communication, and we do not undertake any obligation to publicly update any forward-looking statements to reflect subsequent events or circumstances.


H/T: Reuters.

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First Look at 'Star Trek: Prodigy'

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The Star Trek Universe is making its permanent home on Paramount+, including the premiere of the latest Trek iteration, the animated kids series Star Trek: Prodigy, ViacomCBS announced during its Investors Day presentation on Wednesday, February 24.


Originally conceived for Nickelodeon, Prodigy, from Kevin and Dan Hageman (Netflix’s Trollhunters), will now premiere on the streamer later in 2021. After its 10-episode run has concluded there, the show — about a coterie of alien kids who commander a seemingly abandoned Starfleet vessel — will air again on the linear Nickelodeon channel. The network also released a first look at the bridge crew from the show, highlighting that none of the main characters on Prodigy will be human, a first for a Trek series.

The move is part of a wider official strategy of placing every current and former Trek TV series on Paramount Plus, including the upcoming Star Trek: Strange New Worlds– which we got a glimpse of sorts of in one of the many pumped up promos that ran in the presentation, and new seasons of Star Trek: Discovery and Star Trek: Lower Decks which are also set to premiere in 2021.

“It does speak to having a franchise that is unique to Paramount Plus, and we’re very excited about that,” Paramount Plus programming chief Julie McNamara told Variety. “There is a kind of franchise strategy, which is the notion that if you execute new versions of this really strong IP that you have well, you’re going to drive people across the paywall.”

“This is about having the best of both worlds in terms of utilizing the Paramount+ platform to expose Trek fans and their families to this incredible show for them and their children and in our early days of Paramount+ give a lovely boost to the platform,” told Deadline. “Then, to have it be on Nickelodeon linear following that would expose it to a kid audience that may not have that initial Trek interest,” the exec added.

“So, the combination of the two gives us the best possible chance of hitting all of our demographics and targets in terms of expansion of the franchise that it promises,” McNamara continued.

Along with Prodigy, Discovery and Lower Decks, Paramount Plus is also in active production on the second season of Star Trek: Picard, and the new series Star Trek: Brave New Worlds. It’s the largest expansion of the Trek franchise since its inception in 1966, but unlike the Marvel Cinematic Universe, and recent plans for the expansion of the Star Wars franchise on Disney Plus, don’t expect these Trek series to be unfolding within a closely knit storytelling universe.

“We’re aiming to have our shows feel unique and different from each other,” Alex Kurtzman, the overall executive producer for the Star Trek Universe, tells Variety. “We want to give everybody a reason to watch each show.”

While fans will see “interconnectedness” within the shows, Kurtzman says, there aren’t plans to tell a single cohesive story. “That’s a lot of fun, but our goal is not to make it so insular that if you haven’t seen the show you’re lost when you watch another show,” he says.

Kurtzman and McNamara say there are still “conversations” about a new Star Trek series around Michelle Yeoh’s Philippa Georgiou and the mysterious Section 31, and there are other Trek shows in development that haven’t been previously announced. But they emphasized that the current five-series slate will likely not expand further until at least one of the shows runs its course.

“We’re very careful about curating the pacing — the number of shows at any given time — and what those shows are, so that we make sure that it’s always exciting when there’s a new track show coming out,” says McNamara. The rough schedule, she says, is to debut “a new Trek a quarter” on Paramount Plus.

“Whether there’s a show that comes up that feels additive and we should add that into the mix, or waiting for attrition of another Trek show, we feel good about where we are,” she says. McNamara said that by “attrition,” she means either a Trek show “aging out” naturally, or — in an allusion to 80-year-old Picard star Patrick Stewart, “perhaps an older lead is only committed to a certain number of seasons and and therefore we move on from that.”

Specifically with Prodigy, McNamara says another factor that contributed to the decision to move the show to streaming involved data from Paramount Plus’s predecessor, CBS All Access, that showed subscribers who watched Trek shows also watched Nickelodeon’s animated series The Legend of Korra, a sequel to Avatar: The Last Airbender.

“It seemed very wise for us to access both the Star Trek fan base that’s already on the platform and also kids,” she says. “Those are the two groups that you want to reach.”

At the same time, ViacomCBS didn’t want to lose the opportunity to use Prodigy to entice a new generation to become Star Trek fans, which drove the decision to re-air the show on Nick.

“It’s a great way to expose children to Star Trek, who may be on Nickelodeon to watch other franchises,” said McNamara.

Centering on six misfits who take over a beat-up Starfleet ship that they know almost nothing about, Prodigy intends to advocate the Trekverse philosophy of inclusion, curiosity and adventure.

“This show is really for younger kids,’ Trekverse overlord Alex Kurtzman said to Deadline. Kurtzman is an executive producer on Prodigy, along with Heather Kadin, Katie Krentz, Rod Roddenberry and Trevor Roth and co-showrunners the Hageman brothers. Ben Hibon will direct and co-executive produce, with Aaron Baiers also serving as co-EP on Prodigy.

“As somebody who grew up watching certain shows that spoke to me as a kid, but then also spoke to my parents so that my parents could watch it with me, I think that speaks very much to one of the things that Trek does right,” Kurtzman said. “Families watch it together. A parent can watch it with their children. And this show is going to be for our youngest audience so far, but I think given the scope and scale of it it’s not really going to look like anything you’ve seen before in that we have a really cinematic approach to what we’re doing.”

“The idea is that we should be able to project this in a movie theater and it would hold strong and stand the test of a big screen,” Kutzman proudly stated of Prodigy as the seven-year old CBS All Access mutates into Paramount+ this week.

As franchise boss Kurtzman proclaimed in a video shown during the sprawling and somewhat delayed Paramount+ presentation:


“If you put them all together it forms a very complete package, Kurtzman noted of the Trekverse. “And that is really nice because our goal has been to make sure that you don’t watch one Star Trek show and think well, I’ve seen this one so I don’t need to watch the other ones. It’s a cohesive, very curated and manicured approach that we’ve taken.”

“Engage,” as Jean-Luc would say and Paramount+ is hoping you will do.


Additional source: Anime Superhero Forum /@Royal Bubble.

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Nickelodeon's All-New Animated 'Rugrats' Reunites Members of the Original Voice Cast to Reprise Roles

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NICKELODEON’S ALL-NEW ANIMATED RUGRATS REUNITES

MEMBERS OF THE ORIGINAL VOICE CAST TO REPRISE ROLES

CG-Animated Series to Debut on Paramount+ in 2021

 

Share it: @Nickelodeon @NickAnimation @OfficialRugrats @ParamountPlus

 


BURBANK, Calif.—(February 24, 2021)—Nickelodeon is reuniting members of the original voice cast behind iconic toddlers Tommy Pickles, Chuckie Finster, Angelica Pickles, Susie Carmichael and Phil and Lil DeVille in the upcoming all-new Rugrats animated series. A reimagining of the classic ‘90s hit, the CG-animated series stars E.G. Daily (Tommy), Nancy Cartwright (Chuckie), Cheryl Chase (Angelica), Cree Summer (Susie) and Kath Soucie (Phil and Lil), all of whom are reprising their iconic roles in this new series. Produced by Nickelodeon Animation Studio, the series is set to debut this spring on Paramount+, the highly anticipated streaming service from ViacomCBS.

 

“Rugrats is one of the most iconic cartoons recognized by fans around the globe, and this original version is one we are taking great care and pride in creating for a brand-new audience,” said Ramsey Naito, President, Nickelodeon Animation. “Having the voice cast behind these special characters come together is one of the essential pieces to making the show recognizable and we can’t wait to watch this talented group bring them to life again.”

 

The brand-new series features rich and colorful CG-animation and follows the toddlers as they explore the world and beyond from their pint-sized and wildly imaginative point-of-view.

 

The all-new Rugrats is based on the series created by Arlene Klasky, Gabor Csupo and Paul Germain. Eryk Casemiro (Rugrats) and Kate Boutilier (Rugrats) are executive producers and Dave Pressler (Robot and Monster) and Casey Leonard (Breadwinners) serve as co-executive producers, with Rachel Lipman (Rugrats) as co-producer and Kellie Smith (The Fairly OddParents) as line producer. Production is overseen by Mollie Freilich, Senior Manager, Current Series Animation, Nickelodeon.

 

The original Rugrats series launched in August of 1991 and instantly became a groundbreaking phenomenon, spawning consumer products and three hit theatrical releases, and cemented its place in pop culture history through its iconic characters, storytelling and unique visual style. Rugrats was in production for nine seasons over the course of 13 years. The series earned four Daytime Emmy Awards, six Kids' Choice Awards and its own star on the Hollywood Walk of Fame.

 

About Paramount+:

ViacomCBS’ existing subscription video-on-demand and live streaming service, CBS All Access, will be rebranded as Paramount+ on March 4, 2021 as part of the service’s expansion to feature content from ViacomCBS’ leading portfolio of broadcast, news, sports and entertainment brands. ViacomCBS will also bring Paramount+ to international markets with an initial debut in Australia, Latin America and the Nordics in 2021.

    

About Nickelodeon

Nickelodeon, now in its 41st year, is the number-one entertainment brand for kids. It has built a diverse, global business by putting kids first in everything it does. The brand includes television programming and production in the United States and around the world, plus consumer products, digital, location based experiences, publishing and feature films. For more information or artwork, visit http://www.nickpress.com. Nickelodeon and all related titles, characters and logos are trademarks of ViacomCBS Inc. (Nasdaq: VIACA, VIAC).

 

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Nickelodeon Establishes Avatar Studios, Brand-New Content Division Devoted to Expanding the Avatarverse

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NICKELODEON ESTABLISHES AVATAR STUDIOS, BRAND-NEW CONTENT DIVISION DEVOTED TO EXPANDING THE WORLD OF AVATAR: LAST AIRBENDER
AND THE LEGEND OF KORRA

Original Series’ Creators Michael DiMartino and Bryan Konietzko Join Nickelodeon
as Co-Chief Creative Officers of Avatar Studios

First Project Under New Studio Banner is an Original Animated Theatrical Film
to Begin Production This Year


BURBANK, Calif.—Feb. 24, 2021—Nickelodeon today announced the launch of Avatar Studios, a newly formed division designed to create original content spanning animated series and movies based on the beloved world of Avatar: The Last Airbender and The Legend of Korra. Original creators and executive producers Michael DiMartino and Bryan Konietzko will helm the studio as co-chief creative officers, reporting to Ramsey Naito, President, Nickelodeon Animation. The Studio’s output will bow on platforms including Paramount+, ViacomCBS’ subscription video on-demand service; on Nickelodeon’s own linear and digital platforms; as well as on third-party platforms and in theaters.

The first project from Avatar Studios is slated as an animated theatrical film set to begin production this year. Additional details will be available soon.

Avatar: The Last Airbender and Korra have grown at least ten-fold in popularity since their original hit runs on Nickelodeon, and Ramsey Naito and I are incredibly excited to have Mike and Bryan’s genius talent on board to helm a studio devoted to expanding their characters and world into new content and formats for fans everywhere,” said Brian Robbins, President, ViacomCBS Kids & Family. “Creator-driven stories and characters have long been the hallmarks of Nickelodeon, and Avatar Studios is a way to give Mike and Bryan the resources and runway to open up their imaginations even more and dive deeper into the action and mythology of Avatar as we simultaneously expand upon that world and the world of content available on Paramount+ and Nickelodeon.”

“It’s hard to believe it’s been 19 years since we created Avatar: The Last Airbender. But even after all that time, there are still many stories and time periods in Aang’s world that we are eager to bring to life. We are fortunate to have an ever-growing community of passionate fans that enjoys exploring the Avatarverse as much as we do. And with this new Avatar Studios venture we have an unparalleled opportunity to develop our franchise and its storytelling on a vast scale, in myriad exciting ways and mediums. We are exceedingly grateful to Brian Robbins and Ramsey Naito for their enthusiasm and respect for the Avatar property and us as its stewards. From the start, they’ve supported our ambitious plans and created a positive, proactive environment for us. We’re excited to be back at Nickelodeon where Avatar began, doing what we do best in the biggest way possible. We can’t wait to build the great teams and productions to make all of this fantasy a reality,” said Bryan Konietzko and Michael DiMartino.

Nickelodeon’s Avatar: The Last Airbender aired for three seasons originally on Nickelodeon, where it began in February 2005 and concluded in July 2008. The series has received the Peabody Award, a Primetime Emmy, Annie Awards and Genesis Awards. The series follows the adventures of the main protagonist Aang and his friends, who must save the world by defeating Fire Lord Ozai and ending the destructive war with the Fire Nation.

Avatar: The Last Airbender emerged from its initial three seasons (61 episodes) as one of the most beloved animated properties in history. In addition to the series’ success, the property also has been translated into a successful comic book and graphic novel series, which continue to roll out new original stories. The “Avatar: The Last Airbender” graphic novel spent 70 cumulative weeks on the New York Times Graphic Novel Bestseller list, hitting number one. The DVD and Blu-rays are also incredibly successful, with the “Avatar: The Last Airbender: The Complete Series” generating nearly $5MM in retail sales since its 2018 release.

The Legend of Korra launched in April 2012 on Nickelodeon and ran for four seasons (52 episodes). Its first season premiered as basic cable's number one kid's show and drew 3.8 million viewers per episode, the highest for an animated series that year. Created and executive produced by DiMartino and Konietzko, the series is translated in more than 25 languages for Nickelodeon branded channels internationally.

The property has translated into a successful ongoing graphic novel series written by TV series co-creator DiMartino. The first graphic novel storyline, Legend of Korra: Turf Wars, has captured various Top 10 sales spots across children's fiction, YA science fiction, and graphic novel categories since its debut in 2017. The epic story of The Legend of Korra, set in the world of Avatar: The Last Airbender 70 years later, follows the journey of Avatar Korra, a 17-year-old girl striving to live up to the legacy of her predecessor Avatar Aang, while using her mastery of all four elements to confront political and spiritual unrest in a modernizing world.

About Bryan Konietzko


Bryan Konietzko graduated from the Rhode Island School of Design’s illustration department in 1998. He worked in TV animation as a character designer, storyboard artist, and art director before teaming up with Michael DiMartino to co-create and executive produce the Nickelodeon animated series Avatar: The Last Airbender and The Legend of Korra. He is the creator of the upcoming graphic novel series Threadworlds, to be published by First Second Books.

About Mike DiMartino


Michael Dante DiMartino began his training at the Rhode Island School of Design where he graduated in 1996 with a Bachelor of Fine Arts degree from the Film and Animation Department. His directing credits include the primetime animated series King of the Hill, Family Guy, and Mission Hill. DiMartino is a co-creator of the award-winning animated Nickelodeon series Avatar: The Last Airbender and its sequel, The Legend of Korra. From 2002 to 2014 he served as executive producer and story editor on both series. He continues Korra’s story as writer for the graphic novel, Turf Wars, published by Dark Horse comics. He is also the author of the fantasy novels Rebel Genius and Warrior Genius. DiMartino currently resides in Los Angeles with his wife and two children.

About Nickelodeon

Nickelodeon, now in its 41st year, is the number-one entertainment brand for kids. It has built a diverse, global business by putting kids first in everything it does. The brand includes television programming and production in the United States and around the world, plus consumer products, digital, location-based experiences, publishing and feature films. For more information or artwork, visit http://www.nickpress.com. Nickelodeon and all related titles, characters and logos are trademarks of ViacomCBS Inc. (Nasdaq: VIACA, VIAC).

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Nickelodeon’s ‘Dora The Explorer’ &‘The Fairly OddParents’ to Get Live-Action Series Remakes On Paramount Plus

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Dora the Explorer and The Fairly OddParents are getting the live-action TV treatment.


The Nickelodeon series will be rebooted for Paramount+.

Dora the Explorer, which ran for eight seasons, will return in live-action form aimed at kids 6-11. The series follows Dora Marquez, a 7-year-old Latina with a love of embarking on quests accompanied by her talking purple backpack and Boots the monkey.

At 10 seasons and 172 episodes, The Fairly OddParents is one of the longest-running animated series on the network. It follows the adventures of Timmy Turner, a 10-year-old boy with two fairy godparents named Cosmo and Wanda and a malevolent 16-year-old babysitter named Vicky.

ViacomCBS Unveils Comprehensive Streaming Strategy and Expansive Slate of Originals Headed to Paramount+

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ViacomCBS Unveils Comprehensive Streaming Strategy and Expansive Slate of Originals Headed to Paramount+

Paramount+ to feature massive content catalog of more than 30,000 episodes, 2,500 movie titles and over 1,000 live sporting events, plus around-the-clock news coverage

Select Paramount Pictures films to stream on Paramount+ following a short theatrical release, including A Quiet Place Part II, PAW PATROL: The Movie and Mission: Impossible 7

Over 50 original series to premiere on Paramount+ over next two years, including Halo, Frasier, Criminal Minds, iCarly, The Real World, Grease: Rise of the Pink Ladies, shows from the Avatar, Yellowstone, Star Trek and SpongeBob SquarePants universes and more

Paramount+ to feature depth of content across key genres, including 7,000 episodes of kids’ content, 5,000 episodes of reality and 6,000 episodes of comedy

Marquee sporting leagues and events on the service include the NFL, Masters, PGA TOUR, NCAA, SEC, The PGA Championship, UEFA Champions League, UEFA Europa League, National Women’s Soccer League, Concacaf and more

News offerings available include renowned CBS News programs, new series such as 60 Minutes+, live streams of local affiliates in over 200 markets across the U.S. and the 24-hour streaming news service CBSN

Paramount+ to launch in the U.S. on March 4, 2021 with broad distribution and leading launch sponsors, including General Motors, Expedia and Procter & Gamble

Paramount+ will introduce two pricing tiers in the U.S.: A premium plan at $9.99 per month and an ad-supported base plan at $4.99 per month available in June

Paramount+ to debut in Latin America and Canada on March 4, 2021, the Nordics on March 25, 2021 and Australia later this year, capitalizing on ViacomCBS’ global production capabilities, infrastructure and reach with additional markets to be announced

*Head to @ViacomCBS on Twitter to see all of today’s announcements


New York, NY—(February 24, 2021)—ViacomCBS (NASDAQ: VIAC; VIACA) today updated investors on its differentiated streaming strategy, which leverages the company’s strong product offerings across free, premium and pay segments with Pluto TV and SHOWTIME® OTT to create a linked ecosystem with the highly anticipated launch of Paramount+ on March 4. Paramount+ will feature a powerful combination of live sports, breaking news and a mountain of entertainment from ViacomCBS’ portfolio of world-renowned brands and production studios, including BET, CBS, Comedy Central, MTV, Nickelodeon, Paramount Pictures and the Smithsonian Channel.

New details about Paramount+ were unveiled during the ViacomCBS Streaming Event presentation, including an expansive slate of over 50 exclusive original series across scripted dramas, kids and family, reality, comedy, music, sports, news and documentaries that are set to premiere on the service in the next two years, including 36 arriving in 2021. These originals will join a deep and growing content catalog of more than 30,000 episodes and 2,500 movie titles. In addition, pricing tiers, leading launch sponsors and international rollout plans were announced.


“In today’s entertainment landscape, ViacomCBS stands apart as the only media company to fully embrace every segment of the streaming universe across free, premium and pay,” said Bob Bakish, President and Chief Executive Officer, ViacomCBS. “The launch of Paramount+ supercharges our strategy with a broad pay service that will be home to everything consumers love, all in one place: live sports, breaking news and a mountain of entertainment, at scale. As we look ahead, ViacomCBS is ideally positioned to harness the full power of our assets and capabilities – from our world-class production studios and the value of our massive content library, to our global marketing platform and local relationships – to seize the global opportunity in streaming.”

Tom Ryan, President and Chief Executive Officer, ViacomCBS Streaming, said, “Built from an iconic portfolio of beloved consumer brands and iconic franchises like SpongeBob and Star Trek, Paramount+ is a compelling and differentiated streaming offering for all audiences. In combination with Pluto TV and SHOWTIME®, the service will further strengthen our robust linked streaming ecosystem, giving us a critical competitive advantage as we pursue our goal of reaching consumers across every platform, at every price point, with creativity, content and experiences that are second to none.”


Differentiated Content Strategy – Sports, News and Premium Entertainment, At Scale

The content strategy for Paramount+ is rooted in a commitment to telling great stories across every genre, including must-watch sports and news programming. The live and on-demand service will leverage the company’s biggest franchises and storied IP, including through premium originals and a deep library of shows and movies from some of the world’s greatest content creators, highlighting the hit-making power of ViacomCBS to deliver a truly unique offering with can’t-miss content and wide demographic appeal.

Paramount+ To Feature Robust Collection of Films

Select upcoming films from Paramount Pictures will have their streaming debut on Paramount+ immediately following a theatrical release window of 30-45 days, including: A Quiet Place Part II, PAW PATROL: The Movie and Mission: Impossible 7. Other key titles arriving on Paramount+ in 2022 following their theatrical runs, and in some cases after their pay TV debuts on EPIX, include: Snake Eyes, Clifford the Big Red Dog, Top Gun: Maverick, Sonic the Hedgehog 2, Transformers 7, Dungeons and Dragons, Scream and more. Paramount Pictures’ recent titles will be available as well, from Dora and the Lost City of Gold and Sonic the Hedgehog to Bumblebee and Rocketman, all coming to Paramount+. These films will join the previously announced The SpongeBob SquarePants Movie: Sponge on the Run, which will be available on Paramount+ at launch.

Additionally, Paramount Pictures announced an agreement with EPIX to make thousands of movie titles from a wide variety of studios available to Paramount+ subscribers. Beginning late spring, the service will stream some of the most popular films and franchises of all time, including films from the James Bond and Hunger Games franchises to features like The Addams Family and The Avengers, among many others in a deal that will grow the service’s film library to over 2,500 titles.

And, following a theatrical release by MGM and an exclusive pay television window with EPIX, MGM’s new movies will become available on Paramount+, including House of Gucci, Creed III and the highly anticipated new James Bond film, No Time to Die.

The company also outlined plans to ramp up production of movies made exclusively for Paramount+. The first of these feature-length films offered will include new versions of Paranormal Activity and Pet Sematary as well as an original supernatural story, The In Between, featuring Joey King, the star of the smash hit, The Kissing Booth. These titles produced by Paramount Players will join a collection of exclusive original movie premieres supplied by the broader portfolio of ViacomCBS studios.

Expansive Slate of Upcoming Paramount+ Original Series

Today’s virtual presentation previewed an extensive new slate of original content for Paramount+, ranging from gripping dramas and unscripted series to franchise expansions and brand-new animated titles.

Scripted Dramas

With brilliant creators, top talent and smart execution, ViacomCBS has been the creative force behind countless award-winning scripted drama series. This incredible collection will come together as a key pillar of the Paramount+ content library, with new additions of exclusive originals and exciting new takes on iconic franchises outlined as follows:

  • Criminal Minds– top rated series in broadcast and streaming returns with a new scripted series that brings the team back together to investigate a single, fascinating case over 10 episodes.
  • Flashdance– a young woman struggles to make her mark in the ballet world while navigating romance, money, art, friendship, and how to love herself. Award-winning Mad Men writer Tracy McMillan is writing and executive producing the drama series which will pick up from where the story left off, but in present-day. True Blood’s Angela Robinson will direct and executive produce the series with Lynda Obst.
  • Halo– based on the iconic Xbox® franchise, Halo’s epic universe and cast of characters come to life in this new original drama series. In the new television adaptation, Halo will take place in the universe that first came to be in 2001, dramatizing an epic 26th-century conflict between humanity and an alien threat known as the Covenant. Halo will weave deeply drawn personal stories with action, adventure and a richly imagined vision of the future.
  • Land Man– set in the proverbial boomtowns of West Texas, Land Man is a modern-day tale of fortune seeking in the world of oil rigs. The series is an upstairs/downstairs story of roughnecks and wildcat billionaires fueling a boom so big, it’s reshaping our climate, our economy and our geopolitics.
  • Love Story– Josh Schwartz and Stephanie Savage, the executive producers of Gossip Girl, The O.C. and Looking for Alaska, are bringing to Paramount+ a series based on the award-winning perennial film, Love Story.
  • Mayor of Kingstown– follows the McLusky family, power brokers in Kingstown, Michigan, where the business of incarceration is the only thriving industry. Tackling themes of systemic racism, corruption and inequality, the series provides a stark look at their attempt to bring order and justice to a town that has neither.
  • Star Trek: Strange New Worlds– the next installment of the popular Star Trek franchise is based on the years Captain Christopher Pike manned the helm of the U.S.S. Enterprise. The series will follow Captain Pike, Science Officer Spock and Number One in the decade before Captain Kirk boarded the U.S.S. Enterprise.
  • The Italian Job– when the grandchildren of the legendary Charlie Croker inherit his old safety deposit box, the quest for the infamous Italian bullion is reignited. The series, from Paramount Television Studios, is executive produced and written by Matt Wheeler (Hawaii Five-0), and produced by Donald De Line.
  • The Man Who Fell To Earth– starring Oscar-nominee and BAFTA-winner Chiwetel Ejiofor, is based on the Walter Tevis novel of the same name and the iconic film starring David Bowie. The series will follow a new alien character who arrives on Earth at a turning point in human evolution, and must confront his own past to determine our future.
  • The Offer– a scripted limited event series from Paramount Television Studios, based on Oscar-winning producer Al Ruddy’s extraordinary, never-revealed experiences of making The Godfather. The 10-episode event series is written and executive produced by Michael Tolkin (Escape at Dannemora, The Player). Ruddy will also serve as executive producer, alongside showrunner Nikki Toscano (Hunters), and Emmy® Award-winning producer Leslie Greif (Hatfields & McCoys).
  • The Parallax View– a scripted series from Paramount Television Studios, based on the iconic film. The series will be executive produced by Paula Wagner.
  • Y:1883– follows the Dutton family as they embark on a journey west through the Great Plains toward the last bastion of untamed America. It is a stark retelling of Western expansion, and an intense study of one.
  • Yellowstone Spinoff, 6666 (Working Title) – founded when Comanches still ruled West Texas, no ranch in America is more steeped in the history of the West than the 6666. Still operating as it did two centuries before, and encompassing an entire county, the 6666 is where the rule of law and the laws of nature merge in a place where the most dangerous thing one does is the next thing… The 6666 is synonymous with the merciless endeavor to raise the finest horses and livestock in the world, and ultimately where world class cowboys are born and made.

Kids and Family

Home to some of the biggest franchises in the world, including SpongeBob SquarePants, Teenage Mutant Ninja Turtles and PAW Patrol, the kids’ portfolio is fueled by Nickelodeon’s library of nearly 7,000 hit episodes, plus a string of all-new originals based on the most beloved characters in the brand’s history, such as:

  • Avatar– Nickelodeon’s new animation studio division dedicated entirely to creating content based on the wildly popular world of Avatar: The Last Airbender and The Legend of Korra. Led by the series’ original creators Mike DiMartino and Bryan Konietzko, in partnership with the Nickelodeon Animation Studio, Avatar Studios will produce for Paramount+ a wide-range of Avatar-inspired content, ranging from spinoffs and theatricals to short form. [info]
  • Dora the Explorer– a new live-action series based on the iconic character, designed for an older audience of kids 6-11 and their families. [info]
  • iCarly– a new chapter for the most successful kids’ sitcom of all time, where original cast members Miranda Cosgrove, Nathan Kress and Jerry Trainor join new friends for a look at these characters’ present-day lives, adventures and comedic mishaps. [info]
  • Kamp Koral: SpongeBob’s Under Years– the first-ever spinoff of SpongeBob SquarePants, Kamp Koral is a CG animated original series that takes viewers back to when the iconic characters of Bikini Bottom met for the very first time, in a summer camp like no other.
  • Rugrats– an all-new series featuring Nick’s iconic babies, back together with the original voice cast in new CG animation. [info / sneak peek]
  • Star Trek: Prodigy– the first-ever Star Trek for the kids and family audience, combining the Nickelodeon sensibility with the action and adventure hallmarks of the Star Trek franchise. [info]
  • The Fairly OddParents– a live-action take on one of Nick’s longest running and most successful animated hits. [info]

This Nickelodeon-created slate joins Paramount+’s previously announced original kids’ series such as WildBrain’s Cloudy with a Chance of Meatballs, Boat Rocker’s new Danger Mouse and new editions of Lassie, George of the Jungle and Mr. Magoo from DreamWorks Animation’s Classic Media.

Reality

A genre created by MTV in 1992, reality TV is one of the most popular forms of content today. It reigns at the top of broadcast and cable ratings around the globe and in streaming, it’s the fastest growing vertical. ViacomCBS leads the reality category with over 5,000 episodes of the biggest reality hits, with plans to expand its collection with the following original and reprisals:

  • Big Brother Live Feeds– offers an in-depth, exclusive pass to the show where fans have the opportunity to watch all the action inside the Big Brother house.
  • Dating Naked– the most vulnerable social experiment returns to bring dating back to its most honest, unguarded and naked form. Can these modern daters strip back their preconceived notions, carefully curated images AND their clothes to reveal their true selves and find love?
  • Ink Master– the tattoo competition reality series where some of the nation’s top tattoo artists battle it out in various tattoo challenges that not only test the artists’ technical skills, but also their on-the-spot creativity for the title of Ink Master.
  • Love Island on Paramount+– an extension of the popular CBS reality series that takes subscribers beyond the boundaries of what’s shown in the broadcast with exclusive content and live visits to the Villa.
  • Queen of the Universe– in a singing competition like no other, drag queens from all around the world compete to see who is Queen of the Universe. High heels, high octaves, high competition - this drag queen singing competition will blow your wig off. From Emmy® Award-winning production company, World of Wonder.
  • Road Rules– back with a new roster of Road Warriors. These strangers will be abandoned in a far-flung location and stripped of their modern-day luxuries by boarding a restricted life in an RV, traveling from location to location. They will be guided by a set of clues, odd jobs and missions for money. If they last to the end of the trip, they walk away with the life changing prize.
  • RuPaul’s Drag Race All Stars– the best of the best from the Emmy® Award-winning RuPaul’s Drag Race return to compete for $100,000 and a coveted spot in the Drag Race Hall of Fame. In each episode, legendary queens will battle it out until only one drag queen is crowned the winner.
  • The Challenge: All Stars– twenty-two of the most iconic, boldest, and fiercest Challenge All Stars from the original Real World and Road Rules have been selected to return for a second chance at the ultimate competition. All have history, but when relationships are the key to survival, will these legends be able to form new bonds or will their past lead to their demise? With $500,0000 and their legacies on the line, which of these All Stars will prove they are still the best of the best?
  • The Real World: Homecoming: New York– almost 30 years later, the original “seven strangers” that paved the way for modern reality TV are moving back into the New York loft where it all began. Viewers will be reunited with the cast from the very first season of The Real World in a brand new multi-episode docuseries to find out, once again, what happens when they stop being polite… and start getting real. Series begins streaming on Thursday, March 4th.

Comedy

When it comes to beloved IP and iconic comedic franchises, Paramount+ delivers with a rich library of over 6,000 episodes in the genre alone. Joining this massive catalog of comedy titles, exclusive series arriving soon include:

  • Frasier– Frasier’s back – and he’s more exactly the same than ever. Kelsey Grammer reprises his role as the Dr. Frasier Crane.
  • Grease: The Rise of the Pink Ladies– with both classic and new songs, and a diverse cast, the series is a prequel to the unforgettable musical film, Grease, and tells the story of how Frenchy’s older sister, Jane, founded the Pink Ladies. The series, from Paramount Television Studios, is executive produced by Annabel Oakes (Atypical, Transparent), Marty Bowen (Twilight) and Erik Feig (La La Land).
  • Guilty Party– a dark comedy starring Kate Beckinsale as a discredited journalist who finds herself in over her head when she latches onto the story of a young mother sentenced to life in jail for murdering her husband – a crime she claims she didn’t commit.
  • Inside Amy Schumer– the Peabody, Emmy® and Writers Guild Award-winning franchise returns with five specials starring Amy Schumer, one of the entertainment industry’s leading forces as a stand-up comedian, actress, writer, producer and director.
  • Reno 911! The Hunt For QAnon– a super-sized event based off the long-running hit, critically-acclaimed Comedy Central series. Most recently, Reno 911! received two 2020 Emmy® Award nominations for Outstanding Short Form Comedy or Drama Series and for Outstanding Actress in A Short Form Comedy or Drama Series (Kerri Kenney-Silver). In 2021, the show is nominated for a Critics Choice Award.
  • The Game– the popular BET sitcom returns with a mix of original cast and new players, and will offer a modern-day examination of Black culture through the prism of pro football.
  • The Harper House– an animated family comedy that follows an overconfident female head of a household as she struggles to regain a higher status for herself and for her family of oddballs after losing her job and moving from the rich side to the poor side of an Arkansas small town.
  • The Weekly Show with Trevor Noah (Working Title) – Trevor Noah will star in and produce an initial six episode series looking at stories across the societal landscape and talk with the people behind the headlines: people you know; people you don’t know; and people you didn’t even know you didn’t know.
  • Younger– Darren Star’s critically acclaimed smash-hit, Younger, follows Liza Miller (Sutton Foster), a talented editor navigating the highly competitive world of publishing — while juggling the complications of mixing business with pleasure and facing the lie she created about her age to land her dream job.

Additionally, exclusive original comedy movies that will reignite franchises for new and nostalgia-driven fans alike are expected to arrive on Paramount+ in year one:

  • Untitled Beavis & Butt-head Movie– Emmy® Award-winning Mike Judge reimagines MTV’s seminal, Gen X-defining Beavis and Butt-Head who return for another movie adventure to kick-off the new series.
  • Workaholics Movie– made-for-streaming movie based off the popular long-running Comedy Central series starring Blake Anderson, Adam DeVine, Anders Holm and Kyle Newacheck.

Music

For almost 40 years, MTV has chronicled the world of music through the eyes of the most important artists — telling the stories that only MTV can, because MTV was there. And now, on Paramount+, MTV is unlocking its treasured vault to bring new and exclusive series like:

  • Behind the MusicBehind the Music is back! The groundbreaking and prolific music documentary series returns with several new episodes and the best of the vault remastered and updated for today’s audiences with artist interviews, a creative refresh and reimagined visual style.
  • From Cradle to Stage– this new six-part, unscripted television series from Director Dave Grohl was inspired by his mother, Virginia Hanlon Grohl, and based on her critically-acclaimed book, From Cradle to Stage: Stories from the Mothers Who Rocked and Raised Rock Stars. The series is a dynamic personal exploration of the special relationship between successful musicians and their moms. Each episode features a famous performer and their mom as well as Dave and Virginia.
  • Unplugged– MTV’s most iconic musical performance franchise will come to Paramount+ several times a year as special intimate MTV Unplugged events featuring some of the world’s biggest artists.
  • Yo! MTV Raps– MTV is bringing back its most storied hip-hop series and music franchise Yo! MTV Raps for Paramount+. The return of Yo! MTV Raps will include hosted segments, live performances, cyphers and lifestyle content, and will serve as a comprehensive deep dive into the current state of hip-hop. After its debut 33 years ago on August 6, 1988, Yo! MTV Raps became the premiere destination for all things hip-hop. The advent of the series was crucial to the rise of rap music worldwide, creating a global passion for the genre and greater hip-hop culture, which has since become the most dominant force in mainstream music and pop culture worldwide.

CBS All Access Originals to Continue as Paramount+ Originals

In addition to the forthcoming titles produced exclusively for Paramount+, the award-winning CBS All Access originals will rebrand to Paramount+ originals and continue to super-serve fans of:

  • No Activity– a half-hour police comedy, starring Patrick Brammall and Tim Meadows, which was previously a live-action series, will be completely animated for season four.
  • Star Trek: Discovery– the series, starring Sonequa Martin-Green, follows the voyages of Starfleet on their missions to discover new worlds and new life forms, and one Starfleet officer who must learn that to truly understand all things alien, you must first understand yourself.
  • Star Trek: Lower Decks– a half-hour animated comedy series, focuses on the support crew on one of Starfleet’s least important ships, the U.S.S. Cerritos, in 2380. Ensigns Mariner, Boimler, Rutherford and Tendi have to keep up with their duties and their social lives, often while the ship is being rocked by a multitude of sci-fi anomalies.
  • Star Trek: Picard– features Patrick Stewart reprising his iconic role as Jean-Luc Picard, which he played for seven seasons on Star Trek: The Next Generation. The series follows this iconic character into the next chapter of his life.
  • Stephen Colbert Presents Tooning Out the News– a daily news satire series featuring a cast of animated characters, led by anchor James Smartwood, lampooning real-world news stories and interviewing live-action guests.
  • The Good Fight– the critically acclaimed drama starring Christine Baranski as Diane Lockhart follows her next chapter at one of Chicago’s preeminent African-American law firms. The wide-ranging topicality of the series captures the current sociopolitical era as the firm confronts real life issues of today.
  • Why Women Kill– a dark comedy created by Marc Cherry, is an anthology series that examines how the roles of women have changed over the decades, but how their reaction to betrayal... has not.
Sports

In bringing everything sports fans love on CBS to Paramount+, the service will feature over 1,000 live sporting events per year, including regular season games, playoffs, championships and more across the following marquee properties:

  • THE NFL ON CBS
  • The Masters
  • NCAA Division I Men’s Basketball Championship
  • PGA TOUR
  • SEC ON CBS
  • The PGA Championship
  • National Women’s Soccer League
  • UEFA Champions League, UEFA Europa League and UEFA Europa Conference League – Paramount+ is the only place in the U.S. where soccer fans can find exclusive English-language coverage of every UEFA club competition match, every season.

In addition, Paramount+ is expanding its exclusive English-language rights in the U.S. with three more soccer properties, featuring hundreds of additional matches.

  • Concacaf– offering more than 200 Concacaf matches, starting with the Concacaf Nations League Finals in June of this year, which will feature the U.S. Men’s National Team. Coverage will feature all 41 national teams from North and Central America and the Caribbean across different competitions, including the qualifiers for the FIFA Women’s World Cup 2023, which will feature the defending champion U.S. Women’s National Team.
  • Liga Profesional de Fútbol– Paramount+ will stream more than 300 matches a year from Argentina’s top soccer division.
  • Campeonato Brasileiro Série A– Paramount+ will stream more than 360 matches a year from Brazil’s premier soccer league.

The service will also be the exclusive home of a long-running, Emmy® Award-winning original series Inside the NFL, which takes fans even deeper into the game and the passion of the NFL all season long. And knowing fans don’t stop watching when the players stop playing, Paramount+ will feature the 24/7 streaming sports news service, CBS Sports HQ.

News

With breaking news and impactful journalism, the award-winning CBS News team will offer Paramount+ subscribers deep insights into the world through best-in-class reporting. News offerings will include renowned CBS News programs, new series such as 60 Minutes+, live streams of local affiliates in over 200 markets across the U.S., and the 24-hour streaming news service CBSN.

In addition to news programs audiences already know and love, Paramount+ will be home to brand-new titles based on CBS News’ premier franchises, including:

  • 60 Minutes+– a compelling new version of the renowned newsmagazine and number one news program in America. Award-winning correspondents Enrique Acevedo, Seth Doane, Wes Lowery and Laurie Segall bring Paramount+ viewers a new perspective on the investigative reporting and exclusive newsmaker interviews that have made 60 Minutes must-watch television for generations.
  • 48 Hours original: The Lie Detector– a Texas Ranger who for decades led the department’s investigations into its most twisted and high profile murder cases takes viewers behind the scenes of those crimes and into the minds of the people who committed them. The Lie Detector is a true crime docuseries from the Emmy® and Peabody Award-winning producers of 48 Hours in a new and compelling original format exclusively for Paramount+.

Documentaries

ViacomCBS is a definitive leader in storytelling, and audiences are increasingly hungry for shows that document history, from the distant past to history that’s being made today. Driven by these insights, Paramount+ is partnering with some of the world’s best filmmakers to debut an incredible slate of gripping, powerful and relevant documentaries, including the following from CBS News, CBSN, CBS Sports, MTV Documentary Films and the Smithsonian Channel:

  • 76 Days– a look at life in the earliest days of the COVID-19 crisis in Wuhan, China, the Oscar Shortlisted 76 Days focuses on frontline hospital workers and their patients, bearing witness to the human resilience that persists in times of profound tragedy.
  • Black Gold– from Oscar-nominated director Darren Aronofsky's Protozoa and Emmy® Award-winning Time Studios, this is a true-life conspiracy thriller about a decades-long campaign to trade our planet for profit.
  • For Heaven’s Sake– blends comedy and crime documentary formats for a unique take on uncovering the truth. The series follows the search for Harold Heaven, who mysteriously disappeared from his remote cabin in Ontario, Canada, in the winter of 1934.
  • The Real Criminal Minds– a true crime docu series, featuring a former real FBI profiler. The series will examine real cases, and real criminal behavior, illustrated by clips fans will remember from the fictional series.
  • Watergate– from MTV Entertainment Studios, this series will illuminate a moment in our history that parallels so much of what’s happening now.
  • Sir Alex Ferguson: Never Give In– tells the story of the legendary manager of Manchester United, and one of the most memorable figures in European football.
  • Stories from the Beautiful Game– an original soccer documentary series produced by Pete Radovich, the award-winning coordinating producer of CBS Sports’ UEFA coverage. Paramount+ will release several soccer documentaries every year, starting later in 2021.

In addition to long-lead productions, ViacomCBS will also produce exclusive Insta Docs for Paramount+. These instant documentaries will be released within days of breaking news and will dive deeper into events that capture the attention of the nation.

***

Paramount+ Pricing Tiers

Paramount+ will have two pricing tiers available to U.S. subscribers that marry the best of live and on-demand programming.

The premium tier, at $9.99, will be available with the full depth and breadth of live sports, around-the-clock news programming and world-class entertainment spanning Paramount+ originals to an expansive suite of current and library shows and movies. The offering will include CBS’ live linear feed and commercial-free on demand viewing, with 4k, HDR and Dolby Vision, mobile downloads and cross-platform dynamic play functionality.

An ad-supported tier will launch in June for $4.99 and offer the best in sports, news and entertainment. At that time, the current $5.99 plan will no longer be available for new users, but existing users will maintain grandfathered access. The ad-supported tier will feature a compelling offering of exciting Paramount+ originals, marquee sports content including live championship-level soccer and live NFL games, breaking news through CBSN and an extraordinary collection of content, including the full suite of current and library CBS shows available on demand.

Both Paramount+ tiers will feature a seamless user interface, enhanced curation and discovery, personalized homepages, content categories and central hubs for ViacomCBS’ brands. Additionally, each subscription option will include parental control capabilities and up to six individual profiles.

Broad Distribution

At launch, Paramount+ will be available online at ParamountPlus.com, via the Paramount+ app for iOS and Android, and across a wide number of platforms, including smart TVs, connected-TV devices, online, mobile, gaming consoles, and leading OTT providers.

Launch Sponsors

ViacomCBS is proud to present General Motors, Expedia and Procter & Gamble among a select group of leading launch sponsors for Paramount+ in the U.S. Through marketing integrations, custom activations and ViacomCBS’ suite of ad capabilities, these advertisers will have unparalleled access to leading brands, popular IP and premium digital video to deliver significant reach and impact across ViacomCBS’ highly engaged and diverse audiences.

International Rollout

Paramount+ will debut internationally in 18 Latin American countries and Canada on March 4, 2021, the Nordics on March 25, 2021 and Australia with a rebrand and expansion of 10 All Access later this year, with additional markets to follow.

With production capabilities across five continents, strong distribution agreements and local relationships and expertise around the world, Paramount+ will leverage ViacomCBS’ leading global reach – including the largest global broadcast footprint – to drive streaming growth and international expansion. ViacomCBS Networks International (VCNI) will build on its momentum in prized formats, and as one of the top global producers of Spanish-language content, to bring exclusive series to market for fans of kids and family, scripted dramas, reality and more.

In select international markets, Paramount+ will offer audiences exclusive originals that include The Man Who Fell to Earth, Mayor of Kingstown, Guilty Party, Halo and The Offer, among others, an expansive content library of over 5,000 hours of iconic ViacomCBS IP and hit franchises across genres and a premium user experience. For most international subscribers, Paramount+ will also be the home to SHOWTIME® and feature celebrated series Dexter, Ray Donovan, The Affair, Your Honor, The Comey Rule and Escape at Dannemora. And importantly, like in the U.S., internationally Paramount+ will offer some of the biggest kids franchises in the world, including SpongeBob SquarePants, Teenage Mutant Ninja Turtles, Dora the Explorer and PAW Patrol– in addition to the highly anticipated Kamp Koral and Nickelodeon Animation Studio’s The Astronauts.

Premieres of prized formats including some of MTV’s biggest global reality franchises – such as Acapulco Shore and Are You The One?: Brazil in Latin America, as well as Story of Songs in the Nordics, and a deep catalogue of the best reality hits such as Jersey Shore, Ex on the Beach, Catfish and more – will be available in Latin America, the Nordics and Australia.

And, through ViacomCBS International Studios (VIS), a division of ViacomCBS Networks International, top creators from around the world will also debut premium local scripted dramas on the service. For example, in Latin America, the service will debut:

  • The Envoys– a supernatural thriller co-produced with Academy Award-winning director and screenwriter, Juan José Campanella.
  • Cecilia– a female-led dramedy from renowned Argentine writer and director Daniel Burman and starring acclaimed Mexican actress Mariana Treviño.

Subscription pricing will vary slightly by market, but Paramount+ will be available to international audiences at a compelling price point.

Internationally, Paramount+ will be available online at ParamountPlus.com, via the Paramount+ app for iOS and Android, and across a number of connected TV devices and OTT platforms. The service will also have broad distribution on major platforms in international markets, including Claro Video, Mercado Libre, Izzi & Claro Brazil in Latin America, and Nuuday, Telenor and Allente in the Nordics.

About ViacomCBS:

ViacomCBS (NASDAQ: VIAC; VIACA) is a leading global media and entertainment company that creates premium content and experiences for audiences worldwide. Driven by iconic consumer brands, its portfolio includes CBS, Showtime Networks, Paramount Pictures, Nickelodeon, MTV, Comedy Central, BET, CBS All Access, Pluto TV and Simon & Schuster, among others. The company delivers the largest share of the U.S. television audience and boasts one of the industry’s most important and extensive libraries of TV and film titles. In addition to offering innovative streaming services and digital video products, ViacomCBS provides powerful capabilities in production, distribution and advertising solutions for partners on five continents.

For more information about ViacomCBS, please visit www.viacomcbs.com and follow @ViacomCBS on social platforms.

VIAC-IR


ViacomCBS Exec on Keys to Paramount+ Launch, Global Success: "We Have Got a Really Strong Brand"

The expanded streamer has "a very strong content offering at a value price point," says international COO Kelly Day.
ViacomCBS executives on Wednesday dug deeper into their plans for upcoming streaming service Paramount+ and the company’s broader streaming strategy.

The conglomerate had previously said that it would relaunch existing subscription streaming services under the new Paramount+ brand in the U.S. and in Latin America on March 4, followed by a March 25 debut in Scandinavia and a launch later in the year in Australia. It detailed on Wednesday that the Latin America launch would come in 18 countries. In Canada, the CBS All Access service will get the Paramount+ rebrand on March 4, with an "expanded" content offering available later in the year.

"With production capabilities across five continents, strong distribution agreements and local relationships and expertise around the world, Paramount+ will leverage ViacomCBS’ leading global reach – including the largest global broadcast footprint – to drive streaming growth and international expansion," the company said on Wednesday. "ViacomCBS Networks International will build on its momentum in prized formats, and as one of the top global producers of Spanish-language content, to bring exclusive series to market for fans of kids and family, scripted dramas, reality and more."

Premieres of such MTV franchises as Acapulco Shore and Are You The One?: Brazil in Latin America, as well as Story of Songs in the Nordics will be available on Paramount+ in Latin America, the Nordics and Australia. And through ViacomCBS International Studios, the service will in Latin America debut The Envoys, a supernatural thriller co-produced with Academy Award-winning director and screenwriter Juan José Campanella (The Secret in Their Eyes), and Cecilia, a dramedy from Argentine writer and director Daniel Burman that will star Mexican actress Mariana Treviño.

Among the speakers at the firm’s investor day on Wednesday was Kelly Day, who about a year ago was named COO of ViacomCBS Networks International after leaving her post as president of Viacom Digital Studios following the merger of Viacom and CBS. In October, she added the role of president of international streaming.

The executive is high on the company’s global opportunities in streaming and on the opportunities for its international operations to feed content to Paramount+ and beyond.

Ahead of the investor event, Day spoke with The Hollywood Reporter about the company’s streaming strategy in foreign markets, how Paramount+ there will differ from its U.S. version and the sheer size of the international opportunity.

Streaming is a key focus for ViacomCBS now, just like for many of its entertainment peers. How do you think about the international opportunity in streaming overall and how do you decide whether to focus on your subscription service Paramount+ or your advertising VOD service Pluto TV?

I moved over to the international side of the business about a year ago. And I made the move, because it's a super exciting space. If you look at the opportunity outside the U.S., it is absolutely huge. And that's not to say that the opportunity in the U.S. isn't still very significant as well. But when you look at the international landscape, it's just very early days, both for the SVOD side of the business, but also for Pluto TV. Most of the world lives outside of the U.S. So as a practical matter there's just a really big market opportunity.

I think our approach to that has been unique. And we are really looking at markets on a case-by-case basis and developing bespoke [strategies] that take advantage of a couple of key assets that ViacomCBS brings to the table. We [evaluate] if in a market we think an SVOD strategy is likely to take hold and we can be competitive and think the opportunity to go into the market is significant. Or if a market is better suited to AVOD, perhaps a market that has a lot of scale and a healthy ad market. In some cases, like Latin America, we see both. So Latin America has been a big focus for us. We have a kind of Paramount+ light version in Latin America that has done well, but then we also launched Pluto there last year, and it has just been off the charts. It took off much faster than we even anticipated.

What has helped with the success in Latin America and how much upside is there with the upcoming launch of the beefed up Paramount+ on March 4?

As we think about the opportunity for Paramount+ in Latin America, I think it comes down to a couple of things. One, we do have a really strong content offering. So if you look at what we're bringing to the market, we have got the best of Showtime, we have got the best of the Paramount+ originals in the works in the U.S., we have got a great slate of movies, we have got a lot of local content. So we really have all of the pieces in terms of having a very robust content catalog, and we should end up with about 5,000 hours at launch in Latin America. So it's pretty deep and broad. The content is premium.

Some people have asked how strong the Paramount brand is in international markets…

We have got a really strong brand. And that's something that there has been some conversation about it in the U.S. coverage, but I think there is not enough attention on the fact that the Paramount+ brand is so incredibly strong amongst consumers. We did a ton of research last summer, when we were making the decision on the brand, on all of the biggest markets around the world. And what we found was so remarkable that it was kind of "wow."

Which is 91 percent of people in markets everywhere, non-English-speaking markets all over the world, knew the Paramount brand and recognized the mountain and the logo. But 96 percent had a really positive association with it. And when you ask people what do you associate with the Paramount brand, they mentioned things like big blockbuster movies, awesome TV shows. They just have a perception in their heads that this is going to be very premium and a brand that they know is going to bring high-quality content. That gave us a lot of confidence in the brand as really a global brand, like a halo that we can get behind and roll out to many different markets.

Let's talk about the pricing of Paramount+ abroad. [The company disclosed that monthly prices include 79 Mexican pesos ($3.85), 19.90 Brazilian real ($3.66), 299 Argentinian pesos ($3.34), 69 Swedish krona ($8.30), 69 Norwegian krona ($8.15), 59 Danish krona ($9.63), and 6.99 Euro ($8.48) in Finland.] How did you decide about the cost of the service in international markets and how does it compare with rivals?

I think that is the second piece. You look at the content offering and the brand. Then you say, okay, what's the price point? Obviously, it is a competitive space. And all of these markets are competitive; everybody is moving into them. So Latin America, the Nordics, Australia are no different. We feel like what we are delivering to consumers is a very strong content offering at a value price point. And that is not to say that it is cheap, but it is a value price point. We think that that matters to consumers. And in some markets, it matters more than others. We know that in Latin America in order to be successful and in order to grow our consumer base, we have to have a price point that is really competitive.

So we are going to be priced, in most markets, fairly considerably lower than other streaming services in the market. I think there is going to be this perception of you have got a super-strong brand, really robust content catalog, and I can get it at a price point that I feel pretty good about. At launch, we felt like the best strategy was to go out of the gate with a price that essentially you can't say no to.

What else is key to your international streaming strategy and success?

The last piece is distribution. In streaming, in general, having really strong distribution is critically important. You have got to make sure that your app is in front of consumers on all the platforms that they are accessing it. And they have a lot of choice right now, whether it be connected TVs, the big platform partners like Apple, Google etc. And that is where I think ViacomCBS does have a unique position in the market. We already have fantastic relationships with Apple, Amazon, and Google, so we will be available on all of those platforms at launch. But where you get kind of a secret sauce, and where we can really get that incremental scale, is that we have very strong relationships with all of the multichannel video programming distributor (MVPD) partners. For example, in Latin America, we have over 50 MVPD relationships, and so we are going to be everywhere, we are going to be ubiquitous.

Could it make sense in certain markets to offer Paramount+ exclusively to one big distributor?

I wouldn't rule it out. But I do think that it depends on how you define exclusive. We have strategic partners in many markets, and there may be an opportunity to create some kind of exclusive experience. But I think that, broadly speaking, we want to have the Paramount+ service available as broadly as we can.

Will your distribution deals keep Paramount+ a direct-to-consumer service or will some relationships have business-to-business elements?

We have a mix of offerings depending on the market and depending on the operator. And so we certainly have our traditional direct-to-consumer offering available through our iOS and Android apps and web and mobile and all of those things. We will also have a B2B2C relationship with some of the MVPDs. And in certain cases, we even have more of a B2B relationship where, if it is a legacy box, or if the platform is set up in such a way where we essentially have to deliver content into a sort of app, then we are happy to do that as well. An example of that would be in Russia, where we have a relationship with a streaming platform called Okko where you can actually buy Paramount+ through their bundle or you can buy it individually. And so it is available both ways. We want to be as flexible as possible working with our partners and making sure that we are reaching as many consumers as possible.

ViacomCBS has set dates for Paramount+ launches in the U.S. and Latin America in early March, followed by the Nordics and then Australia. No mention has been made ahead of the investor event for other markets in Europe and Asia though. Are you planning launches there and does the timing depend on whether you have enough content rights in a market or how Pluto is doing there?

We do have additional markets coming soon. It is absolutely our plan to have Paramount+ available very broadly in almost every major market. There are a lot of considerations as to how and when we enter a market, whether it be having the right content, having the right partnerships. There is a whole variety of factors. We definitely see Western Europe as a big opportunity, but also Central and Eastern Europe. There will be more information coming on that over the next couple of months as we continue to finalize our plans.

With regard to Pluto, we have seen great strength, including in the U.K., Germany, Spain, France, and we are planning to launch Italy later this year. I don't really consider it an either or, we don't need to do one before the other or something like that.

When we look at the content offering, how different will Paramount+ in the U.S. be from international markets?

The content proposition is a little bit different outside the U.S. than it is in the U.S. In the U.S., of course, you have live sports and news and a mountain of entertainment. Outside the U.S., we are a little bit more focused on the mountain of entertainment. We will have a live feed available in Canada, where we currently have the CBS News feed. We will continue with that, and we are looking at live feeds in other markets, but won’t launch them out of the gate. We are much more focused on being a big premium general entertainment package outside the U.S. Within that, we are very well coordinated with the U.S. But we also have the Showtime content in the Paramount+ product outside the U.S.

We work really, really closely with both the Paramount+ originals team and the Showtime team as they are developing and greenlighting content to make sure that we have great titles that are available globally. And that is something that I think over time you are going to see us do more and more global releases of some of the big franchises. But all of the big series that you would typically expect to see from Paramount+ or from Showtime, you are going to see in most of the markets, although there are always a few titles here and there where maybe there is a rights issue in this market or that market. But for the most part, we are trying to make most of those titles available. So, you are going to see Ray Donovan and Dexter and those big series that people love from Showtime. And then the same goes for the Paramount+ originals like The Man Who Fell to Earth, which we are pretty excited about, and Lioness from Taylor Sheridan. And then we will have a really robust kids offering.

How key is that kids content from Nickelodeon etc. for the success of Paramount+ globally?

In the grand scheme of Paramount+, people obviously tend to focus on the big scripted dramas and for good reason. But the kids content is really important to the product offering because that is really the family piece of it. So the parents may subscribe to get access to one of the big, scripted dramas, but people tend to stick with it if the kids want to keep watching. And I think that the offering from Nickelodeon and Nick Jr. is really strong. So we are going to have a ton of hours and a ton of episodes from Nickelodeon in all the markets, which is great. We are also going to be premiering Kamp Koral, which is of course the new SpongeBob SquarePants spin-off. And all of the big all kids shows - SpongeBob, Paw Patrol, Dora the Explorer - is going to be there. And we think that the kids piece of it is a critical retention tool.

How important is rolling out original fare regularly, and will we over time see originals from the international side that Paramount+ will either launch in select markets or globally?

It is an area that we are spending a lot of time on right now. We launched ViacomCBS International Studios a few years ago. That has really grown into a very robust business, led by JC Acosta. He is super-focused on developing new original series for Paramount+. I can't announce anything officially uet, but I can tell you with great certainty that you will see things developed from ViacomCBS International Studios, available globally. That is a big priority for us to not only take those big U.S. franchises and distribute them everywhere. We also know that audiences all over the world love a lot of the local dramas and local content as well. We have a presence for this in pretty much every major market around the world, and we definitely see that content traveling far and wide.

ViacomCBS owns such big broadcast networks as Telefe in Argentina, Network 10 in Australia and Channel 5 in the U.K. How much will Paramount+ be promoted on these and the company's other networks and assets in international markets?

You will certainly see Paramount+ on our linear networks, you are going see it on our social feeds, you are going to see it integrated into our shows. In Argentina, where they are a little bit more liberal, you may even see things popping up in the news broadcasts. You are going to see Paramount+ everywhere in Latin America on March 4. It is going to be out of home, on air and digital. We are really putting the full weight of ViacomCBS behind it.

How do you think about competition in international markets from other streamers, such as Netflix and Disney+, and other media?

Our job is to cut through the noise, whether it be people browsing social media on their phones, or subscribing to other services, or watching linear TV, whatever it is. And our job is to make sure that we offer the best possible content experience that keeps bringing people in and keeps people on the service. We have certainly looked at the competitive space in all of these markets and we have a pretty good sense for how our brand and our content offering and our price point match with the competition. We feel like we are going in in a really strong, a very competitive position, and we expect to capture real share.

And how do you feel about launching amid the coronavirus pandemic?

Television consumption is through the roof right now because that is all we have to do. So, in some ways, it is kind of the best time to launch something like this because we have a really captive audience.

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More Nick:'Kamp Koral: SpongeBob's Under Years' and 'The SpongeBob Movie: Sponge on the Run' to Debut on Paramount+ on Thursday, March 4!


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Nickelodeon Hints at Plans to Celebrate 25th Anniversary of 'Blue's Clues'

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This year, Nickelodeon's beloved preschool Blue's Clues will be celebrating its 25th anniversary, and it looks like Nick has some big plans to commemorate the occasion!


A new web ad from ViacomCBS Consumer Products, which oversees all licensing and merchandising for ViacomCBS features some of Nickelodeon's powerhouse franchises, including PAW Patrol (Moto Pups), Baby Shark's Big Show! and Blue's Clues.


Interestingly, the Blue's Clues portion of the ad, featuring the CG-animated Blue from Nickelodeon's Blue's Clues revival, Blue's Clues & You!, features a logo saying Blue! 25 logo!

It's currently unclear what plans Nickelodeon has to celebrate the 25th anniversary of Blue's Clues. As the web advertisement is for ViacomCBS Consumer Products, it could be hinting that Nick has plans to expand on its Blue's Clues & You! consumer products line, including with brand new toys inspired by the series.


Created by Santomero alongside Traci Paige Johnson and Todd Kessler, Blue's Clues officially premiered on Nick Jr. in 1996, running for a total of six seasons and concluding in 2006. Steve Burns hosted the series from 1996 to 2002 as the character Steve, with Donovan Patton taking over for the rest of the show's original run as the character Joe, Steve's younger brother. Santomero and Johnson also created a spinoff titled Blue's Room, which aired from 2004 to 2007. Santomero, Johnson and Kessler returned in 2019 to create a reboot titled Blue's Clues & You!, with actor Joshua Dela Cruz hosting as the character Josh, Steve and Joe's cousin. Both Steve and Joe make regular appearances in the revival.

Currently in its second season, Blue's Clues & You! was recently renewed for a fourth season.

Blue's Clues also expanded internationally, with U.K. (hosted by Kevin Duala), Portuguese (hosted by Duarte Gomes and Korean (hosted by HyunShup Shin) versions.


Advert via The Toy Book.

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Aye, Aye, Trash Can! | Unfiltered Sneak Peeks | Nickelodeon

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Can you guess Nickelodeon's mystery guests? Tune into the brand new episode of Nickelodeon's Unfiltered, premiering Thursday, February 4 at 7p/6c! Check out the sneak peeks below!:


Aye, Aye, Trash Can!: Let’s play Captains and Cowboys! Host Jay Pharoah introduces two mystery celebs hiding behind 3D animated filters. Darci Lynne Farmer, Lex Lumpkin and Chinguun Sergelen ask questions and gather clues to unveil our two special guests. (#208)




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Nickelodeon and eOne Team Up for New Animated 'Transformers' Series

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Nickelodeon and Hasbro’s Entertainment One (eOne) are teaming up for an original animated Transformers series.


The 26×30-minute action-comedy series will spotlight a new species of Transformers that must find their place and purpose among Autobots, Decepticons and the human family that adopts them. The series will premiere exclusively on Nickelodeon in the U.S. before rolling out internationally.

The all-new animated Transformers series is executive produced by Ant Ward (Rise of the Teenage Mutant Ninja Turtles) and Nicole Dubuc (Transformers: Rescue Bots) and developed and co-executive produced by Dale Malinowski (Rise of the Teenage Mutant Ninja Turtles). Produced by Nickelodeon Animation Studio, the series is developed for television by Spinelli and Dana Vasquez-Eberhardt, senior director of current series and development for animation. Production will be overseen for Nickelodeon by Conrad Montgomery, VP of current series for animation, and for eOne by Mikiel Houser, director of TV development.

“As soon as I read the creative concept, which at its core is about family, I knew we absolutely had to tell this story with our good friends at eOne and Hasbro,” said Ramsey Naito, president of Nickelodeon Animation. “The series will tell a reimagined story featuring both original characters and fan-favorites for a whole new generation of kids and families. The creative team at Nick, overseen by Claudia Spinelli, senior VP of animation development, can’t wait to get started on building this new world.”

“We’re thrilled to be working with Nickelodeon to expand the Transformers animated universe and bring an all-new more than meets the eye story to life,” said Olivier Dumont, eOne’s president of Family Brands. “This new series is a fresh creative take on the brand, which will excite longtime fans around the world and soon-to-be fans alike, all being introduced to the robots in disguise by an A-list creative team led by eOne’s Mikiel Houser.”

World’s First Peppa Pig Theme Park to Open at LEGOLAND FLORIDA Resort in 2022

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World’s first Peppa Pig™ Theme Park
to open at LEGOLAND® FLORIDA Resort in 2022

Merlin Entertainments brings partnership with Hasbro to life to create a playful place perfect
for a first theme park experience


Merlin Entertainments (“Merlin” or “the Company”), a global leader in location-based entertainment with brands including LEGOLAND®, Madame Tussauds and SEA LIFE Centres, is pleased to have partnered with Hasbro to launch the World’s first stand-alone Peppa Pig™ Theme Park, only at LEGOLAND® Florida Resort.

Opening in 2022, families will squeal with delight as they jump into the playful world of Peppa Pig for an unforgettable day of adventure! Peppa Pig Theme Park has been designed to be the ultimate day for little ones, and the all-new standalone park will feature multiple rides, interactive attractions, themed playscapes and water play areas - complete with “muddy puddles” of course - and fun live shows daily, all based on instantly recognizable locations from the globally popular brand. Families will meet Peppa and her friends as they snort, giggle and play to build their family’s first theme park memories together.


Ride and attraction details for the new Central Florida theme park will be announced this summer. When Peppa Pig Theme Park opens in 2022 in Winter Haven, Fla, it will be a separately ticketed theme park. Annual Passes to Peppa Pig Theme Park will be available as standalone memberships or inclusive passes that will also grant admission to LEGOLAND Theme Park, LEGOLAND Water Park and other regional Merlin Entertainments attractions.

Merlin has an exclusive multi-territory licencing agreement with Hasbro, owner of the Peppa Pig brand, to build and operate the Peppa Pig attractions, targeted at the pre-school market, as part of its broader strategy to engage in IP partnerships with some of the world’s most popular brands.

Commenting on the exciting announcement, Merlin’s Group Chief Development Officer Mark Fisher, explained: “As one of the world leaders in location-based entertainment we are delighted to be creating this first-ever theme park dedicated to the wonderful world of Peppa Pig. We have already had great success with our immersive Peppa Pig World of Play attractions both here in the US and in Asia. Working with our partners at Hasbro, we are excited to be taking the next step in creating this fully immersive theme park, which will bring to life even more of the sights, sounds and experiences that family audiences know and love so much from Peppa’s world. It’s guaranteed to be a truly memorable day out for families and something to really look forward to visiting.”


Sharing the excitement, Matt Proulx, Vice President of Location Based Entertainment, Hasbro, commented: “We’re thrilled to expand our relationship with the team at Merlin to open the world’s first Peppa Pig Theme Park in Florida. With a keen understanding of the Peppa Pig brand, we’re excited to see how Merlin brings the snorts and muddy puddles to life for our youngest fans. We can’t wait for fans from all over to come to Florida to enjoy their favorite piggies.”

Peppa Pig is one of the world’s leading pre-school brand properties with over 1,000 licensees across 60 countries. The popular television programme is broadcast in 180 territories in 40 different languages. The US is a key market for the Peppa Pig brand.

Fans and parents of future “little piggies” can be among the first to hear the big news by signing up for the Peppa Pig Theme Park emails on PeppaPigThemePark.com/Florida.

Ends

Notes to Editors:

The new Peppa Pig Theme Park follows successful launches by Merlin Entertainments of four Peppa Pig World of Play indoor attractions in China and North America as well as two Peppa Lands in Gardaland in Italy and Heide Park in Germany, under a multi-territory licensing agreement with Hasbro.

Merlin Entertainments operates 31 attractions in North America, including LEGOLAND California Resort, LEGOLAND Florida Resort and Midway attractions SEA LIFE Aquariums, Madame Tussauds and Peppa Pig World of Play.

About Merlin Entertainments
Merlin Entertainments is a global leader in location-based, family entertainment. As Europe's Number 1 and the world's second-largest visitor attraction operator, Merlin operates 129 attractions, 21 hotels and 6 holiday villages in 24 countries and across 4 continents. Merlin’s purpose is to deliver memorable experiences to its millions of guests around the world, through its iconic brands and multiple attraction formats, and the commitment and passion of its employees.

See www.merlinentertainments.biz for more information and follow on Twitter @MerlinEntsNews.

About Hasbro
Hasbro (NASDAQ: HAS) is a global play and entertainment company committed to Creating the World's Best Play and Entertainment Experiences. From toys, games and consumer products to television, movies, digital gaming, live action, music, and virtual reality experiences, Hasbro connects to global audiences by bringing to life great innovations, stories and brands across established and inventive platforms. Hasbro’s iconic brands include NERF, MAGIC: THE GATHERING, MY LITTLE PONY, TRANSFORMERS, PLAY-DOH, MONOPOLY, BABY ALIVE, POWER RANGERS, PEPPA PIG and PJ MASKS, as well as premier partner brands. Through its global entertainment studio, eOne, Hasbro is building its brands globally through great storytelling and content on all screens. Hasbro is committed to making the world a better place for all children and all families through corporate social responsibility and philanthropy. Hasbro ranked among the 2020 100 Best Corporate Citizens by 3BL Media, has been named one of the World’s Most Ethical Companies® by Ethisphere Institute for the past ten years, and one of America’s Most JUST Companies by Forbes and JUST Capital for the past four years. We routinely share important business and brand updates on our Investor Relations website, Newsroom and social channels (@Hasbro on Twitter, Instagram, Facebook and LinkedIn.)

© 2021 Hasbro, Inc. All Rights Reserved.

About LEGOLAND Parks
Merlin currently operates eight LEGOLAND parks in seven countries, including the most recent new openings in Dubai (2016) and Japan (2017), and plans to open LEGOLAND New York in 2021 and LEGOLAND Korea in 2022. The LEGOLAND Park Operating Group constitutes 38% of Merlin revenues and welcomes over 15 million guests (2018). The roll out of new LEGOLAND Parks is one of the key growth drivers of Merlin Entertainments.

Merlin also operates LEGOLAND Discovery Centres, a smaller, indoor LEGOLAND experience which brings to life ‘learning through play’.

###

Hasbro acquired eOne in a deal worth $3.8 billion in 2019. Adding the production company not only brought Peppa Pig under an umbrella of brands that includes Transformers, Power Rangers and Monopoly, but added other prominent preschool franchises like PJ Masks and Ricky Zoom. Through eOne, Hasbro will be able to create new properties, like Kiya, an upcoming series about a superhero who saves the day with martial arts and dance.


Sources: CNBC, blooloop.

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Ecofriendly Makeup with Little Vale 💄 | Planeta Bala | Nickelodeon Latin America

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Makeup Ecofriendly con Little Vale 💄 | Planeta Bala | Nickelodeon en Español


Cuidar al planeta no tiene por qué impedirte de tener los looks más cool. Por eso en este episodio, Bala y su invitada Little Vale nos cuentan cómo podemos ser amigables con el medio ambiente al mismo tiempo que usamos maquillaje increíble.

¿No sabes cómo cuidar al planeta o qué hacer para protegerlo? Bala te va a explicar semana a semana en esta nueva serie todos los pasos a seguir para cuidar nuestro planeta Tierra. Desde empezar nuevos hábitos en casa hasta conocer a personas que están haciendo cosas increíbles por cuidar nuestra naturaleza.

Más Nick: ViacomCBS Int'l Studios Announces 'Kally's MashUp' TV Movie, 'A Very Kally's Birthday'!

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Horrid Henry Launches Month-Long Story a Day Initiative for Fans

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Novel Entertainment Launches ‘Story a Day’ Free Audio Content Initiative


Calling the Purple Hand Gang!

Oxford, UK — Novel Entertainment is launching a month-long ‘Story a Day’ offering as part of their Hibernating with Henry initiative, which will see a free audio story posted daily on internationally renowned Horrid Henry’s brand new website (https://www.horridhenry.me/). Starting from Monday 1 February, the first title available will be Horrid Henry and the Antiques Rogue Show with additional stories including Horrid Henry Computer Whizz and Horrid Henry’s Favourite Day to follow; all stories will go live daily at 1600 GMT.

‘Story a Day’ is part of Novel Entertainment’s current Hibernating with Henry campaign, which is offering online resources and activities to keep children and families entertained and active during the current pandemic. Further activities will be announced in the coming weeks.

Lucinda Whiteley, Creative Director and Co-Founder of Novel Entertainment, said: “Henry’s been hard at work, thinking up ways to share his top hibernation tips. Of course, being Henry, he’s full of ideas, but first up we’re excited for Henry fans to be able to settle down after finishing their school day, with or without their grown-up, and listen to a different story every day throughout February.”

Novel Entertainment first launched Horrid Henryaudio content in Spring 2020 and continues to expand the offering for fans. Most recently, Novel Entertainment launched a 'Horrid Henry’s Winter Wonderland' audiobook compilation featuring Horrid Henry’s Christmas, Early Christmas Present and Winter Wish titles, and the 'Super Scary One’, which includes Horrid Halloween, Horrid Henry and the Weird Werewolf and Horrid Henry’s Haunted House. These latest offerings are available on major platforms including Audible, Amazon and Spotify and join the initial six ‘Totally Horrid Collections’ which debuted last year.

Novel Entertainment’s Horrid Henry audio content takes the form of dramatisations from its hit Horrid Henry TV series, featuring the show’s voice talent with additional narrative from Henry (voiced by Elizabeth Waterworth-Santo) and songs. A Horrid Henry podcast also launched in 2020 which is titled Horrid Henry Unlocked and presented by radio host Sean Thorne, voice actor Lizzie Waterworth, and Henry himself. It offers fans insights into the inner workings of the world of Horrid Henry.

Since the start of the pandemic, Novel Entertainment has created over 100 pieces of fresh content for Horrid Henry, produced under the banner of Horrid Henry Unlocked which is designed to offer a familiar environment for fans to discover how the Horrid Henry family is responding to the current crisis. As well as the Horrid Henry podcast and audio stories, material includes Horrid Homework in the form of activities, projects, challenges, puzzles, and bespoke videos including newly created songs, short videos and behind the scenes content and interviews.

Novel Entertainment also recently brought fans new long-form animated content including Horrid Henry’s Gross Day Out, a new 65’ action-adventure film which launched globally on Netflix in September 2020, alongside Horrid Henry’s Wild Weekend which debuted on Netflix in the UK last June and Nickelodeon UK & Ireland in December 2020, and for Sub-Saharan Africa, ViacomCBS/Nickelodeon has acquired the rights to Seasons 1-4 of Horrid Henry, where it currently airs on Nicktoons Africa.

Season 5 of Horrid Henry is currently airing on Netflix in the UK, and also on Nickelodeon and Nicktoons UK & Ireland. A total of 250 Horrid Henry episodes are now available with recent sales including MBC (Middle East), Alati International (Russia), Atlantic Digital Networks (Canada), TG4 (Ireland), Amazon Prime Video (India, Pakistan and Sri Lanka), P&P (Bosnia), Produkcija (Slovenia), Kids Network (Latvia and Estonia) and Emirates (UAE and Middle East). Renewals include Turner Broadcasting System (Asia Pacific), Mediacorp (Singapore), POP TV (Slovenia), E-Vision (Middle East), Asiana (Korea) and Netflix (US, Canada, France, India, Russia, Australia, New Zealand, Iceland and Belgium).


About Novel Entertainment

Novel Entertainment was founded in 2001 by Mike Watts and Lucinda Whiteley. The company specialises in the creation and development of successful children’s character brands across a wide array of media. Novel’s core programming includes Horrid Henry, Cinemaniacs, Fimbles, Rockit’s Pocket and The Roly Mo Show. Novel have produced more than 900 programmes for television and radio and their expertise extends into brand licensing and merchandising, computer games, interactive online content, music, theatre and film.

About Horrid Henry

Horrid Henry is a major multi-media brand. The TV show rapidly became CITV’s most popular series and is now NickToon’s and Nickelodeon UK’s most popular show. The series is broadcast in over 100 territories outside the UK and in 2011, Novel co-produced a live action feature film of Horrid Henry; the first ever British kids’ movie to be filmed in 3D. There is an active licensing and merchandising programme in place and the property has also successfully been adapted for online and for computer games. The live stage show, Horrid Henry – Live and Horrid, ran for 285 performances in London’s West End and across the UK and the character’s official YouTube channel has attracted more than 1,486,500 million views.

Happy World Book Day! 📚


Check out Horrid Henry online for more horridness!: nicktoons.co.uk/henry | horridhenry.me | Nickelodeon Play app | YouTube | Twitter | Facebook

Originally published: Saturday, January 30, 2021.

Source: Licensing International; H/T: AnimationXpress; Additional source: Licensing.biz.

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"Letter A Song" with Blue! | Blue's Big Adventure | Blue's Clues & You!

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"Letter A Song" with Blue! | Blue's Big Adventure | Blue's Clues & You!


It's Blue's Big Adventure with the letter A! Come along on the adventure with Blue and sing along to the "A Song" that features words that begin with the letter A!


#AlphabetForKids​ #BluesBigAdventure​ #BluesCluesAndYou

Kids can watch their favorite Nick Jr. shows weekdays on Nickelodeon and all week long on the Nick Jr. channel: http://nickjr.com/tvschedule/

Subscribe to the official Blue’s Clues & You! YouTube channel! Subscribe today at https://at.nick.com/BCYSubscribe!

Play the brand new Blue’s Clues & You! Listen and Play Amazon Alexa Skill today!


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Classic Rugrats Comic Strip for February 25, 2021 | Nickelodeon

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Classic Rugrats Comic Strip for February 25, 2021 | Nickelodeon
Rugrats, provided to Creators Syndicate by Nickelodeon, based off the popular animated television series has been created for children and family's to laugh and enjoy together.

Follow these comics and their take on real episodes of the show and their own spin on hilarious adventures.

Read more Rugrats comic strips!: https://www.creators.com/features/rugrats

More Nick: First Look: Nickelodeon's All-New Animated 'Rugrats' Reunites Members of the Original Voice Cast to Reprise Roles!

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Nicktoons UK to Premiere New Episodes of 'The Loud House' from Monday 15th March 2021

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Things are going to get LOUD this Spring when Nicktoons UK & Ireland premieres more brand new episodes of Nickelodeon's hit animated series The Loud House weekdays at 5:00pm starting Monday 15th March 2021!


Monday 15th March 2021 - Cow Pie Kid: Lynn pushes Liam to his limits when he becomes the star pitcher for the middle school baseball team.

Tuesday 16th March 2021 - Saved by the Spell: Lincoln's friends try to stop him from performing a magic act at the middle school talent show.

Wednesday 17th March 2021 - No Bus No Fuss: Lincoln and his friends try to find another way to school after a run in with the 8th grade bullies on the bus.

Thursday 18th March 2021 - Resident Upheaval: Lincoln and Clyde are at odds when they discover there's only room for one of their grandmas at Sunset Canyon.

Friday 19th March 2021 - Silence of the Luans: With Luan locked in a cell in the basement, who is responsible for the April Fool's Day pranks this year?


Originally published: Thursday, February 25, 2021.

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Nickelodeon Unveils 'Kamp Koral: SpongeBob’s Under Years' Promo

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Before the pineapple and before the Krusty Krab, there was Kamp Koral! Nickelodeon has today released the trailer for Kamp Koral: SpongeBob’s Under Years, the first spin-off from Nickelodeon's beloved animated series SpongeBob SquarePants, premiering Thursday, March 4 on Paramount+!

As promised by previous marketing material: the whole gang really is here. Sandy is present and accounted for, albeit with some braces and adorable pink glasses (guess she got contacts as an adult squirrel). Patrick is at camp, belly shirt and all, and is happy to point out “that kid with the pants!” Of course, that “kid with the pants’s” pants are as square as ever. 

Also present are some of the characters in SpongeBob’s world. Mr. Krabs seems to be involved as a counselor in this camp in some capacity, as does Larry the Lobster. Squidward is here too, boasting a whistle that certainly no one will respect the authority of. The most intriguing inclusion, however, is Plankton as a cafeteria cook. This isn't surprising, as Mr. Krabs and Plankton used to be business partners, before they split and became bitter rivals.

From Nickelodeon, Kamp Koral: SpongeBob’s Under Years is the first-ever SpongeBob SquarePants spinoff. The CG-animated prequel series follows 10-year-old SpongeBob SquarePants and his pals during summer sleepaway camp where they spend their time building underwater campfires, catching wild jellyfish and swimming in Lake Yuckymuck at the craziest camp in the kelp forest, Kamp Koral.


Kamp Koral: SpongeBob’s Under Years features Tom Kenny (SpongeBob), Bill Fagerbakke (Patrick), Rodger Bumpass (Squidward), Clancy Brown (Mr. Krabs), Carolyn Lawrence (Sandy) and Mr. Lawrence (Plankton) reprising their iconic roles. Carlos Alazraqui (Rocko's Modern Life, The Casagrandes) and Kate Higgins (Blaze and the Monster Machines) join as new characters Nobby and Narlene, narwhal siblings who live in the woods surrounding the camp.


Marc Ceccarelli (SpongeBob SquarePants), Vincent Waller (SpongeBob SquarePants) and Jennie Monica (SpongeBob SquarePants) are co-executive producers of the series. Production of KAMP KORAL: SPONGEBOB’S UNDER YEARS is overseen by Kelley Gardner, Vice President, Current Series Animation, Nickelodeon. The series is produced by Nickelodeon Animation Studio in Burbank, Calif.

The first six episodes of Kamp Koral: SpongeBob’s Under Years, and the all new movie The SpongeBob Movie: Sponge on the Run will be available to stream beginning Thursday, March 4, exclusively on Paramount+ for subscribers in the U.S. The rest of the season’s 13-episode order will roll out on the platform at later dates to be announced.


More Nick:'Kamp Koral: SpongeBob's Under Years' and 'The SpongeBob Movie: Sponge on the Run' to Debut on Paramount+ on Thursday, March 4!

Originally published: Tuesday, February 23, 2021 at 18:28 GMT.


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Nathan Kress Reveals What ‘iCarly’ Reboot Is About, Teases New Characters

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The iCarly reboot will be landing on Paramount+ later this year and many fans of the hit Nickelodeon comedy series have questions. One of the stars, Nathan Kress, who played Freddie Benson on iCarly, shared a hint of what the reboot has in store for the characters and what new characters fans can expect to see.


During an interview on the Bleav in Seahawks podcast on the Bleav Podcast Network, Kress chatted about iCarly, kicking things off by addressing one area he continues to get harassed about. Remember early on when Freddie wore platform shoes on iCarly? Kress explained why he had to wear the shoes and how, unfortunately, he still gets razzed about the ridiculous footwear.

“I had just turned 14, but a young 14 — like an 11-year-old looking 14,” he said of getting cast on the show. “I was prepubescent and so I was shorter than both of the girls. After my screentest, I think they realized that and decided to put me in giant platform shoes for the entire first season. I’m talking like ‘70s 2 to 3-inch soles.”

“I have been lampooned for my shoes, literally to this day,” he added.


What is the iCarly reboot about?

During the interview, Kress remarked that, rather than referring to iCarly as a reboot, he said it’s more of “a reimagining, I think they want to call it.”

“Basically the show is just a direct continuation, as if no time had passed,” Kress shared. “The show ended in 2012, we’re almost 10 years later. It’s just showing what has happened to our lives in that time.”

The actor said he couldn’t reveal too many more details about what will happen, however. “What I can say is that everybody is in … some people are in a similar place, some people are in a better place, and some people are in a significantly worse place,” he said.

Did the iCarly cast stay in touch after the show ended?

Kress shared that the iCarly cast has stayed in touch “pretty infrequently” over the years. “We tried at the beginning. We would do kind of an annual ‘where are we now’ dinner where we would sort of get together and just catch up and then that just eventually sort of petered out,” he noted.

“We still talk every once in a while and we still talk to each other on social media … but we weren’t in constant communication,” Kress added.

Once they found out about the reboot, however, they reconnected with a group chat “and exchanged gifs for a while.”

“It was cool because, even though it’s been a lot of years, it really did feel like no time had passed, which is a good sign that I don’t think we’re going to have much trouble getting back in our groove,” he said of reuniting with castmates Miranda Cosgrove and Jerry Trainor, who play Carly Shay and her brother, Spencer.

What is Freddie from iCarly doing now?

Kress also hinted that fans can expect some new characters on the iCarly reboot. “The casting process is in full swing so there’s going to be chemistry reads in the next couple weeks for the new characters that we’re adding,” he explained.

“So I think Miranda and Jerry are going to be reading with people that more pertain to them,” Kress continued. “I have a character that is very important to me in the show that I will be doing my chemistry reads with in I think next week or the week after that.”

He couldn’t reveal who that character that’s “very important” is, however, despite the hosts attempting to dig a little deeper. “I can tell you this — it’s not Freddie’s wife,” Kress confirmed.

The unnamed iCarly reboot is reportedly in production, with filming slated to commence in March 2021. Actors Miranda Cosgrove, Jerry Trainor, and Nathan Kress on deck to reprise their roles, and the series is pencilled in to premiere on Paramount+ in May 2021.


Original source: Showbiz Cheat Sheet.

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The Ad Council and COVID Collaborative Reveal ‘It’s Up To You’ Campaigns to Educate Millions of Americans about COVID-19 Vaccines

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The Ad Council and COVID Collaborative Reveal ‘It’s Up To You’ Campaigns to Educate Millions of Americans about COVID-19 Vaccines

Major brands, media companies, community-based organizations, faith leaders and other trusted messengers to extend reach of message across all channels with a focus on Black and Hispanic communities, who have been hit hardest by the pandemic


New York, NY, February 25, 2021 – The Ad Council and COVID Collaborative today revealed the platform for their COVID-19 Vaccine Education Initiative, “It’s Up To You.” Representing one of the largest public education efforts in U.S. history, more than 300 major brands, media companies, community-based organizations, faith leaders, medical experts and other trusted messengers are supporting the campaigns designed to reach distinct audiences. These partners include Adobe, Apple, Bishop T. D. Jakes, Black Information Network, Facebook, FOX Entertainment, Google/YouTube, iHeartMedia, John Leguizamo, NAACP, NBCUniversal, Pandora/SiriusXM/SoundCloud, Sanjay Gupta, Telemundo, UnidosUS, ViacomCBS and more.

Created in close partnership with the Centers for Disease Control and Prevention (CDC), ensuring all “It’s Up To You” messaging is rigorously vetted and backed by science, the campaigns urge audiences to visit GetVaccineAnswers.org (DeTiDepende.org in Spanish) to get the latest information about COVID-19 vaccines, with the ultimate goal of helping the public feel confident and prepared to get vaccinated once a vaccine is available to them.

“With the ‘It’s Up To You’ platform, we’re listening to America’s top questions, understanding their concerns and working to educate and empower people across the country – particularly communities of color who have been disproportionately impacted by the pandemic – so they can make an informed choice about vaccination for themselves and for their families,” said Lisa Sherman, President and CEO of the Ad Council. “Our extraordinary partners across the communications industry are uniquely positioned to amplify these critical messages at scale. Through this truly unprecedented effort, we can get back to the moments we all miss and save lives.”

Ad Council research fielded by Ipsos Public Affairs in February 2021 reveals that approximately 40% of the public have not yet made a firm decision to get vaccinated as soon as vaccines are available to them. Additionally, the data illustrates the need for a bespoke effort reaching communities of color who have been disproportionately affected by COVID-19 and where there is considerable distrust in the government and medical community and high hesitancy toward the vaccines. The Ad Council’s research shows that Black and Hispanic Americans who are undecided are significantly less confident they have enough information to guide their decision about getting a COVID-19 vaccination, compared to those intending to get vaccinated. Approximately three-quarters of consumers who are undecided say they want information to address their questions about the vaccines, even if vaccines are not yet available to them.

The CDC brand will be seen on select creative assets and, along with HHS, the CDC is providing scientific guidance on all aspects of the campaign. COVID Collaborative is lending insights from its scientific experts to the effort, engaging many members of its collaborative who represent the diversity of the country to help with dissemination, and connecting the campaign to Governors and other leaders in states.

“Public education is a critical component of our response to the COVID-19 pandemic — it is a shared effort to empower people to protect themselves, especially those in disproportionally burdened populations,” said CDC Director Dr. Rochelle P. Walensky. “Just as we are taking action to address the inequities this pandemic laid bare, we need a concerted approach to bring an end to the pandemic and to leverage the lessons learned during COVID-19 to achieve optimal health for all.”

To reach vaccine hesitant individuals across the country, creative agency Pereira O’Dell worked pro bono to develop the creative platform, “It’s Up To You.” Taking an empathetic approach that reaffirms that it’s understandable to have questions about the vaccines, “It’s Up To You” conveys that one of the best ways to get back to the moments and people we miss is by getting vaccinated against COVID-19. Agency JOY Collective has also worked to adapt the “It’s Up To You” platform with content specifically developed to reach and resonate with the Black communities. The strategic framework underpinning the “It’s Up To You” platform, normalizing hesitancy and answering important questions, was developed by BeenThereDoneThat.

Creative assets in English and Spanish will appear nationwide across broadcast TV, digital, radio and social media beginning this week. Additional work will also roll out over the coming weeks, including content developed by modern culture marketing agency Alma, which customized the creative platform to produce “De Ti Depende,” a campaign designed to resonate with Hispanic communities in the U.S. Registration is also now open for a special edition of Hispanicize on March 12 featuring Dr. Anthony Fauci, Beto Perez, John Leguizamo, Karen Martinez, Luis Guzman and others.

“This is not only the most important campaign of our generation, but it needs to be the largest too,” said PJ Pereira, Creative Chairman, Pereira O’Dell. “It had to be an idea that worked not only for the audience, but allowed for brands and publishers to make it theirs, too.”

How It Starts :30 | COVID-19 Vaccine Education Initiative | Ad Council

“As a Black and woman-owned agency, we are proud to partner with the Ad Council to lead the campaign efforts within the Black community. With a multifaceted creative, digital, social, events and grassroots campaign focused on educating the Black community in a credible, culturally relevant way, while inspiring them to ‘get back to’ what we all miss so much. Our goal is to help the Black community get the facts, despite their inherent distrust in the government and medical community, and help them make an informed decision about COVID-19 vaccines” said Kelli Richardson Lawson, CEO, JOY Collective.

Worship :60 | COVID-19 Vaccine Education Initiative | Ad Council

Additionally, the initiative has partnered with JOY Collective and CIEN+ to collaborate with a wide range of organizations to inform the development and distribution of culturally resonant content for Black and Hispanic audiences, who have been disproportionately impacted by COVID-19 and have lower vaccine confidence. Providing valuable tools and resources, events, and point-of-care and point-of-purchase educational materials for communities of color, these partners include the Black Coalition Against COVID-19 (BCAC), NAACP, National Alliance for Hispanic Health, National Hispanic Medical Association, National Medical Association, National Urban League, UnidosUS, United States Hispanic Chamber of Commerce (USHCC) and others. To kick off the initiative, the Ad Council is partnering with the NAACP to host UNMASKED: A COVID-19 Virtual Town Hall Series on February 25 at 8pm ET where leading policy makers, researchers and medical experts will share the latest on the coronavirus pandemic, treatments, and vaccine education. ABC News Senior National Affairs Correspondent Deborah Roberts will moderate the program, which will feature NAACP President and CEO Derrick Johnson, Dr. Cameron Webb (member of the Biden Advisory Board for Coronavirus), Dr. Reed Tuckson (Founding Member and CEO of the Black Coalition Against COVID-19), and Dr. Chris Pernell (Public Health physician).

In collaboration with Values Partnerships, the initiative has also developed a comprehensive strategy to engage the faith community and has established a National Faith Steering Committee to inform efforts, participate in campaign content and events, and help disseminate educational resources. This committee includes major national faith-based organizations and over 20 highly influential faith leaders across the Black and Hispanic faith communities, including the National Association of Evangelicals, the National Latino Evangelical Coalition, Bishop T. D. Jakes, Dr. Barbara Williams-Skinner, Rev. Dr. Gabriel & Rev. Jeanette Salguero, Rev. Dr. Otis Moss III, Rev. Enid Almanzar, Rev. John K. Jenkins, Rev. Traci Blackmon, Rev. Dr. Walter Kim and more. The initiative includes a PSA developed by JOY Collective and Values Partnerships and a national vaccine education event, specially developed for the Black and Hispanic faith communities, which will be on March 9 at 7pm ET. The event will feature Bishop T. D. Jakes and other steering committee members in addition to medical experts and other special guests. In addition, the Ad Council is also collaborating with Choose Health Life (CHL) – a sustainable, scalable and transferable approach to address public health disparities in the Black Community centered around the Black church.

“COVID-19 is one of the most significant challenges we have faced as a faith community, but there is hope,” said Bishop T.D. Jakes. “We have vaccines that are effective and we have an across-the-board commitment in the faith community to ensure that all Americans are informed with accurate up to date information that will assist in the critical decisions that insure healthy outcomes. I am pleased to partner with the Ad Council and fellow clergy in this effort and am optimistic about what God is doing through the medical community and what he will do through this campaign.”

The Black Faith Community on COVID-19 Vaccines | COVID-19 Vaccine Education Initiative | Ad Council

Leading brands, media companies and social platforms and services are developing custom content and donating media to extend the “It’s Up To You” message, connecting their audiences with crucial and vetted information about the COVID-19 vaccines. Partners include:

  • Adobe will work with their diverse and extensive creator community as a Founding Partner to commission artwork for the “It’s Up to You” campaign to connect with underrepresented groups.
  • Apple is a Founding Partner of the COVID-19 Vaccine Education Initiative. As part of its commitment to health, Apple will help the Ad Council keep customers informed about the benefits of the vaccine through its services, including the App Store, Apple Music, Apple News, and more.
  • BET is supporting the effort by creating a BET News COVID-19 special and leveraging its platforms to promote and live stream the initiative’s event with NAACP, UNMASKED: A COVID-19 Virtual Town Hall.
  • BIN: Black Information Network is launching “It’s Up To You” Vaccine Education Week and will provide a week of dedicated programming designed to spark meaningful conversation fueled by trusted news and information within Black communities.
  • Complex Networks will be developing custom content for Ad Council’s “It’s Up To You” COVID-19 Vaccine Education Initiative which will reach Complex Networks' 70 million+ (monthly) multicultural audience who share a passion for what's now and next in music, sneakers, style, pop culture, and beyond. They will also be donating media to support these assets across Complex Networks’ properties.
  • Disney will leverage resources across a variety of its platforms (ABC, ESPN, Freeform, FX, Hulu, National Geographic) to support “It’s Up To You” PSAs.
  • Facebook is donating production for an in-market messaging campaign with a suite of creative assets that will run across Facebook and Instagram and provide donated media throughout the campaign. Additionally, a Founding Partner of the Ad Council’s COVID-19 vaccine education initiative, this support is part of Facebook’s commitment to running a worldwide campaign to promote authoritative COVID-19 vaccine information.
  • FOX will leverage top-tier talent to create a series of “It’s Up To You” PSAs and donate media inventory across its stable of entertainment, sports and news platforms.
  • Google/YouTube, in addition to being a Founding Partner, is integrating the Ad Council’s vaccine campaign into their larger "Get the Facts" COVID-19 vaccine marketing efforts. Google/YouTube is also making concerted efforts to support the Ad Council's industry movement, providing advertisers with bespoke support, insights & resources to scale their message using Google and YouTube platforms and tools.
  • Holler is producing “It’s Up To You” content to run in donated conversational media.
  • IBM Watson Advertising is contributing its AI creative technology, Accelerator, to provide research insights, creating digital banner content for this testing and donating media across its weather.com and The Weather Channel app properties.
  • iHeartMedia is providing the campaign’s official suite of English and Spanish audio assets that will be made available for other audio companies to use across their platforms beginning today. Through audio, the iHeart-created PSAs vividly bring to life the “It’s Up To You” campaign and encourage the public to get the facts to make an informed decision about the COVID-19 vaccine.
  • LinkedIn is advising the Ad Council on creative and media targeting strategies for COVID-19 vaccine ads to help companies reach the right audiences with the information needed to have informed discussions about the vaccines. LinkedIn is also providing significant donated media to support the “It’s Up to You” campaign.
  • NBCUniversal and Telemundo are creating custom video and banner assets in both English and Spanish for support across the NBCUniversal ecosystem, also made available to other networks. NBCUniversal is also a Founding Partner of the Ad Council’s COVID-19 vaccine education initiative.
  • Outcome Health is partnering with the initiative by creating educational content about the COVID-19 vaccines for vaccine hesitant groups, including Black and Hispanic communities, in addition to significant donated media through its point of care locations, the largest such network in the U.S.
  • Pandora’s in-house creative consultancy, Studio Resonate, is creating custom audio ads to run within donated media inventory across Pandora, SiriusXM and SoundCloud.
  • Pinterest is supplementing historic Ad Council support with significant donated media for the organization's “It’s Up To You” campaign, as well as continuing to collaborate with the initiative to inspire COVID-19 vaccine education and confidence by providing access to trusted expert content on the platform.
  • Salesforce is a Founding Partner of the Ad Council’s COVID-19 vaccine education initiative and is supporting the campaign with a live segment on its "Leading Through Change"series, airing March 4, 2021 at 10am PT.
  • Sesame Workshop will develop custom PSAs in English and Spanish for grownups and families, featuring their iconic characters.
  • Snapchat has committed to supporting “It’s Up To You” through the creation of custom AR content and providing donated media.
  • Spotify will produce custom audio PSAs and messaging points for podcast host reads to promote COVID-19 vaccine awareness and education, distributed across donated media on its free tier and integrated into podcasts on its platform.
  • TikTok is donating prominent In-Feed advertising space dedicated to the “It’s Up to You” campaign. TikTok is committed to amplifying critical public health information and will support the campaign with engaging content featuring TikTok creators and integrate the “It’s Up To You” program in their in-app COVID-19 information hub.
  • Twitter is developing a custom hash-emoji on behalf of the campaign and will also host and spotlight a live Q&A on their platform, featuring a medical expert to address the top COVID-19 vaccine questions facing their users.
  • Twitch will produce a custom video PSA to promote COVID-19 vaccine awareness and education, distributing the video via donated media across the live streaming service.
  • Unilever - maker of brands like Dove, Hellmann’s and Suave - will support the Ad Council initiative as a Founding Partner by integrating it into their annual Day of Service and amplify with paid and earned media, retail tie-ins and a broader employee and Unilever partner program.
  • Verizon is a Founding Partner, the first to sign on as a supporter of the initiative, and is developing a digital campaign extension of “It’s Up To You,” which will launch 2/25 and focus on inviting other brands to join in and support the effort.
  • ViacomCBS, creators of the #AloneTogether campaign with the Ad Council which has delivered critical COVID-19 safety information since March, will support as a Founding Partner by running PSAs across its broadcast, cable and streaming platforms and produce custom video and social assets tailored for their unique audiences.
  • Walmart is a Founding Partner of the COVID-19 Vaccine Education Initiative and will provide further support for the “It’s Up To You” campaign by donating media across TV Walls, organic social, and display ads.
  • WarnerMedia is co-creating PSAs with their in-house 10th Street Production Company featuring Daveed Diggs, Sanjay Gupta, and Rosie Perez. The assets will be supported across the WarnerMedia and AT&T video ecosystem and made available to other media properties as well.

“When the marketing and media communities come together and amplify urgent public health messages, we can be an incredible force for good,” said Linda Yaccarino, Board Chair of the Ad Council and Chairman, Global Advertising and Partnerships of NBCUniversal. “The Ad Council has been leading the charge to make sure everyone in America has the latest and most accurate information about the COVID-19 vaccines. Every major media company and platform recognizes the importance of this effort and through the media community’s support, we’ll be able to reach Americans with the information they need from the sources they trust.”

All “It’s Up To You” campaign efforts drive audiences to GetVaccineAnswers.org (DeTiDepende.org in Spanish) for answers to the top questions Americans have about the COVID-19 vaccines. Vetted by experts at CDC, HHS and COVID Collaborative, content on the website is available in seven languages (English, Spanish, Simplified Chinese, Korean, Russian, Haitian Creole, and Vietnamese) and serves as an information hub to help consumers make an informed decision for themselves and their families about COVID-19 vaccines. Resources at GetVaccineAnswers.org will be continually updated as new information and data becomes available.

“Americans always rise to the challenge in times of crisis. The COVID Collaborative has brought together top experts, leaders and institutions in health, education and the economy and associations representing the diversity of the country to engage Americans in their own recovery,” said John Bridgeland, Co-Founder and CEO of the COVID Collaborative. “We are thrilled to partner with the Ad Council on this critical campaign and so many extraordinary institutions to help save lives and put America on a path to recovery and renewal.”

The Ad Council and COVID Collaborative have undertaken comprehensive and ongoing research to understand audience mindsets and how to effectively message to build vaccine confidence. This included consulting with a deep network of experts in public health, health communications and marketing, as well as qualitative and quantitative research conducted in partnership with Ahzul, Facebook, Feedback Loop, IBM Watson Advertising, Ipsos Public Affairs and Nielsen. Insights from this research is fueling the initiative’s creative, media, digital, and partnership strategies, including the development of the “It’s Up To You” platform. Dentsu Health, dentsu Americas' integrated health practice, worked pro bono to develop consumer insights and the national media strategy, informing creative development and providing a comprehensive placement framework for the creative assets.

To date, the initiative has raised over $52 million for a national communications effort to increase confidence in vaccination against the COVID-19 virus. Leading contributors to date include Amazon, Apple, Bank of America, Cisco, CVS Health, Facebook, General Motors, Google and YouTube, the Humana Foundation, NBCUniversal/Comcast, Salesforce, Verizon, Walgreens and Walmart. Significant contributions have also been provided by Adobe, America’s Health Insurance Plans (AHIP), the American Heart Association, the American Medical Association, BNY Mellon, Business Roundtable, Citi, Ford Motor Company, JPMorgan Chase, the New York Life Foundation, Stanley Black & Decker, Synchrony, Target, Unilever, Wells Fargo and ViacomCBS.

Major industry trade associations including the ANA’s Alliance for Inclusive and Multicultural Marketing (AIMM), American Association of Advertising Agencies (4A's), Association of National Advertisers (ANA), Interactive Advertising Bureau (IAB), Mobile Marketing Association (MMA), National Association of Broadcasters (NAB), NCTA – The Internet and Television Association, News Media Alliance (NMA), Out of Home Advertising Association of America (OAAA), Radio Advertising Bureau (RAB) and Television Bureau of Advertising (TVB) are supporting the initiative by engaging their members, representing leading corporate brands, marketers, TV stations, radio, and digital media throughout the country, to continue educating the public with critical information from “It’s Up To You.”

One of the initial efforts of this initiative was the launch of informational videos to address healthcare professionals' questions about COVID-19 vaccination, featuring Dr. Anthony Fauci and other representatives from leading healthcare organizations, developed pro-bono by Group SJR. Since the pandemic was declared in March 2020, the Ad Council has mobilized the industry to launch an unprecedented, multi-pronged communications effort to combat COVID-19. To date, the Ad Council’s COVID-19 efforts have resulted in over 47 billion impressions, $445 million in donated media value, and nearly 33 million visits to Coronavirus.gov.

The Ad Council

The Ad Council has a long history of creating life-saving public service communications in times of national crisis, starting in the organization's earliest days during World War II to September 11th and natural disasters like Hurricane Katrina and Hurricane Sandy. Its deep relationships with media outlets, the creative community, issue experts and government leaders make the organization uniquely poised to quickly distribute life-saving information to millions of Americans.

The Ad Council is where creativity and causes converge. The non-profit organization brings together the most creative minds in advertising, media, technology and marketing to address many of the nation's most important causes. The Ad Council has created many of the most iconic campaigns in advertising history. Friends Don't Let Friends Drive Drunk. Smokey Bear. Love Has No Labels.

The Ad Council's innovative social good campaigns raise awareness, inspire action and save lives. To learn more, visit AdCouncil.org, follow the Ad Council's communities on Facebook and Twitter, and view the creative on YouTube.

COVID Collaborative

COVID Collaborative is a national assembly of experts, leaders and institutions in health, education and the economy and associations representing the diversity of the country to turn the tide on the pandemic by supporting federal, state and local COVID-29 response efforts.

The COVID Collaborative is chaired by former Governor and U.S. Senator Dirk Kempthorne (R-ID) and former Governor Deval Patrick (D-MA). It includes expertise from across Republican and Democratic Administrations at the federal, state and local levels, including former FDA Commissioners, CDC Directors, and U.S. Surgeon Generals; former U.S. Secretaries of Education, Homeland Security, and Health and Human Services; leading public health experts and institutions that span the country; the U.S. Chamber of Commerce, and Business Roundtable; the NAACP, UnidosUS, and the National Congress of American Indians; the Skoll Foundation, The Allstate Foundation, and The Rockefeller Foundation; and associations representing those on the front lines, from the American Public Health Association to the Council of the Great City Schools.

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"ViacomCBS is proud to support the Ad Council and COVID Collaborative as a Founding Partner of the COVID-19 Vaccine Education Initiative," ViacomCBS posted on LinkedIn. "We want to ensure that Americans have accurate information on the available COVID-19 vaccines, so that they can make the right choices for themselves and their families."


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Jay Kogen Exits As Co-Showrunner Of ‘iCarly’ Revival Series For Paramount Plus

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One of the most anticipated new series on Paramount+, iCarly, is undergoing a behind-the-scenes leadership change, Deadline reports.


Jay Kogen has stepped down as executive producer and co-showrunner on the new iteration of the 2007 Nickelodeon comedy. Fellow executive producer/co-showrunner Ali Schouten remains on board; it is unclear whether the series will bring in a new co-showrunner.

According to sources, comedy veteran Kogen and iCarly star Miranda Cosgrove did not click creatively, and those creative differences ultimately led to his departure.

Kogen confirmed the news on Twitter: "Now that the news is out I can say I'm sadly no longer trying to make iCarly a show worth  watching. But the work I did has given the show a foundation. I wish them the best."

iCarly is described by Paramount+ as a new chapter for the most successful kids’ sitcom of all time, where original cast members Miranda Cosgrove, Nathan Kress and Jerry Trainor join new friends for a look at these characters’ present-day lives, adventures and comedic mishaps.

The original iCarly series, produced by Nickelodeon, ran from 2007-2012. Starring Cosgrove, Trainor, Kress and Jennette McCurdy, it followed a group of best friends creating a webcast while grappling with everyday problems and adventures. During its original run, iCarly became a pop-culture staple and regularly broke viewership records among audiences of all ages. Nickelodeon also is producing the revival for ViacomCBS’ streaming services Paramount+, which officially launches March 4.

Kogen previously worked with Nickelodeon on the comedy series School of Rock and created/executive produced the Nick at Nite series Wendell and Vinnie, starring Trainor. He recently served as a consulting producer on another YA sitcom revival for a new streaming platform, Peacock’s Punky Brewster. His credits also include The Simpsons and Frasier.

Paramount+ is slated to premiere the "re-imagined"iCarly series later this year.


Original source: What's on Paramount+.

Follow NickALive! on Twitter, Tumblr, Reddit, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon and iCarly News and Highlights!

New 'Avatar: The Last Airbender' Air Nomad Sneakers Unveiled

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Avatar: The Last Airbender Sneakers Have Air Nomad Style


It's a pretty exciting time to be a fan of Avatar: The Last Airbender. For starters, Nickelodeon has just launched Avatar Studios, a newly formed division designed to create original content spanning animated series and movies based on the beloved world of Avatar: The Last Airbender and The Legend of Korra, with an animated ATLA movie already in the works. The classic Nickelodeon animated series is also getting a Netflix live-action reboot and an RPG tabletop game. There has also been some great merch releases lately, ranging from board games where you play as a cabbage merchant to a collection of Avatar-themed baseball jerseys. Topping it all off are these new high-top sneakers from Fun.com.

These Avatar: The Last Airbender sneakers are officially licensed from Nickelodeon, and feature a design that's inspired by Aang and the Air Nomads. The bold yellow and red/orange colors on the sneakers are accented with blue elements that include the arrow tattoo on the tongue, the Air Nomad symbol on the side, and the laces.


The Avatar: The Last Airbender sneakers are available to order here at Fun.com (exclusive) for $39.99 in unisex sizes that range from 5 to 12 for men and 7 to 14 for women. If these sneakers are anything like the Beetlejuice sneakers that Fun launched back in November, they will sell out quickly, so grab a pair in your size while you can. Fun's entire collection of Avatar: The Last Airbender gear can be found here.


For those who are unfamiliar, Avatar: The Last Airbender was originally created by Michael DiMartino and Bryan Konietzko for Nickelodeon in 2005. The series is set in world people can manipulate the elements of Earth, Water, Fire, and Air, and they lived peacefully in different regions until one of the regions started a world war.

One master who can manipulate all four elements, dubbed the "Avatar," had been able to prevent this war, but disappeared soon after. 100 years later, a new Avatar named Aang awakens and sets out on a journey to master all the elements in order to bring peace to the land once more. The Legend of Korra takes place takes place 70 years after the events of its predecessor, following the next Avatar, a young girl named Korra from the Southern Water Tribe.

The stories of both Avatar: The Last Airbender and The Legend of Korra have continued on in graphic novel series.

Watch Avatar: The Last Airbender and The Legend of Korra on Paramount+ and Netflix!

Subscribe to the NEW official Avatar: The Last Airbender YouTube channel!: https://at.nick.com/AvatarSubscribe

More Nick: Nickelodeon Establishes Avatar Studios; Announces Animated 'Avatar: The Last Airbender' Movie!

Original source: ComicBook.com.

Follow NickALive! on Twitter, Tumblr, Reddit, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon, NickRewind, Avatar: The Last Airbender and The Legend of Korra News and Highlights!
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