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Nickland at Movie Park Germany to Open PAW Patrol Adventure Bay Area in May 2019

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Viacom International Media Networks (VIMN) is continuing to expand its location-based experiences business across Europe at theme parks and family entertainment centers.


VIMN is adding a PAW Patrol-themed zone (pictured) in Nickland at Movie Park in Germany called Adventure Bay that’s slated to open in May 2019. Adventure Bay is set to open in May 2019 and will span 1,800 square meters, and will include an off-road convoy ride, a wild boat ride, a children’s playground and photo opportunities with PAW Patrol characters among its attractions.

The announcement of Nickland’s expansion at Germany’s Movie Park follows hot on the heels of the opening of Nickelodeon Adventure in Madrid at Madrid Xanadú, as part of VIMN’s partnership with Parques Reunidos. The Nickelodeon-branded zone at the mall entertainment center in Spain features Nickelodeon intellectual properties (IP) such as PAW Patrol brand in addition to SpongeBob SquarePants, Dora the Explorer, Rugrats, The Fairly OddParents and Teenage Mutant Ninja Turtles, and the opening of a PAW Patrol Adventure Bay attraction at Nickelodeon Universe at Mall of America!

“We are excited about the expansion of our location-based experiences business around Europe,” said Raffaele Annecchino, President and Managing Director (MD) of VIMN for Southern and Western Europe, the Middle East and Africa. “These parks are a key part of our strategy and offer great opportunities for growth. Thanks to our key partnerships with Movie Park for the expansion of Nickland in Germany and Parques Reunidos for the recently opened Nickelodeon Adventure in Spain, we continue to deliver on our commitment to bring the Nickelodeon brand and characters to life to engage kids and families on the ground.”

“We are pleased to expand and strengthen our cooperation with Nickelodeon by creating this new PAW Patrol-themed area at Movie Park Germany,” added Thorsten Backhaus, General Manager (GM) of Movie Park Germany. “Demand for the series as well as the possibility to engage with its characters has been very high in recent years. This way, we can address our target group including families and children even more precisely and are able to offer visitors a whole new interactive experience.”

Additionally, VIMN Asia announced in July 2018 that it would partner with Mall of China developers Jiayuan Group, China Creation Group and Triple Five Group to co-develop Nickelodeon’s first indoor theme park in Asia. Slated to open its doors in the Mall of China complex in Chongqing in December 2020, the entertainment center will be Nick’s largest indoor theme park at nearly seven acres.

Viacom’s global location-based brand extension business includes hotels and resorts, theme parks, live shows, exhibitions, 4D films, cruises and family entertainment centers.

Viacom's partnership with Parques Reunidos to open Nickelodeon-branded indoor family entertainment centres in shopping centers around Europe has also seen the opening of Nickelodeon Adventure Murcia in Merlin Properties' Thader Shopping Center in Murcia, Spain in December 2017. Under the agreement, VIMN and Parques Reunidos will also open a Nickelodeon-branded family entertainment centre in intu Lakeside in the UK, set to open in 2019, and a Nickelodeon Family Entertainment Center in Dolce Vita Tejo in Lisbon, Portugal.

Additional upcoming Nickelodeon-branded attractions include: Nickelodeon Cultural Resort in China; Nickelodeon Universe at American Dream in the U.S.; a Nickelodeon land inside IMG Worlds of Legends theme park in Dubai; and Nickelodeon Hotels & Resorts Riviera Maya.

Below is Movie Park Germany's official press release announcing the PAWsome news. For more information about Movie Park Germany, visit https://www.movieparkgermany.de:

ADVENTURE ON FOUR PAWS FOR THE WHOLE FAMILY

Tuesday, January 8, 2019

PAW Patrol themed area to open at Nickland in Movie Park Germany

New themed world “Adventure Bay” coming in 2019 with attractions inspired by the well-known puppy rescue team

(Bottrop-Kirchhellen, 8 January 2019) Families can already start looking forward to the new season at Movie Park Germany: In 2019, Germany's largest film and amusement park will dedicate a whole new area in Europe's largest Nickland to the puppy rescue team from the popular Nickelodeon PAW Patrol TV series. With new attractions, fresh design details and exciting interactive elements, "Adventure Bay" will be brought to life and made accessible to all fans of the series. The new PAW Patrol area is expected to open in spring 2019.

“In addition to our rapid rollercoasters and spectacular shows, it’s the attractions for the whole family that make Movie Park Germany what it is. The PAW Patrol animated series is particularly popular among our younger visitors. We can therefore look forward to further bolstering our park offer with this new themed world and better meet the needs and wishes of our target group,” explains General Manager, Thorsten Backhaus. “I’m also delighted that we've been able to further extend our cooperation with our partner Nickelodeon and dedicate an entire themed area to this great show.”

“We are very pleased to expand our close partnership with Movie Park,” says Mark Specht, Senior Vice President and GM of Viacom International Media Networks Germany, Switzerland and Austria, “Such partnerships are an important part of our business strategy and we are excited to offer kids and families even more opportunity to engage with their favorite Nickelodeon characters.’

The new themed world at Movie Park Germany, which again this year has been awarded the gold label (no. 1 in amusement parks category) by Welt am Sonntag and Service Value as a “family-friendly enterprise”, will be integrated directly into the Nickland between the snacks and drinks outlet and the entrance to the attraction “Excalibur – Secrets of the Dark Forest” on a site measuring 1,800 m². Design elements and the storyline have been developed by the Movie Park Germany project team under Wiebe Damstra in close cooperation with Nickelodeon Experience Design in Orlando and the Dutch design experts from the Leisure Expert Group. The Spanish company Rocas & Design, previously commissioned with “Lost Temple”, is responsible for designing and implementing the various thematic aspects of the new area.

New exciting attraction for the whole family

Riding through the streets of "Adventure Bay" with the beloved puppy troupe, parents and kids alike can look forward to a brand-new family attraction in the new themed area. On the new “PAW Patrol Adventure Tour”, a convoy ride created by Zamperla, visitors will experience an exciting off-road journey with their four-legged heroes. The six vehicles are inspired directly by the series, i.a. Marshall’s fire engine and Rubble’s bulldozer, and provide enough space for up to four people to take the whole family along on an exciting adventure.

A totally new children's playground with interactive beach-style elements will be dedicated to Zuma, the brown labrador, and Rubble, the cheeky bulldog. Children can climb, swing and slide to their heart’s content in this area. The popular family attraction “Swiper‘s Sweeper” has also been completely revamped to become “Zuma’s Zoomer” – a wild hovercraft trip on the beach of “Adventure Bay”.

Film-like adventure for children: experiencing PAW Patrol at a meet & greet

Children and families can take advantage of numerous photo points and meet & greet opportunities to experience their animal heroes right up close. “Demand for interaction has been very high in recent years. Our visitors will now get the chance to really immerse themselves in the world of PAW Patrol,” explains General Manager Thorsten Backhaus. One particular highlight guests can look forward to is the iconic command center of the canine crew on a large scale: An exclusive photo point and meet & greet area will be set up at the foot of the 15-meter high tower. On top of that, Movie Park Germany will present all of the extraordinary emergency vehicles used by the TV heroes as realistic photo points, giving kids the chance to climb aboard just like their furry friends – for example, they can take a ride on Rocky’s transporter or on Chase’s police car.

Young and young-at-heart fans of the puppies can also take advantage of the new family offers at Movie Park Germany. For example, PAW Patrol-themed kids’ birthdays can be booked from the 2019 season. In addition, special PAW Patrol family and season tickets will be available for purchase, allowing visitors to get right up close to the series and its characters. Further information to follow shortly.

Movie Park Germany

Since 1996, Movie Park Germany has been offering its visitors shows, attractions and events all about film, with the motto: "Hooray, I'm in the movies!" Spanning approximately 45 hectares, the Park invites guests to immerse themselves in the world of film and find excitement, entertainment and thrill in more than 40 different attractions. Germany's largest film and amusement park is a special experience for young and old alike, having borne the TÜV distinction "OK for Kids" since 2006. Featuring Nickland, one of the largest NICK theme worlds worldwide, and its TV heroes SpongeBob SquarePants and Patrick, Dora the Explorer and Diego, PAW Patrol and the Teenage Mutant Ninja Turtles, the Park is particularly suitable for families. Thanks to the in-house tour operator Movie Park Holidays, arranging a long journey with accommodation in nearby hotels is child’s play. www.movieparkholidays.com

About Nickelodeon

Nickelodeon, now in its 39th year, is the number-one entertainment brand for kids. It has built a diverse, global business by putting kids first in everything it does. The company includes television programming and production in the United States and around the world, plus consumer products, digital, recreation, books and feature films. Nickelodeon is one of the most globally recognized and widely distributed multimedia entertainment brands for kids and family, with 1.2 billion cumulative subscriptions in more than 500 million households across 170+ countries and territories, via more than 100+ locally programmed channels and branded blocks. Outside of the United States, Nickelodeon is part of Viacom International Media Networks, a division of Viacom Inc. (NASDAQ: VIAB, VIA), one of the world’s leading creators of programming and content across all media platforms. For more information or artwork, visit http://www.nickpress.com. Nickelodeon and all related titles, characters and logos are trademarks of Viacom Inc.

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Below is Movie Park Germany's official presse release announcing the news, in Deutsche:

ABENTEUER AUF VIER PFOTEN FÜR DIE GANZE FAMILIE

Dienstag, Januar 8, 2019

PAW Patrol erhält eigenen Themenbereich im Movie Park Germany

Neue Themenwelt „Adventure Bay“ öffnet in 2019 mit Attraktionen rund um die bekannte TV-Welpenwache von Nickelodeon

(Bottrop-Kirchhellen, 8. Januar 2019) Familien dürfen sich bereits jetzt auf die neue Saison im Movie Park Germany freuen: In 2019 wird Deutschlands größter Film- und Freizeitpark der beliebten TV-Welpenwache PAW Patrol in Europas größtem Nickland einen eigenen Themenbereich widmen. Mit neuen Attraktionen, vielen gestalterischen Details und interaktiven Elementen wird dabei der aus der beliebten Nickelodeon-Serie bekannte Ort „Adventure Bay“ zum Leben erweckt und für alle Fans der Serie zugänglich gemacht. Die Eröffnung der neuen PAW Patrol-Area ist für das Frühjahr 2019 vorgesehen.

"Neben rasanten Achterbahnen und spektakulären Shows sind es vor allem Attraktionen für die ganze Familie, die Movie Park Germany ausmachen. Die Animationsserie PAW Patrol ist unter den jungen Besuchern besonders beliebt. Daher können wir mit der neuen Themenwelt unser Parkangebot ideal erweitern und unsere Zielgruppe noch besser ansprechen“ erklärt Geschäftsführer Thorsten Backhaus. „Ebenso freue ich mich, dass wir die Kooperation mit unserem Partner Nickelodeon weiter ausbauen konnten und nun einen ganzen Themenbereich mit dieser starken Lizenz versehen dürfen.“

„Wir freuen uns sehr, die enge Partnerschaft mit dem Movie Park weiter auszubauen“, so Mark Specht, SVP und GM von Viacom International Media Networks in Deutschland, Österreich und der Schweiz. „Solche Partnerschaften sind ein wichtiges Element unserer Strategie, Kindern und Familien neue Möglichkeiten zu eröffnen, ihre liebsten Nickelodeon-Charaktere zu treffen und zu erleben.“

Die neue Themenwelt im Movie Park Germany, der dieses Jahr erneut als „familienfreundliches Unternehmen“ mit dem Prädikat Gold (Nr. 1 der Freizeitparks) von der Welt am Sonntag und Service Value ausgezeichnet wurde, wird direkt in das Nickland zwischen dem Snacks and Drinks-Outlet und dem Eingang zur Attraktion „Excalibur – Secrets of the Dark Forest“ auf einer Fläche von 1.800 m² integriert. Design und Storyline wurden vom Movie Park Germany-Projektteam unter Wiebe Damstra in enger Zusammenarbeit mit Nickelodeon Experience Design in Orlando und den niederländischen Design Experten der Leisure Expert Group entwickelt. Für die Ausführung und Umsetzung der Thematisierung zeichnet sich die spanische Firma Rocas & Design verantwortlich, die bereits für die Attraktion „Lost Temple“ beauftragt wurde.

Neue rasante Attraktion für die ganze Familie

Einmal mit der beliebten Welpen-Truppe durch die Straßen von „Adventure Bay“ jagen: Im neuen Themenbereich dürfen sich Eltern und Kinder auf eine brandneue Familienattraktion freuen. Auf der neuen „PAW Patrol Adventure Tour“, einem Convoy Ride der Firma Zamperla, erleben sie eine rasante Off-Road-Fahrt mit ihren Helden auf vier Pfoten. Die sechs passend zur Serie gestalteten Fahrzeuge, u.a. Marshalls Feuerwehr-Truck und Rubbles Bulldozer, bieten jeweils bis zu vier Personen Platz und nehmen die ganze Familie mit auf eine turbulente Fahrt.

Ein völlig neuer Kinderspielplatz mit interaktiven Elementen im Beach-Style wird Zuma, dem braunen Labrador, und der frechen Bulldogge Rubble gewidmet sein. Hier können Kinder nach Herzenslust klettern, schaukeln und rutschen. Die beliebte Familienattraktion „Swiper‘s Sweeper“ erhält ebenfalls ein komplett neues Design und wird zu „Zuma’s Zoomer“ umthematisiert – einer wilden Luftkissen-Bootsfahrt am Strand von „Adventure Bay“.

Filmreifes Erlebnis für Kinder: PAW Patrol erleben beim Meet & Greet

Um ihre tierischen Helden aus nächster Nähe zu erleben, können Kinder und Familien auf zahlreiche Fotopoints sowie Meet & Greet-Möglichkeiten zurückgreifen. „Die Nachfrage war bereits in den vergangenen Jahren sehr groß. Unsere Besucher sollen nun die Möglichkeit erhalten, noch näher in die Welt von PAW Patrol einzutauchen“, sagt Geschäftsführer Thorsten Backhaus. Als besonderes Highlight erwartet die Gäste die ikonische Kommandozentrale der Hundetruppe und das in großem Ausmaß: Im Fuß des 15 Meter hohen Turms wird ein exklusiver Fotopoint und eine Meet & Greet-Area errichtet. Darüber hinaus präsentiert Movie Park Germany in der neuen Themenwelt alle außergewöhnlichen Einsatzfahrzeuge der TV-Helden als realistische Fotopoints, so dass Kinder genau wie ihre Serienhelden – zum Beispiel im Transporter von Rocky oder auf dem Polizeifahrzeug von Chase – Platz nehmen können.

Kleine und große Fans der niedlichen Welpen können zudem auf die neuen Familienangebote des Movie Park Germany zurückgreifen. Ab der Saison 2019 können z.B. PAW Patrol-Kindergeburtstage gebucht werden. Auch spezielle PAW Patrol-Familien- und Saisontickets sind erhältlich, um die Serie und ihre Charaktere hautnah zu erleben. Informationen hierzu folgen in Kürze.

Movie Park Germany

Seit 1996 bietet Movie Park Germany seinen Besuchern unter dem Motto „Hurra, ich bin im Film!“ Shows, Attraktionen und Events rund um das Thema Film. Auf einer Fläche von etwa 45 Hektar tauchen die Gäste in die Filmwelt ein und erleben in über 40 unterschiedlichen Attraktionen Spannung, Entertainment und Nervenkitzel. Dabei ist Deutschlands größter Film- und Freizeitpark für große und kleine Besucher ein besonderes Erlebnis und trägt seit 2006 die Auszeichnung „OK für Kids“ des TÜVs. Mit seinem Nickland, einem der größten NICK-Themenbereiche weltweit, und seinen TV-Helden SpongeBob und Patrick, Dora und Diego, PAW Patrol sowie den Teenage Mutant Ninja Turtles ist der Park besonders für Familien geeignet. Dank des hauseigenen Reiseveranstalters Movie Park Holidays ist auch eine längere Anreise inklusive Übernachtung in verschiedenen Partnerhotels ein Kinderspiel. www.movieparkholidays.de

Nickelodeon

Nickelodeon ist weltweit die Nr. 1 bei Kindern und Heimat beliebter Kinderserien wie 'SpongeBob Schwammkopf', 'Das Geheimnis der Hunters', 'Willkommen bei den Louds' und 'Aufstieg der Teenage Mutant Ninja Turtles'. Besonderes Programm-Highlight sind die jährlich stattfindenden 'Nickelodeon Kids‘ Choice Awards', eine starbesetzte Show, in der Kinder weltweit über die Preisträger abstimmen. Eigenproduktionen wie 'Spotlight', 'Kazoom' oder 'Pixel Pokal' machen Nickelodeon auch in Deutschland zu einem echten Lieblingssender.

Nachmittags zeigt Nickelodeon mit Nick das lustigste Kinderprogramm und in den Morgen- und Vormittagsstunden begleitet Nick Jr. die kleinsten Zuschauer mit spannenden und lehrreichen Mitmach-Shows und Top-Vorschulformaten wie 'PAW Patrol' und 'Top Wing'. Zu Nickelodeon gehören neben dem abwechslungsreichen Angebot im TV und Online außerdem der Bereich Consumer Products, Events und Freizeitangebote sowie Publishing-Produkte, wodurch Fans ihre Nick-Helden überall hin mitnehmen und in der echten Welt erleben können.

Nickelodeon ist eine Marke der Viacom International Media Networks. Für mehr aktuelle Informationen zu Viacom International Media Networks und unseren Marken folgen Sie uns auf twitter.com/vimngermany, facebook.com/vimngermany oder besuchen Sie unsere Webseite unter viacom.de

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More Nick:Parques Reunidos Opens 'Nickelodeon Adventure' Theme Park in intu Xanadú in Spain!

Sources: TVKIDS, Kidscreen.
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon Germany and NickLand News and Highlights!

Pinky Malinky Theme Song ON REPEAT! | Pinky Malinky | Netflix

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Clap your hands and stamp your feet! It's time for the Pinky Malinky theme song... on repeat!



Clap your hands and stamp your feet
Pinky Malinky
Come with us and you will meet
Pinky Malinky
Full of joy and processed meat
Pinky Malinky
Wiener! Wiener!
Pinky!

Super friendly hot dog wiener
Pinky Malinky
But not the kind you have for dinner
Pinky Malinky
An oh so classic wiener winner
Pinky Malinky
Wiener! Wiener! Wiener! Wiener!
Wiener! Wiener! Wiener! Wiener!

Pinky Malinky, yeah!

Watch Nickelodeon's Pinky Malinky on Netflix : https://www.netflix.com/title/80175934

Click here to find out more about Pinky Malinky!

More Nick:Netflix to Produce Live-Action Adaptation of 'Avatar: The Last Airbender'!
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TeenNick Italy to Premiere 'Noobees' on Monday 4th February 2019

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TeenNick Italy to Premiere New eSports Series 'Noobees' on Monday 4th February 2019

TeenNick Italy, Nickelodeon Italy's (Italia) channel for tweens and teens, will premiere Noobees, Nickelodeon Latin America's (Latinoamérica) hit scripted series which takes viewers inside the high-stakes world of eSports, on Monday 4th February 2019 at 20.20! Following launch, new episodes will continue to air weekdays at 20.20 on TeenNick Italia. Noobees follows of a group of teenage gamers who have the opportunity to live out their biggest dream, participating in the eSports Championship, creating “Noobees”, an eSports team that will compete to win the Professional Video Games League.


Are you a gamer? N00bees is perfect for you! Not a gamer? You're gonna love the show, too!

N00Bees, whose title denotes a person who is new at playing an online game and/or is bad at it, follows Silvia, her brother Erick and their friends Tania, Pablo and Niko. Silvia has never been interested in video games. She has always preferred the outdoors and playing her favorite sport, basketball. She is the opposite of her father, Hector, and her brother - who, for them, video games are everything! When Erick is presented with the unique opportunity of participating in the E-Sports Championship, his greatest dream, Silvia does everything possible to help him achieve it, even if it means becoming a professional gamer herself. Silvia and Erick, along with their friends, create N00Bees - an E-sports team that will compete for the title at the Professional Video Games League. But this task will not be easy. Besides dealing with all the usual problems associated with growing up, Silvia will have to learn how to play video games while competing against David, the best player in the region and with whom she'll fall in love with. What nobody knows is that something will happen to Silvia that will make her gain some incredible powers allowing her to control the way she plays videogames, and this will be epic! All this will unleash all kinds of adventures and moments that fans CANNOT miss!


The show features new and established pan-regional actors, including Mexican natives Michelle Olvera (La Doña, Huérfanas, O Señor De Los Cielos) and newcomer Andres de la Mora; Colombians Maria Jose Vargas (Majo Vargas YouTuber e Celebridade no Instagram, Puro Flow, Francisco El Matemático) and Ilenia Antonini (Chica Vampiro); and Argentinean Lion Bagnis (La Doña, Baila). Additional cast members are Colombian actress and model Karen Martinez (Cartel De Los Sapos, Final Tiempo), Brandon Figueredo, who returns to Nickelodeon screens following his role in Nickelodeon Latinoamérica's hit series Yo Soy Franky, and Brazilian actress Clara Tiezzi (Malhação, Rebelde), among others.

Created by Enrique Pérez (Flipy) from Mediapro Group’s production company 100Balas, and produced by Viacom International Studios (VIS) and 100 Balas, N00bees is the Nickelodeon's first-ever gaming series, and brings fans closer to the very real world of eSports, a mass phenomenon among young people. The series, directed by William Barragán, reproduces the atmosphere of big games, the finals, and competition among the teams, including spectacular images from the Liga de Videojuegos Profesional (Professional Videogames League (LVP)), the biggest e-sports league in Spain and the host of major online and offline tournaments for such hit games as “League of Legends” and “Call of Duty.”

The show began filming in Televideo, MEDIAPRO’s production studio in Bogotá, Colombia in May 2018, and made its world debut on Nickelodeon Latinoamérica in September 2018. The series, featuring 60 1-hour episodes, will also run on the free-to-air (FTA) network RCN in Colombia. The Spanish language series is also being adapted to Portuguese for Nick viewers in Brazil (Brasil), where it'll premiere on Monday 4th February 2019 at 19h.

MEDIAPRO Colombia’s experience includes productions such as Chica Vampiro (Vampire Girl) which currently stands as the Nickelodeon favorite among viewers aged 4 to 12, bringing in an average of over 648,000 viewers.


To support the series, Nickelodeon Latinoamérica launched several short-form digital series to tie into the show, including Mystery Man, Rutizados and Game Mode, which fans could watch online at mundonick.com, the Nick Play app and on Nickelodeon Latinoamérica's official YouTube channel. Nickelodeon also partnered with Mixer for a series of weekly interactive live streams, and launched the NOOBINFLUENCER contest. To support the Brazilian debut of Noobees, fans can visit a immersive Noobees-themed interactive truck that will take them into the heart of the show and "Rocket League", the game featured in the series.

“Viacom International Studios is always seeking innovative programming for its brands and audiences,” commented Pierluigi Gazzolo, the president of Viacom International Media Networks (VIMN) The Americas. “Given the current worldwide trends around gaming, we are happy to introduce the eSports concept to our Nickelodeon viewers by way of this series and to extend its reach to a broader audience via RCN in Colombia.”

World Information Tracking (THE WIT) highlighted Noobees in their “Fresh TV Kids Live-Action Scripted Series” conference dedicated to new live-action TV series for children at MIPTV (Cannes) as one of the most innovative and original audiovisual productions for creating new trends in children’s fiction on the international market.

Noobees is the latest daily scripted series from Nickelodeon Latinoamérica acquired by Nickelodeon Italia, following the success of Vikki RPM. Noobees is also set to air on Nickelodeon Africa from Monday 18th February 2019 at 17:45 CAT.

More Nick:Nickelodeon Latin America Kicks Off Co-Production ‘Club 57’ with Italy’s Rainbow Group | MIPJunior | MIPCOM 2018!

Original source: Digital-Forum /@Andry10k; Additional source: Google Translate.
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January and February 2019 on Nickelodeon Italy: Noobees | Star Falls | Loud House | Anti-San Valentino con Jace Norman | Top Wing + More!

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Below is a round-up of Nickelodeon Italy's (Italia) programming highlights for January (Gennaio) and February (Febbraio) 2019!


N00bees

Nickelodeon Italia: (canali 605 e 606 di Sky)

The Loud House (A casa dei Loud)
New Episodes
Airs: Monday-Friday at 19:30 from Monday 7th January 2019

Lun 7 GEN: A casa dei Loud - Nickelodeon: lun-ven, ore 19.30

Anti-San Valentino con Jace Norman
New Valentine's Day Stunt
Airs: Everyday at 18.40 between Monday 11th - Sunday 17th February 2019

Lun 11 FEB: Anti-San Valentino con Jace Norman - Nickelodeon: dal 11 al 17 febbraio, ore 18.40

Nick Jr. Italia (canali 603 e 604 di Sky)

Bubble Guppies
Airs: Weekdays at 16:00 from Monday 14th January 2019

Lun 14 GEN: Bubble Guppies - Nick Jr: lun-ven, ore 16.00

Top Wing
New Episodes
Airing: Everyday at 19:30 from Monday 4th February 2019

Lun 4 FEB: Top wing - Nick Jr: tutti i giorni, ore 19.30

TeenNick Italia: (canale 620 di Sky)

Star Falls
New Episodes
Premieres: Wednesdays at 19:30 from Wednesday 9th January 2019

Mer 9 GEN: Star Falls - Teen Nick: mercoledì, ore 19.30

Noobees
New Show
Premieres: Weekdays at 20:20 from Monday 4th February 2019
More Info

Lun 4 FEB: Noobees - Teen Nick: lun-ven, ore 20.20

Additionally, DeaKids will be airing more brand-new episodes of Nickelodeon Latin America's (Latinoamérica) hit scripted series Kally's Mashup weekdays at 13:30 from Monday 25th February 2019!

Lun 25 FEB: Kally's Mashup - DeaKids: lun-ven, ore 13.30

More Nick:TeenNick Italy to Premiere 'Noobees' on Monday 4th February 2019!

Original source: Digital-Forum /@Andry10k; Additional source: Google Translate.
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon Italy, Nick Jr. Italia and TeenNick Italia News and Highlights!

Nickelodeon USA Debuts TeenNick Rebrand [Updated w/ New Videos]

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Nickelodeon USA today kicked off the New Year by launching a all-new on-air brand refresh for TeenNick, Nick's network exclusively for and about teens and tweens!


TeenNick launched its new on-air branding this morning, Tuesday, January 1st, 2019, at 6:00 a.m. ET/PT, and marks the channel's first major rebrand since Summer 2015.


Image credit: Nickandmore!

Nearly all of TeenNick's on-air aesthetics have been updated during the refresh: the v-chip rating, the on-air bug/dog (which now features three colors for the "Teen" part of the logo that change after each commercial), the "up next" lower third (which has now moved to a block in the top right of the screen), the re-typed end credits have had a font and text color update, and most notably are the new show-specific bumpers - something that the channel has not used in a long time. There are at least two bumper card styles for each show.

Below are some screenshots showing off TeenNick's new on-air design. For awesome animated GIFs showcasing the new look in action, please visit Nickandmore!:


V-Chip Age Rating


TeenNick BUG


What's On Next Box


Game Shakers Bumper


All This Week at 5 Trailer


TeenNick Table Tennis Ident


TEENNICK 2019 REBRAND ANTHEM from Nick Design on Vimeo.


TEENNICK 2019 SIZZLE from Nick Design on Vimeo.

More Nick:2019 on Nickelodeon | New Shows, Specials, Events, Movies, Episodes, and More!

Originally published: Tuesday, January 01, 2019.
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Experience ‘Nostalgia Personified’ with Nickelodeon’s Pete and Pete on Tour | Coming to Orlando, Fl. in March 2019

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Experience ‘Nostalgia Personified’ with Nickelodeon’s Pete and Pete on tour

90’s Nickelodeon fans won’t want to miss the unique, live interactive journey of “Nostalgia Personified with Nickelodeon’s Pete and Pete,” coming soon to Orlando, Florida!


Experience 90s nostalgia live on stage with the former Nickelodeon stars.

After five years of podcasting on The Adventures of Danny and Mike: The Podcast, Danny Tamberelli and Michael C. Maronna are taking their show on the road to create a night that’s both a comedy show and a 90s nostalgia trip. In the show, the duo will critique some of the old The Adventures of Pete & Pete shorts, host on-stage interactions, and read a few scenes with the audience.

Tamberelli and Maronna starred in many classic 90s and early 2000s staples, including All That, Figure It Out, Slackers, The Mighty Ducks, and Home Alone. Their most memorable team-up, though, is Nickelodeon’s The Adventures of Pete and Pete, where the two played brothers bent on adventure.

Tamberelli and Maronna both have a soft spot for Florida, as it’s the home of 90s Nickelodeon at its best. With that in mind, the two have decided to bring their live show to a few of Florida’s local breweries. There will be a limited number of VIP tickets available that will offer a 1-hour meet-and-greet before the show with Tamberelli and Maronna, as well as photo-ops and exclusive items.

Check out the list of tour dates for Nostalgia Personified with Nickelodeon’s Pete and Pete below:

- Thursday, March 7: 3 Daughters Brewing– Tampa, FL
- Friday, March 8: Dead Lizard Brewing Company– Orlando, FL
- Saturday, March 9: First Magnitude Brewing– Gainesville, FL
- Sunday, March 10: Bold City Brewery– Jacksonville, FL

Times for each show will be released at a later date, but you can purchase your tickets now on The Adventures of Danny and Mike Facebook page.

Watch all your '90s Nickelodeon favorites on NickSplat, your late-night destination for your favorite childhood Nickelodeon cartoons and live-action shows! NickSplat doesn't question football-shaped heads, but embrace them - along with Reptar bars, a Big Ear of Corn, orange soda, and even slime for Pete (and Pete's) sake. Make your slime-covered Nickelodeon childhood dreams come true every night at 11 PM ET/PT on TeenNick USA, and anytime you want on NickSplat on VRV! #NickSplat!



More Nick:Nickelodeon and Paramount to Bring Rugrats Back for the Next Generation of Kids with an All-New TV Series and Feature Film!

Originally published: Tuesday, January 8, 2019.

Original source: Attractions Magazine.
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon and NickSplat News and Highlights!

Nickelodeon Latin America Kicks Off Co-Production ‘Club 57’ with Italy’s Rainbow Group | MIPJunior | MIPCOM 2018

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Update (22/11) - Viacom Internacional Studios in Miami, Florida presented Club 57 to the press during a special tour event! Via Prensario Internacional:

Viacom y Rainbow presentaron su nueva serie infantojuvenil Club 57

Viacom Internacional Studios presentó su nueva serie teen musical, Club 57, en coproducción con Rainbow Group de Italia con un impresionante despliegue de talentos a lo largo de los variados sets de grabación en Miami.


El talento de 'Club 57' junto a ejecutivos de Viacom, Rainbow y Rai Italia

A la cita de presentación acudieron Iginio Straffi, Fundador y CEO de Rainbow, y Luca Milano, Director de la RAI de Italia, quienes dieron palabras de elogio a la directiva, a talentos de la serie y a el equipo de producción, a lo largo de un tour de más de 2 horas en los estudios de Viacom Internacional en la ciudad de Miami.

'Estamos presentando una serie juvenil, en formato de telenovela musical, son 60 capítulos de 1 hora cada uno, es un contenido premium realizado entre la pintoresca Puglia en Italia y nuestros estudios en Miami y nuestra meta es que para el año 2019 sorprendamos una vez más a la audiencia con una cautivante historia escrita por Catharina Ledeboer, reconocida por sus éxitos en formatos juveniles como Every Witch Way, WITS Academy y Talia in the Kitchen for Nickelodeon US; además de las 3 temporadas de Grachi para Nickelodeon Latin America', citó Pierluigi Gazzolo, Presidente de VIMNAmericas y EVP de Nickelodeon International.

El contenido es la clave

Ante la consulta sobre el futuro de la compañía y la posibilidad de convertirse en una OTT, Pierluigi Gazzolo señaló: 'Creemos en ser dueños de contenidos, en ser productores de un volumen importante de series de calidad y donde vemos a Amazon, Netflix y otros actores como socios en la distribución de los contenidos, de allí la trascendencia de lo que hacemos'.


Iginio Straffi, Pierluigi Gazzolo y Luca Milano

Esta visión es compartida por Straffi y Milano, quienes expresaron que estudios recientes, cualitativos y cuantitativos, destacan que, en la medida que las OTT crezcan aumentará en paralelo la demanda de contenidos de calidad y para eso es que preparan nuevos materiales a ser distribuidos.

Crecimiento de ingresos de VIS refuerza tesis del contenido premium

Entre los años 2017 y 2018 los ingresos de Viacom Internacional Estudios crecieron en 60% y la proyección es de 45% para 2019. 'El futuro es el VOD, y en VIS estamos enfocados en producir contenidos de calidad para llenar todas las plataformas disponibles de nuestros clientes y aliados y seguir presentes en la vida de nuestro público', finalizó Gazzolo.

Club 57 será grabada en escenarios de Puglia, Italia, y en Viacom International Studios en la ciudad de Miami, bajo la responsabilidad de Miriam Luciow, VP Producción y Desarrollo Nickelodeon y Viacom Internacional Estudios. Es una propuesta juvenil donde el español y el italiano se unen en música y por el amor de los protagonistas, quienes viajan en el tiempo (1957 y el presente) y entre lenguas diferentes.


Catharina Ledeboer, autora de la serie

La serie presenta un reparto panregional encabezado por la actriz venezolana Evaluna Montaner, el actor italiano Riccardo Frascari, el colombiano Sebastian Silva, el mexicano Martin Barba, la venezolana Angela Rincon y la chilena Carolina Mestrovic, entre otros. Además, el reparto también incluye a la cubanoamericana Isabella Castillo y al actor colombiano Andrés Mercado, quienes regresan a la pantalla de Nickelodeon luego de su participación en Yo Soy Franky, Vikki RPM y Grachi.


Prensario visitó los estudios de 'Club 57' en Miami

La música para la serie estará compuesta y producida por el cantautor argentino-venezolano Ricardo Montaner, los cantautores Mau y Ricky, y el colombiano Camilo Echeverri.

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Update (18/12): Nickelodeon Latin America (Latinoamérica) and Nickelodeon Brazil (Brasil) have announced plans to premiere Club 57 very soon! Nickelodeon have also revealed the cast of Club 57 and the characters they'll be playing on the show!: Isabella Castillo will portray Amelia, Andrés Mercado will portray Manuel, Simoné Marval will portray Isa, Mauricio Novoa will portray Checho, Gabo Lopez will Oso, Evaluna Montaner will portray Eva, Riccardo Frascari will play JJ, Carolina Mestrovic will portray Vero, Laura Rosguer will play Maca, Fefi Oliveira will portray Mercedes, Martin Barba will play Aurek, Jorge Roguez will portray Rene, Luis Mayer will play Xavier, Sebastian Silva will portray Ruben, Gael Sanchez will play Cesar, Adriano Zendejas will portray Victor, Martina Lavignasse will play Diana, Jesus Nasser will portray Fernando, Valeria Arena will play Camila, Jonathan Quintana will play Miguel, Santiago Bidart will portray Abel, and Frank Fernandez will play Andrés.

Additionally, Eva Luna is producing the soundtrack for Club 57!











Nickelodeon Latin America (Latinoamérica), a Viacom International Studios (VIS) unit, has kicked off production on its brand-new Latino fictional music series Club 57 (60 x '60) in Italy!


Production of Club 57 kicks off in Italy. Photo credit: Juan Botero

Nickelodeon Latin America’s first co-production with Iginio Straffi’s Rainbow Group, Club 57 boasts a pan-regional cast and began taping mid-September 2018 on location in Puglia, Italy to later continue production at the Viacom International Studios in Miami, Florida. The show can be seen as further evidence of production studios increasing globalization of content, as well as Viacom’s drive to produce for and with third-party companies.

Club 57 revolves around teens Eva and her brother Ruben who accidentally travel to 1957. Not unlike the 1985 hit Back to the Future, Eva falls in love and decides to stay, but her decision triggers a butterfly effect that would change their lives for the worse, not improve them.


Combining music, dance and time-traveling adventures, Eva must now find a way to return to the present day without giving up her first love.

Club 57 is created by Catharina Ledoboer who has penned multiple tween/teen hits for Nickelodeon, including I Am Frankie (two seasons), Every Witch Way (four seasons), WITS Academy (one season) and Talia in the Kitchen (two seasons) for Nickelodeon US; and Grachi (three seasons) and Vikki RPM (one season) for Nickelodeon Latin America. (Every Witch Way, I Am Frankie and Talia in the Kitchen are also based on successful Nickelodeon Latin America formats.)


Venezuelan actress Eva Luna Montaner, in the role of Eva, plays opposite Italian actor Riccardo Frasari as her first love, JJ.

The rest of the cast includes Colombia’s Sebastian Silva who plays Eva’s brother, Rubén, Mexico’s Martin Barba playing Aurek, Venezuelan actress Angela Rincon as Sofia and from Chile, Carolina Mestrovic in the role of Vero, among others.

Other cast members include Cuban-American actress Isabella Castillo and Colombian actor Andres Mercado who return to the Nickelodeon screen after their participation in Nickelodeon Latin America’s Yo Soy Franky, Vikki RPM, and Grachi.

Multi-nommed Grammy artist Ricardo Montaner leads the team that will produce and compose the music for the series.

Viacom International Media Networks – Americas (VIMN) is showcasing Club 57, along with Nickelodeon Latinoamérica's latest hit Noobies, a Colombian live-action novela about a girl forming her E-Sports team, and Rise of the Teenage Mutant Ninja Turtles, Nickelodeon’s reimagined series of its iconic franchise, at MIPJunior 2018 and MIPCOM, taking place in Cannes,France starting Saturday 13th October 2018.

Also, from Todotvnews:

Viacom International Studios anunció inicio de rodaje de Club 57
Imager
Por @todotvnews el 12/10/2018 0 printer
La nueva coproducción musical de Nickelodeon Latinoamérica y Rainbow Group inició grabaciones en Italia y continuará en los próximos meses en los estudios de VIS en Miami.

Viacom International Studios (VIS) anunció este viernes 12 de octubre el inicio de grabaciones de la primera coproducción de Nickelodeon Latinoamérica y Rainbow Group, la serie de ficción y música, Club 57 (60 x 60’).

El rodaje, que comenzó a mediados de septiembre en la región de Puglia, en la costa italiana -el cual contó con diversos escenarios naturales y locaciones exteriores- continuará a lo largo de los próximos meses en los estudios de Viacom International Studios (VIS) en Miami (EEUU).

Club 57 sigue las aventuras de Eva y su hermano Rubén, quienes accidentalmente se transportan al año 1957. Hacen todo lo posible para volver a casa, hasta que Eva se enamora de JJ y decide quedarse en el pasado, desencadenando un efecto mariposa que cambia sus vidas para peor en vez de mejor.

Con una mezcla de música, baile y aventuras de viajes en el tiempo, Eva debe ahora ingeniarse la manera de volver al presente sin renunciar a su primer amor.

La serie cuenta con un elenco panregional, encabezado por la actriz venezolana, Eva Luna Montaner (Eva), el actor italiano Riccardo Frasari (JJ), el colombiano Sebastián Silva (Rubén), el mexicano Martin Barba (Aurek), la venezolana Ángela Rincón (Sofía) y la chilena Carolina Mestrovic (Vero), entre otros.

Además, el elenco también incluye a la reconocida actriz cubanoamericana Isabella Castillo y el actor colombiano Andres Mercado, quienes regresan a la pantalla de Nickelodeon tras su participación en las series Yo soy Franky, Vikki RPM y Grachi.

La serie contará con una banda sonora compuesta y producida por el cantautor argentino-venezolano Ricardo Montaner, multinominado a los Premios Grammy's y galardonado con el Premio Grammy Latino a La Excelencia Musical y un premio Billboard; los autores y productores Mau y Ricky, nominados a los Latin Grammy's 2017 en la categoría Mejor Artista Nuevo; y el cantautor colombiano, Camilo Echeverri.

La ficción está creada por la guionista Catharina Ledoboer, quien ha escrito múltiples éxitos para Nickelodeon, incluyendo Every Witch Way (cuatro temporadas), WITS Academy y Talia in the Kitchen para Nickelodeon EEUU; y tres exitosas temporadas de Grachi, la novela juvenil de Nickelodeon Latinoamérica.

La serie es una coproducción entre VIS y Rainbow Group y estará disponible para distribución globalmente.

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Also, from TVPRODUCCIÓN:

Viacom International Studios inicia rodaje de serie musical Club 57

Viacom International Studios (VIS) anunció el inicio de grabaciones de la serie de ficción y música, Club 57, la primera coproducción de Nickelodeon Latinoamérica y Rainbow Group.

El rodaje, que comenzó a mediados de septiembre en la región de Puglia, en la costa Italiana, el cual contó con diversos escenarios naturales y locaciones exteriores, continuará a lo largo de los próximos meses en los estudios de VIS en Miami, Florida.

Club 57 sigue las aventuras de Eva y su hermano Rubén, quienes accidentalmente se transportan al año 1957. Hacen todo lo posible para volver a casa, hasta que Eva se enamora de JJ y decide quedarse en el pasado, desencadenando un efecto mariposa que cambia sus vidas para peor en vez de mejor. Con una mezcla de música, baile y aventuras de viajes en el tiempo, Eva debe ahora ingeniarse la manera de volver al presente sin renunciar a su primer amor.

La serie cuenta con un gran elenco panregional, encabezado por la actriz venezolana, Eva Luna Montaner, en el rol de Eva, el actor Italiano Riccardo Frasari como JJ, el colombiano Sebastian Silva interpretando a Rubén, el mexicano Martin Barba interpretando a Aurek, la venezolana Angela Rincon como Sofia y la chilena Carolina Mestrovic en el rol de Vero, entre otros.

La nueva puesta del canal está creada por la guionista Catharina Ledoboer, quien ha escrito múltiples éxitos para Nickelodeon, incluyendo Every Witch Way (cuatro temporadas), WITS Academy y Talia in the Kitchen para Nickelodeon Estados Unidos; y tres exitosas temporadas de Grachi, la novela juvenil de Nickelodeon Latinoamérica.

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Also, from TOTALMEDIOS:

VIACOM ANUNCIÓ EL INICIO DE GRABACIONES DE CLUB 57


Se trata de la primera coproducción de Nickelodeon Latinoamérica y Rainbow Group. Las grabaciones comenzaron en Italia y seguirán en los próximos meses en Miami. La serie cuenta las aventuras de Eva y su hermano Rubén, quienes se transportan al año 1957.

Viacom International Studios (VIS) anunció el inicio de grabaciones de la primera coproducción de Nickelodeon Latinoamérica y Rainbow Group, la serie de ficción y música, Club 57 (60 eps. x 1 hora). El rodaje, que comenzó en la pintoresca región de Puglia, en la costa Italiana - el cual contó con diversos escenarios naturales y maravillosas locaciones exteriores - continuará a lo largo de los próximos meses en los estudios de Viacom International Studios (VIS) en Miami, Florida.

Club 57 sigue las aventuras de Eva y su hermano Rubén, quienes accidentalmente se transportan al año 1957. Hacen todo lo posible para volver a casa, hasta que Eva se enamora de JJ y decide quedarse en el pasado, desencadenando un efecto mariposa que cambia sus vidas para peor en vez de mejor. Con una mezcla de música, baile y aventuras de viajes en el tiempo, Eva debe ahora ingeniarse la manera de volver al presente sin renunciar a su primer amor.

La serie cuenta con un gran elenco pan-regional, encabezado por la actriz venezolana, Evaluna Montaner, en el rol de Eva, el actor Italiano Riccardo Frascari como JJ, el colombiano Sebastian Silva interpretando a Rubén, el mexicano Martin Barba interpretando a Aurek, la venezolana Angela Rincon como Sofia y la chilena Carolina Mestrovic en el rol de Vero, entre otros. Además, el elenco también incluye a la reconocida actriz cubanoamericana Isabella Castillo y el actor colombiano Andres Mercado, quienes regresan a la pantalla de Nickelodeon tras su participación en las series Yo Soy Franky, Vikki RPM y Grachi.

Club 57 contará con una banda sonora compuesta y producida por el cantautor argentino-venezolano Ricardo Montaner, multi-nominado a los Premios Grammy's y galardonado con el "Premio Grammy Latino a La Excelencia Musical" y un premio Billboard, los autores y productores Mau y Ricky, nominados a los Latin Grammy's 2017 en la categoría "Mejor Artista Nuevo", y el cantautor colombiano, Camilo Echeverri.

La nueva puesta del canal está creada por la guionista Catharina Ledoboer, quien ha escrito múltiples éxitos para Nickelodeon, incluyendo Every Witch Way (cuatro temporadas), WITS Academy y Talia in the Kitchen para Nickelodeon Estados Unidos; y tres exitosas temporadas de Grachi, la novela juvenil de Nickelodeon Latinoamérica.

La serie es una coproducción entre Viacom International Studios (VIS) y Rainbow Group y estará disponible para distribución globalmente.

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Also, from El Liberal:

La hija de Ricardo Montaner será la estrella de una serie de Nickelodeon


Ricardo Montaner no es el único de su familia que cosecha éxitos. Sus hijos Mau y Ricky saltaron a la fama junto a Sebastián Yatra, y ahora su hija Evaluna protagonizará la nueva serie "Club 57", de Nickelodeon Latinoamérica, que ya se filma en los bellísimos paisajes de la región de Puglia, en la costa de Italia.

Fue el propio Montaner quien compartió su alegría en Twitter por el presente laboral de su hija.

Si bien ya participó de la exitosa novela juvenil Grachi (como Melanie Esquivel, la hermana de la protagonista), según lo reflejó Teleshow, este será el debut de Evaluna como figura principal de un gran elenco internacional, en la primera coproducción de Nickelodeon Latinoamérica y Rainbow Group.

Nacida en Venezuela, pero criada en Miami, adonde se mudó con su familia cuando tenía apenas cuatro años.

En "Club 57", Eva (el personaje de Evaluna) se transportará de manera accidental al año 1957. Lo hará junto a su hermano Rubén (interpretado por el colombiano Sebastián Silva). Y los dos buscarán la manera de regresar al presente hasta que surgirá un inconveniente: Eva se enamorará de JJ (el italiano Riccardo Frasari).

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From Clarin:

Evaluna: la hija de Ricardo Montaner va por su primer protagónico en TV

A los 21 años, la menor del clan de artistas estará al frente del “Club 57”, la nueva serie juvenil de Nickelodeon, que se estrenará en mayo. Cómo es su camino repartido entre la música y la actuación.


Evaluna Montaner protagonizará "Club 57" por Nickelodeon. Tiene 21 años, pero su aspecto aniñado le permite seguir interpretando personajes adolescentes. Foto: Diego Waldmann

Hija de un cantante y una cineasta, con tres de sus cuatro hermanos dedicados a la música, Evaluna, la menor del clan Montaner, siempre supo que su vida iba a estar ligada al negocio del entretenimiento: “A los cuatro años me metieron en clases de baile y de piano, y a los doce empecé a cantar con mi papá en sus conciertos. A los quince grabé una canción con él y empezó mi carrera de cantante”.

Casi al mismo tiempo empezó a actuar: “Hace siete años empecé mi carrera como actriz en Nickelodeon, con una serie llamada Grachi. Después tomé clases de actuación en Los Angeles y en Nueva York. De alguna manera ya me estaba preparando para esto”. “Esto” es su primer protagónico, que le llega a los 21 años en otra serie juvenil de Nickelodeon, Club 57, que se estrenará en mayo. Como para ir presentándola en sociedad, estuvo en La voz argentina (Telefe) cantando Me va a extrañar a dúo con su papá, Ricardo.



-¿Cómo llevás ser “la hija de”?

-Nunca he sufrido con eso. Tomo como un halago y un lujo poder ser hija de mi papá. Es una responsabilidad muy grande poder probar que sé actuar y cantar, y que no estoy donde estoy sólo porque mi papá tiene buenos contactos. Siempre digo mi apellido con muchísimo orgullo: me encanta que la gente sepa que soy hija de mi papá, porque él es tan bueno que me siento muy orgullosa de ser su hija.

-Hablando sobre sus hijos, una vez él dijo “al final del día, cuando llegas a la cama sabes si conseguiste lo que tienes por tu propio mérito o no”. ¿Qué pensás cuando te acostás?

-Todavía me siento tan chiquita frente a tantas cosas, que cuando me acuesto no puedo creer estar cumpliendo lo que siempre he querido. Siento agradecimiento con Dios y con mi familia, porque mucho de lo que sé es por mis papás, porque me metieron en clases de chiquita y me llevaron por este camino. Porque lo quise, no porque me hayan forzado.



-Tu papá también dice que la de ustedes es una familia que se "invade" mutuamente.

-Es una muy buena palabra: nos "invadimos". Toda la vida iba a los planes que tenían mis hermanos: siempre me juntaba con los amigos de ellos, aunque no quisieran. En Miami se maneja a los 15, pero yo aprendí a manejar más grandecita, a los 18, porque siempre íbamos juntos, así que no necesitaba manejar para ningún lado. Mis amigos eran sus amigos. Soy muy buena hermana y con mis hermanos tenemos una relación impresionante. Con los más grandes también, y con mis sobrinitos. Mis papás estuvieron viviendo en Argentina un tiempo, por La Voz Argentina, y eso marcó una etapa diferente de mi vida: no sé qué es estar lejos de ellos, siempre estamos completamente invadidos. Nuestra familia es una belleza, es unidísima.

-Naciste en Venezuela, creciste en Miami, viviste en Los Ángeles. ¿Dónde están tus raíces?

-Siento que soy venezolana. Y si me escuchan el acento, pueden darse cuenta de que soy muy caraqueña. Pero he pasado 17 años de mi vida en Miami y ése es mi hogar, aunque haya estado yendo y viniendo. Acá a la Argentina he venido muchas veces, y por temporadas largas.

-¿Cuál es tu vínculo con la Argentina?

-Mi mejor amiga vive aquí, la conocí en Miami y se mudó para acá. Es una excusa más para visitar este país que tanto amo. Durante mucho tiempo tuve que venir todos los años, como tres o cuatro meses, cuando mi papá hacía giras por acá. Viviría aquí feliz de la vida: amo Argentina, me encanta la gente, la comida… Y cada vez descubro lugares nuevos.



-¿Estuviste en Valentín Alsina?

-Sí, claro, muchas veces mi papá nos llevó para allá para conocer su lugar de origen. Nos mostraba el colegio, la casa de sus papás, la casa de la familia, la panadería, el puente, todo. Siempre es una experiencia bonita y emotiva ir para allá.

-Mencionaste a Dios y hacés música cristiana. ¿Cuál es la importancia de la religión en tu carrera?

-Dios es el centro de todo. Y es mi prioridad. Todo lo que hago lo hago pensando en lo que "él" quiere para mí. Ha sido clave en mi vida, para llegar a lugares muy bonitos y seguir teniendo una gran relación con mi familia. Dios nos une porque lo tenemos en común.

-¿Rechazarías un papel si no estuviera de acuerdo con tus valores religiosos?

-Depende. Si en un papel tengo que negar mis creencias, no me gustaría. Gracias a Dios me tocó un papel muy chévere en Nickelodeon, donde puedo seguir creyendo en lo que creo. Los programas son bastante light, porque son para niños, así que no tengo que hacer nada que vaya en contra de mis creencias. Pero sí me ha tocado negarme a muchos castings, porque no iban conmigo.


"Dios es el centro de todo. Es mi prioridad", dice Evaluna Montaner. (Foto: Diego Waldmann).

[...]

-Este año acá hubo un gran movimiento por la legalización del aborto. ¿Cuál es tu postura?

-Es un tema muy complicado. Si no lo legalizan, se sigue haciendo, pero mal. Pero soy provida, así que no me gusta el aborto. Prefiero no meterme y no tomar ninguna postura.

-¿Es cierto que te estás por casar? ¿Qué te llevó a decidirlo tan joven?

-Sí, mira (muestra el anillo de compromiso). Me voy a casar, mi novio me propuso matrimonio hace un par de meses. Ser mamá y ser esposa siempre ha sido mi sueño. A los que me dicen que soy muy chiquita, les digo que es cierto: tengo 21 años. Pero si su sueño fuera ganarse un Grammy, querrían ganarlo lo antes posible, ¿verdad? Bueno, mi sueño es casarme, así que quiero casarme muy pronto.

Protagonista de "Club 57"
Club 57, que se verá al aire en mayo, cuenta una historia con perfume a Volver al futuro. Allí, Evaluna Montaner será Eva, una chica que accidentalmente viaja en el tiempo al año 1957. “Mi personaje y yo tenemos muchas cosas en común, empezando por el nombre. Ella es súper divertida, inteligente y le encanta la ciencia. Cuando llega a los años ’50 quiere volver a la actualidad, pero después de un tiempo se enamora de un chico y por eso ya no se quiere ir y busca la manera de quedarse. Pero cualquier cosa que haga en el pasado hace que cambie algo en el futuro”.

Como se trata de una tira musical, además de actuar, Evaluna también cantará y bailará. La banda sonora queda en familia: en ese rubro trabajaron su papá, sus hermanos Mau y Ricky y su futuro marido, el colombiano Camilo Echeverry.

Su opinión sobre el trabajo de Ricardo Montaner en "La voz argentina"
Evaluna participó como conductora de un programa vinculado a La voz Colombia y estuvo muy compenetrada con La voz Argentina. “Lo vi desde Miami. Los realities cambian la vida de las personas: sucedió en La voz Colombia y siento que eso sucedió aquí en la Argentina. Y lo que hizo mi papá fue espectacular. Amé cómo fue como coach: igualito a cómo es con nosotros, trató a los cantantes de su equipo como hijos. Cuando se iba alguien le dolía muchísimo. Nos escribía en la noche: ‘Estoy muy triste porque se fue fulano’. Fue muy chévere verlo en su zona de confort, pudiendo ser él mismo”. Ricardo tuvo su recompensa: el ganador del programa, Braulio Assanelli, fue parte del equipo Montaner.

Esta entrevista se hizo durante la estadía de Evaluna en Buenos Aires para participar del programa como invitada especial. Allí, junto a su padre, interpretó Me va a extrañar.

El gran momento de Mau y Ricky

“Con mis hermanos tenemos una relación impresionante”, dice Evaluna sobre Mau y Ricky, sus dos hermanos de madre y padre. Ellos forman un dúo que está pasando un gran momento profesional: el 31 de diciembre recibieron el 2019 cantando con Lali Espósito en la emblemática celebración de Times Square, en Nueva York, ante medio millón de personas. .

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Originally published: Friday, October 12, 2018.

Original source: Variety (II); Additional sources: Google Translate, Wiktionary.
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Entertainment One Announces New Hires in China to Drive Growth for Family & Brands Throughout Region

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Entertainment One Announces New Hires in China to Drive Growth for Family & Brands Throughout Region

Pengchong XU has been named Vice President – China, Licensing, Family & Brands and Frida Zhang joins as Vice President – China, Marketing, Family & Brands


Peppa Pig

LONDON: Entertainment One (eOne) has announced new hires in its effort to expand its newly-launched Shanghai office, strengthening the Company’s global infrastructure and extending the reach of its growing portfolio of successful preschool properties across China.

Two new leadership positions have been appointed to the Shanghai office, effective January 2nd, 2019. They will work alongside the existing Shanghai-based brand protection team and existing locally appointed agents, with a dedicated focus on the expansion and rollout of eOne’s preschool animated properties Peppa Pig, Ben & Holly’s Little Kingdom, PJ Masks, and the soon to launch property, Ricky Zoom, in China.

Heading up the consumer products team, Pengchong XU has been appointed as Vice President – China, Licensing, Family & Brands. In his new role, XU will lead the commercial team tasked with driving merchandise sales across eOne’s growing brand portfolio. He will manage relationships across all key licensing and retail accounts that will spearhead eOne’s growth strategy, in addition to overseeing a network of licensing agents across the region. XU brings extensive experience of IP franchise building that spans over 20 years working across licensing, product marketing and category management at Walt Disney, Philips and Siemens, and joins eOne from Pearl Studio (formally Oriental Dreamworks) where he was General Manager of Ancillary Business.

Frida Zhang joins as Vice President – China, Marketing, Family & Brands a highly experienced brand marketer with 20 years of experience who has held positions at Mattel, SC Johnson, L’Oreal and Coca-Cola. Zhang has extensive expertise across brand management, marketing communication, commercial strategy, and franchise building. Zhang will head up brand marketing including the strategic development, management, and growth of Shanghai-based marketing business, oversee consumer marketing strategies and communication programs, and local creative asset direction across all eOne’s Family & Brands franchises in China.


Ben & Holly’s Little Kingdom

eOne also announced that Iwen Lee will join the Shanghai team based in the role of Manager – China, Product Development, Family & Brands. With both softlines and hardlines experience across Family brands, Lee will oversee the approvals of licensed products for the market and will report to XU.

“We’re in the midst of a significant period of growth here at eOne, and our family brands have performed exceedingly well in the past 12 months,” said eOne’s Olivier Dumont, President, Family & Brands. “I’m very proud that we’re strengthening our presence in China by making strategic new hires that will bring invaluable expertise and leadership to drive growth and market penetration in this key territory. The teams based on the ground in our Hong Kong and Shanghai offices will help underpin the success of our brands and build an infrastructure to support their continued growth for many years to come.”

eOne’s Family & Brands division recently reported revenue growth of 29% in the previous six months with its much loved preschool property Peppa Pig demonstrating strong sales in new markets. eOne now has offices in both Shanghai and Hong Kong and the licensor is preparing for a busy year ahead for the brand in China in 2019. There is significant activity planned to mark the Chinese New Year celebrations for The Year of the Pig in February 2019 which will be anchored by the first Peppa Pig theatrical release in Chinese cinemas in partnership with Alibaba and an exclusive merchandise launch of related products. The company also recently inked a retail partnership with Alibaba’s e-commerce platform Tmall that will feature Peppa Pig in Tmall’s Super Brand Day promotion on January 8.

Peppa Pig airs on Nick Jr. and Viacom’s Channel 5 Milkshake in the U.K., and on Nickelodeon and Nick Jr. channels globally.

Peppa Pig is created by Neville Astley and Mark Baker and produced by Astley Baker Davies Ltd and Entertainment One (eOne). The animated preschool show is one of eOne’s key properties. In 2017, it announced that 117 new episodes were entering production, which will start airing in 2019 and take the total episode count to 381.

Commissioned by Nick Jr. UK, Ben & Holly’s Little Kingdom airs in more than 130 countries, including the UK (Channel 5, Nick Jr.), the US (Nick Jr.), Canada (Treehouse), Australia (ABC), Spain (Clan TVE), Italy (RAI), Brazil (TV Cultura) and Mexico (Televisa).

eOne’s Family & Brands division delivered a 29% revenue increase to US$97.5 million in the first half of 2018 due to continued strength from Peppa Pig (up 18%) and PJ Masks (up 44%).

About Entertainment One

Entertainment One Ltd. (LSE:ETO) is a global independent studio that specialises in the development, acquisition, production, financing, distribution and sales of entertainment content. The Company’s diversified expertise spans across film, television and music production and sales; family programming, merchandising and licensing; digital content; and live entertainment. Through its global reach and expansive scale, powered by deep local market knowledge, the Company delivers the best content to the world.

Entertainment One’s robust network includes international feature film distribution company Sierra/Affinity; Amblin Partners with DreamWorks Studios, Participant Media, and Reliance Entertainment; Makeready with Brad Weston; unscripted television production companies Whizz Kid Entertainment and Renegade 83; live entertainment leaders Round Room Entertainment; world-class music labels Dualtone Music Group and Last Gang; and award-winning emerging content and technology studio Secret Location.

More Nick:Peppa Pig to Introduce Preschoolers to a Live Orchestra in 'Peppa Pig: My First Concert'!

Additional source: Kidscreen.
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Mattel Secures Global Broadcast Deals for 'Thomas & Friends: BW!BA!' as UK Ratings Surge 40%

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Ahead of MIPJunior 2018, Mattel has announced a raft of new international broadcast partnerships for Thomas & Friends: Big World! Big Adventures!, as UK ratings surge 40%!


Mattel has secured a raft of new international broadcast partnerships for Thomas & Friends: Big World! Big Adventures! (26 x 11 episodes), the 22nd season of its hit show, Thomas & Friends!

The revamped show, which had its world premiere at MIPJunior one year ago and launched to consumers this September on Nickelodeon's Nick Jr. in the US, and on Channel 5's Milkshake! in the UK, has reported an increase in ratings of over 40 per cent amongst kids in the UK! (BARB, 3rd Sept- 16th Sept Weekdays)

According to Mattel, this "demonstrates the popularity of the new show and the changes to the content." The revamped content includes a more multicultural and gender-balanced ‘Steam Team’ line-up of core characters as well as seeing Thomas leaving Sodor for the first time to travel around the world.

Commenting on the performance on Milkshake! Louise Bucknole, Vice President (VP) Programming VIMN Kids UK & Ireland, said: “We are delighted that the new adventures of Thomas & Friends has captured the imagination of Milkshake! viewers. The exciting makeover of this iconic heritage show has resonated with British kids and their families.”

Other international broadcasters to join the tracks of Thomas & Friends include Super RTL (Germany), Cartoonito (Italy), Minimini (Poland), RTL Telekids (Netherlands), VTM Kzoom (Belgium), AMC Minimax (Eastern Europe), Hop! (Israel), and Channel One (Russia).

Additionally, Televisa (Mexico), TV Cultura (Brazil), ABC (Australia) and Corus Entertainment’s Treehouse Network (Canada) have also signed up the new series of the show.

Alex Godfrey, Senior Director Content Distribution for Europe, Mattel, said: “We are thrilled with the positive reception to Thomas & Friends: Big World! Big Adventures! in the UK and the uplift in ratings on Milkshake! are testament to the extent to which the new changes to content have struck the right chord with children and parents.

"We are really excited for our esteemed international television partners to launch the new series later this year and can’t wait to see how the new series resonates with audiences around the world.”

Update (8/1/2019) - From Licensing Source:

How Mattel is building its core brands’ franchise potential

We chat to Lisa Weger about how the company’s power brands are making big moves.

“The CP team is very much part of the business plan for growth,” states Lisa Weger, regional head of consumer products for Europe at Mattel, when we catch up with her following a busy start to her tenure at the company.

“We want to reinvigorate the core brands’ franchise potential by building on the success that the toy business is currently seeing, particularly on Barbie and Hot Wheels, with both enjoying double digit growth following a strategic long-term plan to reinforce the brands’ core USPs and purpose for parents.”

Mattel has some of the most well known and iconic brands in the industry – its enviable portfolio not only includes the aforementioned Barbie (who celebrates her 60th anniversary in 2019) and Hot Wheels (50 this year), but also Thomas (75 in 2020), Fisher-Price, Enchantimals and Polly Pocket.

Lisa re-joined Mattel earlier this year (she was previously at the company back in 1997, leading the licensing business for Canada and Latin America), having spent 14 years in New York leading the franchise management, visual branding and licensing for Turner Kids.

And, while Mattel has a wealth of evergreen brands, there is also a great deal of untapped opportunity, something which Lisa is very excited about.

“We are currently in a very stable position – with such a lot of change and volatility in the retailer landscape and consumer buying patterns we are pleased to be maintaining a healthy business,” she tells LSB. “We have seen some great growth in our core toy business and this is allowing us to leverage this momentum and drive exciting partnerships and opportunities.”

While Barbie has been busy making headlines (see separate box out), the activity around Hot Wheels has been revving up, too. “The anniversary has been a great milestone for us,” says Lisa. “Our partnership with former F1 World Champion Nico Rosberg and the energy and momentum the brand has is great. We really want to capitalise on this and translate it into some exciting streetwear partnerships, as well as some exciting new developments in the toy space.”

Meanwhile, Thomas & Friends has seen some significant changes to its content to make sure it maintains its position in the market.

Lisa continues: “Thomas & Friends is a much-loved classic, but with any classic brand it’s important that it evolves to stay relevant. The brand is undergoing a huge evolution to ensure it remains competitive for today’s audiences and the new movie – Thomas & Friends: Big World! Big Adventures! – exemplifies this in a wonderful way with entertaining content that will help children discover and learn about the bigger world with a trusted friend. The much anticipated movie also offers the brand several additional opportunities across the franchise from theatrical/live events to consumer products, as well as a range of new exciting toys.”

In addition, a new TV series – which airs on Channel 5 – features multi-cultural characters, new female protagonists and is also the first ever preschool TV show to collaborate with the United Nations.

As for brands with untapped potential, Lisa believes that Mattel is in a great place to capitalise on the opportunity with Fisher-Price, and is ready to explore the “heritage and love” for the brand.

Polly Pocket has also been relaunched, with a fashion partnership secured with Mimi Wade and stocked exclusively at Selfridges. “This helped us to take the brand and play in a high fashion space that was unexpected and surprising for consumers,” says Lisa. “The collaboration drove some great PR noise across Vogue, Dazed, Drapers and more – helping society to rekindle the love for this brand so we again have an exciting CP strategy planned to support its relaunch.”

Lisa also believes that Enchantimals has strong licensing potential, with kids being able to digitally immerse themselves in the world with episodes online and an engaging Popjam channel.

It certainly sounds like there’s no resting on any laurels at Mattel, and Lisa has clear objectives for what she would like to achieve by the end of the year: “To have made real tangible strides implementing our strategic plan driving the CP business to new growth opportunities.

And her response is equally emphatic when asked how she would describe 2019 for Mattel from a CP point of view in five words… “Power brands making big moves!”

Living Doll

2019 is going to be a “noisy year” for Barbie as the iconic fashion doll approaches its 60th anniversary.

“We are seeing some real momentum behind the brand, the evolution that we have been on for the past few years is really resonating and translating into sales,” says Lisa. “As we head into the 60th anniversary this will only continue to build. It’s going to be a noisy year for the brand and we are excited about the opportunities.”

The brand’s fashion partnerships have been a key highlight with the Barbie x Missguided partnership now going into its fourth season, as well as successful collaborations with some world-class partners in fashion, stationery and beauty – Moleskine, Sephora, Spiral and Primark.

Lisa continues: “Our success in fashion and the continued work we do within the fashion industry, along with the work that we have done with our role models campaign, certainly plays a part to keep us relevant and part of society conversation.

“We are also looking to develop that special relationship that a girl has with her Barbie to explore the opportunities in kids fashion that will enable us to develop a true fashion brand rather than a character brand playing in a fashion space.”

Lisa adds: “Parents are looking for Barbie to have a more purposeful identity – the idea of Barbie as a canvas to ignite girls imaginations is what continues to make Barbie not only relevant today, but a purposeful brand for tomorrow.”

###

More Thomas:Thomas & Friends Launches Collaboration With the United Nations to Inspire the Next Generation of Global Citizens!

Originally published: Monday, October 15, 2018.

Sources: ToyNews, Toy World Magazine.
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Nick Jr. UK to Premiere 'Butterbean’s Café' in February 2019; 'Top Wing' Merchandise Update

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NICKELODEON SERVES UP BRAND-NEW ANIMATED PRESCHOOL

SERIES, BUTTERBEAN’S CAFÉ, PREMIERING IN FEBRUARY 2019

ON NICK JR. UK


Share it: #ButterbeansCafe


Nickelodeon's new animated preschool series, Butterbean’s Café

Preschoolers will be whisked away on magical culinary adventures in Nickelodeon’s brand-new CG-animated series, Butterbean’s Café, premiering February 2019 on Nick Jr. UK and Ireland! Following launch, new episodes of Butterbean’s Café will air regularly on Nick Jr. UK & Eire.

Created by Robert Scull and Jonny Belt (Bubble Guppies), Butterbean’s Café, the series (40 episodes) centers on a fairy named Butterbean and her adventures running her neighborhood café and bakery, and showcases creative cooking and features a curriculum with social-emotional lessons that highlight kindness and gratitude, and leadership skills.

In the series, Butterbean, her fairy friends--Dazzle, Poppy and Jasper --and her little sister Cricket take pride in serving up healthy snacks and sweet treats to the residents in their community of Puddlebrook. Butterbean’s special magic beans, the fairies’ enchanted kitchen tools and the team’s can-do spirit all combine to make their cafe the most awesome eatery in town.



In Butterbean’s Café’s series premiere, “The Grand Opening!,” Butterbean and her friends work together to make the opening of the café a success, while competing café owner Ms. Marmalady (voiced by Alysia Reiner of Orange Is the New Black) attempts to throw them off track.


Butterbean’s Café made its world debut on Nickelodeon in the U.S. on Monday 12th November 2018, and will be rolling out on Nickelodeon’s international channels and branded blocks throughout 2019.

Online at nickjr.co.uk/butterbeans-cafe/, parents and children can find out more about Butterbean’s Café, dance-along to the Butterbean’s Café theme song, and discover creative activities, such as colouring pages. Fans can like the official Nick Jr. UK & Ireland Facebook and Instagram pages and sign up to the official Nick Jr. Fan Club for the latest Nick Jr. news, highlights, video clips, competitions and more.

The US-English dub of Butterbean’s Café features the voice talent of Margaret Ying Drake as Butterbean, Olivia Grace Manning as Dazzle, Kirrilee Berger as Poppy, Koda Gursoy as Jasper, and Gabriella Pizzolo as Cricket, and features guest voice appearances by top celebrity chefs and culinary experts, including Richard Blais (Top Chef, Guy’s Grocery Games), Alton Brown (Good Eats, Iron Chef America), Carla Hall (The Chew, Top Chef), Padma Lakshmi (Top Chef), Giada De Laurentiis (Giada at Home) and Rachael Ray (The Rachael Ray Show).

Additionally, in Top Wing merchandise news:


Nickelodeon's Top Wing (l-r) Brody, Swift, Rod and Penny

It has been announced that Hasbro, the master toy partner for Top Wing, will commence a roll-out of plush, vehicles, gadgets and figures inspired by Nickelodeon's hit CG-animated preschool series from March 2019! Additional licensee deals have also been confirmed across the UK, spanning new categories and lines to create even more opportunities for fans of action, adventure and comedy. The captivating product ranges will enable preschoolers to join the Top Wing team and go on action-packed rescue missions of their own, which figures, mission-ready vehicles, play sets and plush toys inspired by the characters and adventures on the show. Sambro also plans to launch a Top Wing toy collection during autumn/winter 2019.

Publishing and home entertainment products will be the first to launch in 2019, ahead of the season two launch in the autumn. Accessories will hit the shelves in 2020.

Top Wing boasts all the signature elements of a top toy property, including appealing characters, pre-school friendly themes, humour, and hi-tech gadgets and vehicles. 65.3 thousand UK viewers tuned in to watch the season debut in May 2018, and in its first six months on air the show reach one million kids, cementing its position as one of Nick Jr.'s Top 5 most popular launches.

Produced by 9 Story Media Group, the 52-part CG-animated action-adventure series follows the adventures of four rescue birds - Swift, Penny, Rod and Brody–who are training to earn their wings at the Top Wing Academy on Big Swirl Island.

About Nick Jr.

Where every day’s an adventure, Nick Jr. is a top-performing commercial pre-school entertainment brand in cable and satellite homes. Launched in 1999 as the world's first channel dedicated to pre-school children, Nick Jr.’s programming includes beloved shows PAW Patrol, Shimmer and Shine, Nella the Princess Knight and Peppa Pig. Kids and parents can find lots of video clips, games, exclusive activities and downloads featuring their favourite Nick Jr. friends online at nickjr.co.uk and on the Nick Jr. Play app. Viewers also have the opportunity to catch up with the schedule through Nick Jr. +1. Nick Jr. is available on Sky 615, Virgin 715, through BT Vision and TalkTalk channel 318.

About Nickelodeon

The Nickelodeon Network is a top-performing commercial kids’ TV network in the UK and Ireland with Nickelodeon channels available in over 13 million cable and satellite homes. Having launched in 1993 Nickelodeon UK comprises seven dedicated entertainment channels for kids aged 4-15 and their families, and is a joint venture between Viacom International Media Networks and BSkyB.

More Nick:Nick Jr. UK Premieres 'Tot Cop'!

Originally published: Tuesday, January 8, 2019.

Additional source: The January 2019 issue of Toy World Magazine.
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Funko Announces New '90s Nickelodeon Pop! Animation and Dorbz Figures

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If you grew up in the ‘90s you know there was no better way to spend a free afternoon than binging endless hours of Nickelodeon shows. Now you
can watch your favorite shows in the company of some of Nickelodeon’s greatest characters, as Funko has announced they are expanding their '90s Nickelodeon line with brand-new '90s Nick Pop! Animation and Dorbz figures!

Dorbz: ‘90s Nick


Look for Chuckie, Tommy, and Angelica from Rugrats as Limited Edition Funko Shop exclusives! Coming Soon!


Pop! Animation: ‘90s Nick


Collect Gerald Johanssen from Hey Arnold!, the bossy Angelica and adorable Spike from Rugrats, and the smashing Eliza, Nigel and Donnie from The Wild Thornberrys, and enjoy the adventures of a lifetime!


From Hey Arnold! Look for Arnold and Gerald as fruits in Helga’s play, from the very first episode of the iconic series, "Downtown as Fruits" - only available at GameStop! Coming in November!


SpongeBob Holiday Pop!s


Additionally, Funko has announced that brand-new SpongeBob Holiday Pop!'s, featuring SpongeBob SquarePants and Patrick Star, are available now, just in time for the holidays!


Pop Animation: Spongebob Series 2 - Spongebob Squarepants (Holiday)


Pop Animation: Spongebob Series 2 - Patrick Star (Holiday)

Update (1/9/2019): Funko has also partnered with FYE to release Rugrats: Tommy Pickles FunkO's Cereal at the retailer!:


Nickelodeon Rugrats: Tommy Pickles FunkO's Cereal

Start the day off right by putting the fun back in breakfast with FunkO's!

Each box also contains a collectible Pocket Pop! Tommy Pickles figure
NET WT 7 OZ (198g)
Multigrain cereal

Limit four per customer

Release Date: 7/18/18


Watch all your '90s Nickelodeon favorites on NickSplat, your late-night destination for your favorite childhood Nickelodeon cartoons and live-action shows! NickSplat doesn't question football-shaped heads, but embrace them - along with Reptar bars, a Big Ear of Corn, orange soda, and even slime for Pete (and Pete's) sake. Make your slime-covered Nickelodeon childhood dreams come true every night at 11 PM ET/PT on TeenNick USA, and anytime you want on NickSplat on VRV! #NickSplat!

More Nick:Nickelodeon Announces 'Hey Arnold!: The Ultimate Collection' DVD Set!

Originally published: Monday, November 12, 2018.

H/T: Action Figure Insider; Additional sources: EstiloDF, Google Translate.
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Funko Announces Pop! Nacho Libre Figure

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Funko takes us into the ring south of the border with the introduction of Pop! Nacho Libre!


The titular character from the 2006 film of the same name from Nickelodeon Movies and Paramount Pictures, Nacho parades out two new Pop! Movie vinyl figures: an Unmasked, Regular Version and a Masked, Chase Version! Look at how perfect that Jack Black head sculpt is! These both turned out really well.

In the film, Black played Ignacio (Nacho), a cook for a Mexican orphanage, who makes his dreams of wrestling superstardom come true when he turns to wrestling after he was robbed for the the tortilla chips he was collecting for the orphans.

The opening bell doesn’t ring on Pop! Movies: Nacho Libre just yet. There are conflicting reports that the figures will release in January, February or March 2019. As soon as there's a concrete release date, I'll update this post!

Official Funko Pop! Nacho Libre! Product Description and Details:

Join Ignacio "Nacho" on a campaign to simultaneously fund an orphanage and claim luchador glory. This Nacho Libre Nacho Pop! Vinyl Figure #647 measures approximately 3 3/4-inches tall and comes packaged in window display box.


Company: Funko
Theme: Nacho Libre
Product Type: Pop! Vinyl Figures
Characters: Nacho
Celebrities: Jack Black
Age: All Ages

The Funko Pop! Nacho Libre! figures are available to pre-order now, including from Pop In A Box (US), Pop In A Box (UK), ToyWiz, and Entertainment Earth!



Raised in the monastery where he is now the cook, Nacho (Jack Black) finds a way to earn money for the holy place by wrestling, even though it is strictly forbidden by the church elders. Naturally, Nacho isn't acting out of purely altruistic measures, as he wishes to help Sister Encarnacion (Ana de la Reguera), a beautiful Mexican nun who has recently arrived at the monastery.

Nacho Libre, written by Jared and Jerusha Hess and Mike White, directed by Jared Hess and produced by Nickelodeon Movies and Paramount Pictures, was loosely based on the story of Fray Tormenta, a Mexican Catholic priest who had a 23-year career as a masked luchador and competed in order to support the orphanage he ran.

Black produced the film with White, David Klawans and Julia Pistor, which went on to gross around $100M worldwide for Paramount Pictures against a budget of $35M.

Nacho Libre was Jack Black’s first solo vehicle after Richard Linklater’s School of Rock made him an even bigger star than he already was. It was also director Jared Hess’ follow-up to his break-out indie Napoleon Dynamite.

Have you tried the brand-new Rugrats: Tommy Pickles FunkO's Cereal, available exclusively at FYE?

More Nick:Jack Black Reveals He Wants To Make A 'Nacho Libre' Sequel!

Source: Pop Price Guide; Additional source: Bleeding Cool.
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Potential Viacom / CBS Merger Latest: CBS Reportedly Looking for New CEO to Run Both CBS and Viacom [Updated 1/9]

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Share this post!: http://po.st/viacomcbs

Latest update (1/7/2019): It’s not spring yet, but CBS is already signaling its urge to merge with Viacom.

The TV-broadcasting giant, looking to replace its disgraced ex-chief executive Les Moonves, has been telling leading job candidates that it’s looking for somebody who can run not only CBS but also Viacom if the two companies are merged, The New York Post has learned.

In September, National Amusements — the holding company owned by ailing billionaire Sumner Redstone that controls both CBS and Viacom through its majority stakes — agreed in a settlement not to approach CBS for two years about a merger with Viacom, the media giant that owns Nickelodeon, Comedy Central, MTV and Paramount Pictures.

Nevertheless, nothing is keeping CBS — whose board got reshuffled last fall by media heiress Shari Redstone — from initiating talks.

The new CBS board is expected to do just that as soon as this month, with ambitions to close a deal by March or April — and possibly announce a permanent CEO for the combined companies along with a merger, sources briefed on the talks said.

“Shari [Redstone] had indicated twice in the past she wanted a merger but Les was in the way,” a source who knows Redstone well said. “[Interim CEO] Joe Ianniello is a terrific guy but he doesn’t have the standing to do anything but cooperate.”

Despite publicity around its high-profile search to replace Moonves — ousted last fall amid a slew of sexual-harassment allegations — insiders say it’s still early in the process. Headhunting agency Korn Ferry, which is advising CBS on the search, has not yet interviewed candidates, or even submitted a list of possibilities to the board, two sources said.

Instead, sources say Redstone has reached out to potential candidates in recent months through informal discussions with the help of personal advisers, sources said.

Reports that Disney’s ex-operating chief, Thomas Staggs, is the runaway favorite are premature, according to sources. Other leading contenders include ex-Time Warner execs John Martin and Olaf Olafsson, and Hasbro CEO Brian Goldner, sources said.

Another possibility, according to one source, is Viacom CEO Bob Bakish, a favorite of Redstone who has won praise for his recent progress on a turnaround.

“If Les had agreed [last year] to buy Viacom and have Bakish as his No. 2, I believe Bob would have been CEO of both companies by now,” the source said.

As reported by The Post, CBS’s interim chairman Strauss Zelnick, the CEO of gaming giant Take-Two Interactive, has also been considered for the job. Although Zelnick has reportedly taken himself out of the running, insiders said that could change.

Naming a CEO for CBS and Viacom at the time of the merger would be a big plus for selling the deal to Wall Street, insiders noted. Still, hiring a CBS CEO with the promise they will run the combined company is tricky until the merger is agreed upon.

One potential candidate has made it clear he would want a guaranteed payout if he took the CBS job and didn’t end up running the combined CBS and Viacom, a source briefed on the process said.

Despite last year’s pushback from Moonves, a CBS-Viacom merger increasingly makes sense as media giants continue to consolidate, said Brett Harriss of Gabelli & Co, whose affiliate GAMCO Investors, is the largest independent shareholder in both CBS and Viacom.

“If it ends up being a merger of equals, assuming $1 billion of synergies, I think it’s pretty good,” Harriss told The Post.

CBS could use Viacom programming to boost its new streaming service, Harriss said, and synergies could add as much as $20 a share to CBS’s stock, which closed on Friday at $47.17. A CBS-Viacom tie-up also would make it harder for cable companies to drop Viacom’s channels.

CBS declined to comment.

Latest (11/19): Surprise - the CBS-Viacom merger could be a few months away, insiders say!

Not only is Stephen Colbert moving in with SpongeBob SquarePants, they’ll stay up all night playing “Grand Theft Auto” together.

That, at least, is shorthand for one of the surprising media-merger scenarios that’s getting pitched as Colbert’s network, CBS, gears up for talks with Viacom, the owner of “SpongeBob” broadcaster Nickelodeon, The New York Post has learned.

After CBS boss Les Moonves departed the network amid sexual-assault allegations in September, insiders said the TV giant’s board could announce a merger with Viacom in the next three to six months — a deal that Moonves had fiercely resisted.

“I would be surprised if we are sitting around in March and CBS and Viacom are not combined,” said one media executive close to the situation.

The source noted that the pressure to merge has intensified with the tie-ups between Fox and Disney and AT&T and Time Warner. An auction of CBS, meanwhile, has failed to attract other bidders.

But that’s not the only deal that media heir Shari Redstone — who controls CBS and Viacom through her ailing father Sumner Redstone’s holding company National Amusements Inc. — is weighing after reshuffling CBS’s board, sources say.

Another possibility is a three-way merger that also adds Take-Two Interactive, the video-gaming giant that owns the “Grand Theft Auto” franchise, according to insiders.

Redstone’s longtime ally, Dick Parsons, abruptly stepped down as CBS interim chairman last month, citing health reasons. That prompted Redstone to replace Parsons with another friendly mogul — Strauss Zelnick.

The 61-year-old fitness fan, who has been chief executive of Take-Two for the past decade, now looks like a leading candidate to lead CBS and Viacom once they’re combined — possibly as their CEO, according to sources. That’s despite a hunt to replace Moonves that’s being run by executive-search firm Korn Ferry and is including candidates as diverse as ex-Disney exec Tom Staggs, former CBS exec Nina Tassler and HBO boss Richard Plepler, sources said.

Part of Zelnick’s appeal is his control over Take-Two, whose gaming franchises include the newly released blockbuster “Red Dead Redemption 2.” Bernstein analyst Todd Juenger recently argued that gaming companies are increasingly becoming takeover targets for traditional media firms.

“Video game publishers are net cash [as opposed to highly leveraged], put forth an entertainment product which is perfectly suited for young people and growing in engagement [as opposed to the opposite],” Juenger wrote in a research note.

While a Take-Two deal is far from assured, a source close to the situation said it nevertheless “could happen” as Redstone looks for ways to bulk up her holdings to compete with far bigger rivals.

“That’s what we call a triple bank shot,” the source added, noting that it’s still early days in negotiations.

Nevertheless, some insiders believe Zelnick has the savvy, the track record and the connections to make it happen. After attending Harvard Law School with former Sony exec Nicole Seligman — a longtime Viacom board member who is seen by some as Redstone’s closest adviser — Zelnick became the youngest-ever exec to head the 20th Century Fox Hollywood studio at age 32.

The brash wunderkind went on to run music powerhouse BMG Entertainment in the 1990s, only to leave in a clash with his corporate bosses. He then started Zelnick Media, an investment firm focused on smaller tech and media assets currently valued at $14 billion.

After leading an investor-staged takeover of Take-Two in 2007, Zelnick became chairman and CEO and the largest single shareholder of the video-game firm, which, today, has a market cap of just under $13 billion.

Zelnick declined to comment, but on a Take-Two conference call with analysts this month, he sought to quash rumors that he’s in the running for the CBS CEO job.

“The CBS role is specifically interim and non-executive,” Zelnick said. “So, you have to think of it as a board seat with a responsibility to convene meetings. Take-Two is where my head and my heart remains.”

To some insiders, Zelnick’s lawyerly comments sidestepped the fact that he’s hoping that he won’t have to leave Take-Two behind as he makes his comeback bid for the helm of CBS and Viacom.

“Strauss is very close to Shari and he’s the new chairman. I would look for him to maneuver. He’ll be CEO,” one source said. “It’s a package deal. He’s dying to run it.”

Reps for CBS and Viacom declined to comment, as did Zelnick and a rep for Redstone.

###

From Bloomberg:

CBS Board to Prepare for Merger Talk at Its January Meeting

- Possiblity of Viacom deal has loomed since Moonves’s exit

- Interim CBS chairman Strauss Zelnick will lead deliberations

When CBS Corp. board members go to Los Angeles for their Jan. 31 meeting, they’ll have more on the agenda than just a tour of the local TV studios.

The 11-member panel is expected to discuss both the hunt for a permanent chief executive officer and the possibility of a merger with Viacom Inc., according to people familiar with the situation. The directors are likely to ask CBS’s financial advisers to look at strategic options -- including, but not limited to, a possible Viacom deal -- said the people, who asked not to be identified because the deliberations are private. A decision on whether to pursue a tie-up could come within weeks.


The possibility of a Viacom deal has been the elephant in the room since the departure in September of longtime CEO Les Moonves, who was fired after allegations of sexual harassment and assault. He had opposed the merger -- a move long championed by the Redstone family, which controls both companies -- because of concerns about who would manage the combined business. Since the ouster, Joe Ianniello, formerly Moonves’s deputy, has been running CBS as acting CEO.

Independent Directors
At the time of Moonves’s departure, the Redstones agreed to not propose a combination again for at least two years, but there’s nothing stopping the independent directors of both companies from seeking a transaction.

CBS declined to comment, while Viacom didn’t immediately respond to a request for comment.

The New York Post reported earlier this week that CBS’s board may renew Viacom talks as soon as this month, with the hopes of sealing a deal by March or April.

A deal would reunite the owner of the most-watched broadcast TV network last year with Viacom’s film-and-cable empire, which includes the Paramount Pictures studio, MTV and Nickelodeon. They had been the same company until a split more than a decade ago.

In more recent years, they’ve been pursuing somewhat different strategies. To adapt to the streaming era, CBS launched its own monthly subscription service, CBS All Access, while Viacom has been signing content production deals with services such as Netflix Inc.

Board Changes
The past four months have been a period of upheaval for New York-based CBS. A board shake-up has brought six new members, and they have spent time getting acquainted with the company and its culture.

Ianniello, meanwhile, has been trying to put his imprint on the media giant. The executive is a contender to become permanent CEO -- depending on the course CBS takes in the coming months -- and he wants to show that the company has turned a page after the Moonves scandal.

That’s included appointing more women to top roles. He named Laurie Rosenfield chief people officer in October and put Susan Zirinsky in charge of CBS News this week. Zirinsky, an inspiration behind Holly Hunter’s character in “Broadcast News,” is overseeing an organization with its own record of misconduct. Jeff Fager, a “60 Minutes” executive producer who previously ran the news department, was fired in September for violating company policies. In 2017, CBS terminated longtime TV personality Charlie Rose over allegations of harassment.

Recruiting Efforts

For the CEO search, executive-recruiting firm Korn/Ferry International has been interviewing board members to gauge what they want in a new chief. Experience with big mergers is one criterion they have discussed. A CBS representative is said to have been reaching out to some potential candidates, including former Walt Disney Co. Chief Operating Officer Tom Staggs. A list of contenders is unlikely to be presented at the meeting this month, however.

Strauss Zelnick, a friend of Shari Redstone and the CEO of video-game maker Take-Two Interactive Software Inc., stepped in to be interim chairman of the company in October. He’s expected to take a lead role in discussions of a possible merger. Zelnick has said he’s not interested in serving as CEO of the combined companies, but he hasn’t commented on whether he might stay on a permanent chairman.

Viacom CEO Bob Bakish would be a leading contender to run a combined business.

If a deal is proposed, it could be a speedier process than the last time, when subcommittees of the boards of both companies were formed to explore the combination. At the time, the boards agreed on economic terms -- the price was a ratio of 0.6135 CBS share for every Viacom Class B share. A deal will require the approval of two-thirds of the independent directors.

###

Latest (5/31): CBS stockholders have filed a class-action lawsuit (read it HERE) against the media company’s controlling shareholder, National Amusements, contending the Shari Redstone-run outfit has breached its fiduciary duty, reports Deadline.

The suit was filed in Delaware Chancery Court by the Westmoreland County Employees Retirement System. (Westmoreland County is in Pennsylvania, just east of Pittsburgh.) It contends that the execs in charge of NAI, which controls about 80% of CBS and Viacom, “breached and continue to breach contractual, implied obligations and fiduciary duties that they owe to CBS’s Class B stockholders.” The NAI control is achieved via a dual-class stock ownership structure, a setup commonly used by many startup companies and even at some mature ones, such as Facebook.

The retirement fund is seeking certification for class action status on behalf of all of CBS’s Class B shareholders. Lawyers for the pension fund argue that CBS’s board had the authority to issue a special dividend, as was the case earlier this month, when the majority of the board voted to dilute Shari Redstone’s voting control over the company.

In its suit, the fund accuses NAI chief Shari Redstone, the family’s National Amusements holding company, and two board members of harming Class B shareholders by interfering with this special dividend. “The Share Distribution Provision permits share distributions that are dilutive to the excessive voting power of the Class A,” the complaint says. “Sumner Redstone is no longer in control of CBS. His daughter has seized control, interfered with the management of the company and pressured the company to pursue her self-interested plan to combine CBS with Viacom.”

National Amusements issued a statement saying it was merely exercising its legal right to change the CBS bylaws.

“Furthermore, as detailed in NAI’s complaint, the efforts of the CBS Directors to unilaterally dilute the voting rights of its controlling shareholder are extraordinary, unjustified and unlawful,” the company said in a statement. “We are confident the court will uphold NAI’s action.”
The pension fund’s lawyers argue that Redstone and her allies broke their promise to act in good faith by using National Amusement’s controlling stake in CBS to effectively nullify the board’s vote through a last-minute bylaw change.

“This denies the Class B stockholders the protection that the Share Distribution Provision was intended to afford them against an overreaching controlling shareholder,” the lawyers argue.

The pension fund argues that the bylaw change, requiring approval of 90% of the board to issue such a dividend, is invalid for reasons similar to those cited by CBS’s attorneys. The lawyers are asking the Delaware Chancery to authorize the issuance of new, Class A voting stock to all CBS shareholder and find Redstone, NAI and board members David Andelman and Robert Klieger in breach of their fiduciary duties.

One recent report by a Western Pennsylvania newspaper said the pension fund serves 1,300 retired government workers and ended 2017 with $459 million.

The action by shareholders is the latest attempt to challenge the bylaws that give NAI, control of the company. CBS, in a special board meeting May 17, voted to overturn the bylaws and reduce NAI’s control to around 20%, after first taking NAI to court, seeking a temporary restraining order to prevent interference with the board vote. NAI then sued over that move.

Courtroom battles have not interfered with Shari Redstone’s efforts to lead CBS and Viacom through a challenging environment for traditional media companies. She was seen earlier this week casually chatting with attendees at the Code Conference, a prominent technology and entertainment conference in Rancho Palos Verdes.

All of the legal warfare has deep roots, but it has flared up in recent weeks after two attempts by Redstone to bring the companies back together amid overall industry consolidation. One effort at a reunion in 2016 was abandoned. The next, which began in January, led to the current meltdown. Both sets of talks ran aground over issues over managerial control and compensation, with CBS chief Les Moonves resisting efforts to install current Viacom CEO Bob Bakish as the No. 2 in a combined entity. A larger point of contention is that CBS has insisted that Redstone was trying to force a merger regardless of the downside. NAI emphatically denies that charge.

CBS declined to comment on the suit. NAI did not immediately respond to Deadline’s request for comment.

National Amusements was founded as a Boston-area theater circuit in 1936 by the father of longtime former CBS and Viacom chairman Sumner Redstone, who took the helm of the company in 1954. Redstone would eventually expand the regional exhibitor into a global media power. During his six-decade run, the company bought Viacom in a bare-knuckled battle that involved Barry Diller, and then acquired CBS in 1999. CBS and Viacom operated together until deciding to split in 2006. Initially, the thinking behind the divorce was that then-high-flying Viacom, with Paramount Pictures, MTV and Nickelodeon, had too much upside to be weighed down by broadcast-and-localTV-heavy CBS. Stock-wise and operationally, it turned out to be the opposite scenario. Under Moonves, CBS went on a tear that continues to this day, topping the ratings charts and unlocking more shareholder value than Viacom, making Moonves and many shareholders wary of a combination with Viacom and newly critical of the NAI bylaws.

Shari Redstone, who earlier this decade had become estranged from her father, reconciled after the grueling process of ousting former Viacom CEO Philippe Dauman. With the health of Sumner Redstone, 95, now fading, Shari Redstone has steered the family-owned company since 2016.

Latest (5/29): Extraordinary - and disturbing - revelations emerged Tuesday (May 29) about the tense — and, at times, allegedly physical — closed-door meetings between senior executives at CBS and Viacom, which remain locked in a battle over a potential merger, reports NBC News. Legal filings describe how Shari Redstone, one of the most powerful women in media, was reportedly manhandled by Charles Gifford, a member of the CBS board, with Gifford "grabbing her face and directing her to listen to him."

Redstone, 64, who is vice chairman of CBS and Viacom and the daughter of the ailing media mogul Sumner Redstone, is under fire from CBS, which claims that National Amusements, the holding company that retains 80 percent of the voting shares in CBS and Viacom, was usurping its role by trying to force a merger of the two and potentially replace CBS board members.

Redstone suggested that Gifford, for one, not be renominated. After one meeting got physical, according to the filing, Gifford later told Redstone that he had meant no offense, adding "that was how he treats his daughters when he wants their attention." Redstone said she responded that "she was not Mr. Gifford's daughter but instead the vice chair of CBS."

CBS, which was once tied to Viacom but separated in 2006, is trying to dilute National Amusements' control and prevent a potential merger. National Amusements fired back by changing CBS bylaws to prevent a potential dilution of its voting stock. The two parties are now in court.

The filings on Tuesday by National Amusements in Delaware Chancery Court called CBS' efforts to dilute its voting rights "unprecedented, unjustified and unlawful."

The filings also revealed that Redstone would likely have given up her controlling stake in both companies had the merger been approved, noting that Redstone had told CBS Chief Executive Les Moonves that National Amusements "would consider relinquishing its controlling interest in the context of such a transaction."

CBS' holdings include broadcast network CBS, premium pay channel Showtime, and book publisher Simon and Schuster; while Viacom, run by chief executive Bob Bakish, owns cable channels including MTV and Nickelodeon, and Paramount movie studios.

In a statement Tuesday, NAI said, "Earlier this year, Shari Redstone and Les Moonves discussed and agreed that recombining CBS and Viacom would benefit both companies’ shareholders, providing greater scale as needed for success in today’s media and entertainment landscape, and better positioning the companies for a larger transaction in which the combined entity could fetch an attractive premium that neither CBS nor Viacom alone could command."

Redstone later agreed that the two companies could not be merged, and Moonves, who grew "tired of having to deal with a stockholder with voting control" took "particular umbrage that the exercise of such stockholder's control has migrated from Sumner Redstone to his daughter, Ms. Redstone," according to the statement.

Sumner Redstone, who is 95, stepped back from day-to-day duties at CBS and Viacom, though he remains chief executive of NAI.

The filing also noted that Moonves has the right to terminate his own employment agreement and stands to make $180 million if he has "certain good reason" for doing so.

“Today’s reactive complaint from NAI was not unexpected," CBS said in a statement. "The amended complaint filed last week by CBS and its Special Committee details the ways in which NAI misused its power to the detriment of CBS shareholders, and was submitted after careful deliberation by all involved. We continue to believe firmly in our position.”

--Ends--

Also, from TheWrap:

National Amusements Says It ‘No Longer Supported’ CBS-Viacom Merger Before CBS’ ‘Unlawful’ Move

Shari Redstone fires back in latest salvo to Les Moonves’ attempts to dilute her family company’s voting control of media giant

Shari Redstone said on Tuesday that she and her family’s company, National Amusements Inc., “no longer supported” a Viacom-CBS merger and communicated that to the Viacom board before CBS’ board made an “unprecedented” move to strip her of her voting power over the media giant.

In a new complaint in the muddy battle for power at CBS, Redstone said that National Amusements had advised Viacom’s special committee that it “no longer supported” a merger between the two companies. And that this was before CBS filed a lawsuit against Redstone and attempted to dilute NAI’s voting power from nearly 80 percent to roughly 80 percent.

The basis for CBS’ suit against Redstone and National Amusements, which has voting control of both CBS and Viacom, is the concern that Redstone would go to what it deems harmful lengths, such as replacing board members, in order to force a merger with Viacom.

“Today’s reactive complaint from [National Amusements] was not unexpected,” CBS said in a statement. “The amended complaint filed last week by CBS and its special committee details the ways in which NAI misused its power to the detriment of CBS shareholders, and was submitted after careful deliberation by all involved. We continue to believe firmly in our position.”

CBS has said that a merger would not be in the fiduciary interest of shareholders. Redstone has deemed the board’s concerns unfounded — and that its move to issue dividends to dilute NAI’s control was “unprecedented, unjustified and unlawful.”

“[National Amusements] and Shari Redstone did not, and do not, intend to force a recombination of CBS and Viacom, whether by removing and replacing CBS directors or otherwise,” National Amusements said in a statement on Tuesday. “In fact, prior to CBS’s action, Shari Redstone had already determined and advised a special committee of Viacom’s board that NAI no longer supported a merger.”

In National Amusements’ complaint, filed in Delaware court on Tuesday, the company said that as merger talks began to break down toward the end of April, Redstone reached out to members of Viacom’s special committee to tell them she was questioning the viability of and continuing rationale for a CBS-Viacom merger.

CBS CEO Les Moonves’ reluctance to carve out a role for Viacom head Bob Bakish in the combined company coupled with press reports that inside CBS sources were disparaging Viacom gave Redstone doubts about the merger. Viacom’s special committee, however, told her a recombination still made sense, according to the complaint.

On May 14, along with filing a lawsuit against Redstone, CBS said it had decided to longer pursue a merger with Viacom. This came after the two sides had agreed to go “pencils down,” putting a pause to merger talks due to busy schedules that included the CBS network’s upfront presentation to advertisers, the complaint says.

“As [National Amusements’] complaint makes clear there was no ‘threat’ or ‘interference,’ and indeed there was no action that could possibly warrant the CBS directors’ unprecedented, unjustified, and unlawful efforts to unilaterally dilute NAI’s voting rights,” National Amusements said in its statement. “Unlike CBS’ complaint, NAI’s complaint is based on actual facts. Those facts demonstrate that CBS’ allegations are false, and that the CBS board and special committee took their actions not in response to any genuine threat, but instead because Les Moonves has tired of having a controlling shareholder.

“While Les Moonves is an extremely capable television executive, neither he, nor the board acting at his behest, is entitled to strip NAI of its voting control.”

--Ends--

Latest (5/24): CBS said media heiress Shari Redstone’s recent moves to keep an iron grip on the company’s board have been “disloyal” — including an alleged maneuver to block a potential acquirer of the broadcasting giant.

In an amended lawsuit on Wednesday, CBS claimed Redstone — who is pushing for CBS to merge with Viacom, whose board she also controls — had warned off an unnamed rival suitor from bidding for CBS, reports The New York Post.

“Ms. Redstone told the CEO of a potential acquirer of CBS that he should not make such an offer,” according to the amended complaint filed in Delaware Chancery Court.

That, in turn, deprived CBS stockholders of “a potentially value-enhancing opportunity that the board or the special committee should have been free to evaluate, even if to use as negotiating leverage in connection with discussions concerning Viacom,” according to the suit.

In Wednesday’s suit, CBS also gripes that Redstone — whose holding company National Amusements owns 80 percent of CBS voting shares — cheated shareholders when she issued a bylaws change last Wednesday that requires a 90 percent vote of the CBS board to approve a special dividend.

CBS, which devised the dividend to dilute Redstone’s voting power to 17 percent, filed a lawsuit earlier last week that attempted to protect the dividend plan, which was approved 11-3 last Thursday in a special board meeting.

A Delaware judge, however, has yet to approve the dividend.

“National Amusements exercised its legal right to amend CBS’ bylaws and this change was effective immediately. We are confident the court will uphold NAI’s action,” a spokeswoman for Redstone said.

CBS on Wednesday alleged that under Redstone, National Amusements has “acted to undermine the management team, including without board authority, talking to potential CEO replacements, deriding the chief operating officer, and threatening to change the board.”

The epic legal spat pits Redstone against CBS CEO Les Mooves, who seeks autonomy to run the combined companies.

In the lawsuit, CBS said its directors were forced to adopt the dilution plan to block the unwanted merger on Redstone’s terms. A CBS special committee has rejected Redstone’s merger offer.

Also, from AFP:

CBS board challenges Redstone control in amended lawsuit

Washington (AFP) - CBS filed a new complaint Wednesday seeking to wrest control of the media group from controlling shareholder Shari Redstone, accusing her of trying "reap private benefits" at the expense of other stockholders.

The revised complaint from the CBS board of directors comes days after a judge backed Redstone and rejected an effort by the board to block her from interfering with an evaluation of a potential merger with media rival Viacom.

The lawsuit in Delaware Chancery Court claims that Shari Redstone, acting for her father Sumner Redstone through the family holding company National Amusements Inc, appears intent on pressing ahead with the deal for Viacom, which she also controls.

CBS asked the court to nullify Redstone's change in the bylaws which would require 90 percent approval by the shareholders, allowing her to effectively veto any board action.

The complaint said that despite her promises to the contrary, Redstone is on a path to reunite CBS and Viacom, which split in 2005, and could use her supermajority in voting shares to replace board members opposing her.

The family holding company owns around 10 percent of the equity of CBS but its special voting shares give it approximately 80 percent of the voting power. A similar plan is in effect at Viacom.

"She has sought to combine CBS and Viacom regardless of the strategic and economic merits of the transaction and to the exclusion of considering any other potential transaction," the complaint said.

It added that a special committee formed to consider the deal determined earlier this month "that a CBS/Viacom merger is not in the best interests of CBS stockholders" other than the Redstone family.

Shari Redstone and National Amusements, according to the complaint, have violated their fiduciary duty to shareholders by their actions.

They have failed, the suit continued, to live up to the "uncompromising duties of loyalty and good faith that preclude them from profiting inequitably at the expense of the company or its other public stockholders."

National Amusements, which has defended the corporate structure, said in response the latest filing that it "exercised its legal right to amend CBS' bylaws and this change was effective immediately."

"We are confident the court will uphold NAI's action," the statement added.

The lawsuit is the latest drama involving the media-entertainment empire built by Sumner Redstone, 94, whose fitness and mental status have been questioned in legal proceedings.

A separate legal clash ended in 2016 when Viacom chief Philippe Dauman agreed to step down and drop his lawsuit alleging a power grab by Shari Redstone in the absence of her incapacitated father.

CBS, which operates one of the largest US broadcast TV network, the Showtime channel and controls Australia's Network Ten, has resisted efforts to merge with struggling Viacom, whose brands include Nickelodeon, MTV, BET and Comedy Central and Paramount Pictures.

###

Latest (5/18): Shari Redstone won the first round Thursday (17th May 2018) of a messy legal battle for control of CBS Corp, but the media group said the fight is not over yet.

A Delaware judge rejected a petition from the CBS board of directors to block the Redstone family's holding company from interfering with the evaluation of any merger deal.

The decision allows Shari Redstone -- daughter of media empire builder Sumner Redstone -- to keep tight control over the television and media group, with the power to replace its board.

It also could clear the way for CBS to reunite with rival Viacom, although the Redstones' National Amusements Inc holding firm has said it is not seeking to force a tie-up.

CBS had sought to block any effort by Redstone and National Amusements to meddle with the board ahead of a planned meeting where it was to consider a measure to dilute her voting shares.

Delaware Chancery Court judge Andre Bouchard said CBS failed to show it would suffer "irreparable" harm if its petition were denied.

"I am not convinced that the harm plaintiffs fear would be irreparable," Bouchard said in a 17-page opinion.

"To the contrary, the court has extensive power to provide redress if Ms Redstone takes action(s) inconsistent with the fiduciary obligations owed by a controlling stockholder."

National Amusements welcomed the ruling, saying the judge blocked an "unprecedented motion to try to deprive a shareholder of its fundamental voting rights."

"The court's ruling today represents a vindication of National Amusements' right to protect its interests," said the holding company led by Shari Redstone, who controls the shares for her ailing 94-year-old father.

A CBS statement said the judge did not rule out a potential legal claim against Redstone for failing to act in the interest of shareholders.

"While we are disappointed that the judge did not grant a (restraining order), the ruling clearly recognizes that we may bring further legal action to challenge any actions by NAI that we consider to be unlawful, and we will do so," CBS said.

CBS pointed out that the judge wrote in his order that the media firm may be able to present "a colorable claim for breach of fiduciary duty against Ms Redstone."

- Future clouded at CBS -

The court fight brought into the open the power struggle between Shari Redstone and CBS chief Les Moonves.

CBS had claimed that Redstone was seeking to force a merger with Viacom -- which is also controlled by the family and which was split from CBS in 2006 -- on terms that were unfavorable to public CBS shareholders.

The Redstone holding company controls about 10 percent of the equity of CBS but has nearly 80 percent of the voting power through a special share class.

National Amusements has disputed the claim by CBS that it wants a merger without the support of both firms.

But the open clash is likely to lead to major shakeup at CBS in the event of a merger with Viacom. CBS shares sank around four percent following the ruling.

"Ultimately, we believe it is hard to imagine Moonves having a role in the combined company," BTIG Research analyst Richard Greenfield said in a note to clients this week.

"We have a hard time seeing how any of the independent CBS directors in addition to Moonves, can be allowed to stay, given they are actively seeking to violate National Amusement's shareholder rights under the CBS bylaws."

CBS divisions include its large US broadcast television network, Network Ten Australia, Showtime Networks and the publisher Simon & Schuster, among others.

Viacom operates the Paramount studios in Hollywood, along with cable channels Nickelodeon, MTV and Comedy Central, and has content agreements with TV operators in Britain, Argentina and India.

The lawsuit is the latest drama involving the media-entertainment empire built by Sumner Redstone, whose fitness and mental status have been questioned in legal proceedings.

In a separate legal clash in 2016, Shari Redstone was accused of manipulating her incapacitated father to gain control of the media empire.

Additionally, CBS Corp.'s board on Thursday voted in favor of a dividend that would reduce the voting power that Viacom and CBS controlling shareholder National Amusements has at the latter, and it suspended its annual shareholder meeting that was scheduled for Friday. The company had on Monday sued its vice chair Shari Redstone, her father Sumner Redstone and the vehicle through which the Redstone family had controlled CBS and Viacom.

The company said it was "a unanimous vote of the directors not affiliated with National Amusements" and that the plan for dilution is still subject to court approval.

What the directors, did, specifically, was declare a dividend of 0.5687 shares of Class A common stock for each share of the company's Class A and Class B stock, which will mean that National Amusements will control about 17 percent voting control over CBS rather than 80 percent.

CBS, led by chairman and CEO Leslie Moonves, had on Monday filed a lawsuit in Delaware Chancery Court against its vice chair Shari Redstone, her father Sumner Redstone and the Redstone family's National Amusements. It said back then that a committee of independent directors at the company called for the Thursday board meeting to formally vote on the potential Viacom deal and possibly decide on issuing a dividend that would dilute NA's voting stake from approximately 79 percent to 17 percent.

With the expectation that the Redstones may attempt to interfere with the planned meeting, CBS in a preemptive measure demanded a temporary restraining order from a Delaware judge, which the judge denied on Thursday.

"The special committee believes that the company and its public stockholders face a serious threat of imminent, irreparable harm in Ms. Redstone's potential response to the special committee's unanimous decision ... May 12, 2018, that the proposed Viacom transaction is not in the best interests of CBS stockholders," the CBS motion had said.

NA called CBS' move "outrageous" and said it would vigorously defend itself in court. After Thursday's court decision, it said: "We are pleased by the court’s decision to deny CBS and its special committee’s unprecedented motion to try to deprive a shareholder of its fundamental voting rights. The court’s ruling today represents a vindication of National Amusements’ right to protect its interests. As we intend to demonstrate as the case proceeds, the actions of CBS and its special committee amount to a grievous breach of fiduciary duties and show no regard for the significant risk posed to CBS and its investors."

CBS said after the court decision: "While we are disappointed that the judge did not grant a temporary restraining order, the ruling clearly recognizes that we may bring further legal action to challenge any actions by NA that we consider to be unlawful, and we will do so."

It added: "As previously announced, the CBS board will hold a meeting at 5 p.m. today to consider declaring a dividend of shares of Class A common stock to all of the company’s Class A and Class B stockholders, as is permitted under CBS’ charter. This dividend would more closely align economic and voting interests of CBS stockholders without diluting the economic interests of any stockholder."

Also, from ZlotoNews:

CBS loses initial battle with shareholder

Shari Redstone wants to merge CBS with Viacom, another National Amusements company

The US media company CBS has lost an initial court battle amid a dispute with its biggest shareholder over control of the company.

A Delaware judge on Thursday lifted a temporary restraining order against National Amusements, which is owned by the Redstone family.

The ruling is expected to prevent CBS from taking steps to reduce National Amusement’s voting power.

CBS said it was disappointed but said it would continue its fight.

It said: “The ruling clearly recognises that we may bring further legal action to challenge any actions by [National Amusements] that we consider to be unlawful, and we will do so.”

Tensions between the two sides were triggered by Shari Redstone’s efforts to merge CBS with Viacom, another National Amusements company.

This week, a CBS committee decided the proposal was not in the firm’s interest. The company also announced plans to consider reducing National Amusement’s voting power by issuing a special dividend at a meeting on Thursday.

The firm argued that Ms Redstone’s interference in the merger process and other actions posed “significant threat of irreparable and irreversible harm” to CBS.

CBS had sought a temporary restraining order against National Amusements ahead of the meeting, arguing that Ms Redstone would block the plan to reduce her voting power by changing the board or its bylaws.

However, Delaware Chancery Court Chancellor Andre Bouchard said “a truly extraordinary set of circumstances would be necessary to grant such a request”.

“I am not convinced that the harm plaintiffs fear would be irreparable,” he wrote.

“To the contrary, the court has extensive power to provide redress if Ms Redstone takes action(s) inconsistent with the fiduciary obligations owed by a controlling stockholder.”

Despite the ruling, CBS said it would hold the meeting as planned.

‘Unprecedented motion’
National Amusements, which operates movie theatres in the US, UK and Latin America, controls about 80% of the voting power at both CBS and Viacom through a dual share class structure. The firm’s ownership stake is lower.

After CBS filed the lawsuit, National Amusements moved to amend the board’s bylaws, requiring a supermajority for certain measures.

National Amusements said the judge’s decision was “a vindication of National Amusements’ right to protect its interests.”

It said: “We are pleased by the court’s decision to deny CBS and its special committee’s unprecedented motion to try to deprive a shareholder of its fundamental voting rights.”

Viacom and CBS were previously part of the same company, but Sumner Redstone, Shari’s father, separated the two firms in 2005.

CBS subsidiaries include its flagship television network, television studios and the Simon & Schuster publishing firm.

Viacom includes Paramount, as well as media brands such as Nickelodeon, Comedy Central and MTV.

CBS shares plummeted after the decision,

--Ends--

Also, from The New York Times:

Judge Rejects CBS Move to Strip Shari Redstone’s Control of Company

A Delaware judge on Thursday handed a victory to Shari Redstone in her dispute with CBS, the television network controlled by her family, but left the door open for further courtroom battles in a bitter, and unusually public, boardroom feud.

The decision was a blow to CBS’s chief executive, Leslie Moonves, a highly paid and well- respected media mogul who has long resisted Ms. Redstone’s quest to merge his company with its corporate sibling, Viacom. Still, the decision left a door open for CBS to challenge future moves by its main shareholder.

The ruling, by Chancellor Andre G. Bouchard of Delaware’s Court of Chancery, denied CBS’s request for a temporary restraining order against Ms. Redstone. CBS had sought to prevent her from interfering with a board meeting scheduled for 5 p.m. Thursday at which board members were to vote on a special stock dividend that would have reduced her voting stake to 17 percent from 79 percent.

In suing Ms. Redstone, her father, Sumner M. Redstone, and their company, National Amusements, which owns CBS and Viacom, CBS argued that Ms. Redstone could seek to replace the company’s current directors with her allies in a maneuver similar to one she previously executed at Viacom. (Ms. Redstone, through her family’s holding company, denied considering such a move at CBS.)

Chancellor Bouchard’s ruling came amid a whirlwind week when the tension between CBS and its owner erupted into all-out war. On Monday, CBS sued Ms. Redstone, asking the court for the temporary restraining order. On Wednesday, less than an hour before the hearing in Delaware was to begin, Ms. Redstone moved to amend CBS’s bylaws to effectively give her control of the board.

In his decision, the judge wrote that CBS would have other legal avenues to challenge Ms. Redstone if the network believed that she had violated its independence.

“I am not convinced that the harm plaintiffs fear would be irreparable,” Chancellor Bouchard wrote. “To the contrary, the court has extensive power to provide redress if Ms. Redstone takes action(s) inconsistent with the fiduciary obligations owed by a controlling stockholder.”

In a statement, National Amusements said, “We are pleased by the court’s decision to deny CBS and its special committee’s unprecedented motion to try to deprive a shareholder of its fundamental voting rights. The court’s ruling today represents a vindication of National Amusements’ right to protect its interests. As we intend to demonstrate as the case proceeds, the actions of CBS and its special committee amount to a grievous breach of fiduciary duties and show no regard for the significant risk posed to CBS and its investors.”

CBS, in its own statement, said that although it was disappointed by the outcome, “the ruling clearly recognizes that we may bring further legal action to challenge any actions by N.A.I. that we consider to be unlawful, and we will do so. We remain confident that we will prevail in the lawsuit previously filed by CBS and the members of its Special Committee.

As for the board meeting scheduled for Thursday, CBS said it would proceed as planned.

--Ends--

Latest (5/17): Redstones abruptly change CBS' bylaws an hour before court hearing as struggle for control continues, reports The Los Angeles Times (H/T: Valdosta Daily Times).

In a day of high drama even for the media industry's most combative family, Shari Redstone spent Wednesday furiously trying to outmaneuver CBS in a brawl for control of the storied media company.

The day ended in a Delaware courtroom where the judge, Chancellor Andre G. Bouchard, issued a protective order to prevent further changes to CBS or its board, according to a person close to the situation who was not authorized to comment.

About an hour before the hearing, the Redstone family, through its investment vehicle, National Amusements Inc., said it had amended CBS' bylaws to stipulate that any changes or authorizations of dividends would require a supermajority of board members. The move appeared aimed at preventing the board from voting Thursday to weaken the Redstones' hold over the company. They are locked in a dispute with CBS over a proposed merger with Viacom.

The high-stakes showdown came after several months of behind-the-scenes tensions between Leslie Moonves, CBS' chairman and chief executive, and Shari Redstone, the daughter of Sumner Redstone who also serves as vice chair of CBS.

Shari Redstone wants to merge CBS with another media company the family controls, Viacom, which owns MTV, Comedy Central, BET and Nickelodeon. CBS does not want to be saddled with the troubles of the weaker Viacom, and on Sunday a special committee of the CBS board determined that such a merger was not in the company's best interest.

That conclusion was a rebuff to Redstone, who believes the two companies would be stronger together as traditional media compete with such technology giants as Facebook, Google, Netflix and Amazon.

The judge is expected to swiftly decide whether CBS can move forward with a rare corporate maneuver to strip the Redstone family of their control over the company, treating them like ordinary shareholders.

CBS has planned to hold a special board meeting Thursday to issue a dividend that would dilute the Redstones' control over the company's affairs. The family's voting stock would be reduced from nearly 80% of the shareholder vote to 17%.

CBS said there was a provision in its charter that allows for such a dividend. It asked the judge to block the Redstones from making any changes to its board before Thursday's vote could take effect.

"National Amusements Inc. believes the irresponsible action taken by CBS and its special committee put in motion a chain of events that poses significant risk to CBS," the Redstone family said in a statement midday Wednesday. "Due to the magnitude of this threat, NAI was compelled to take this measured step to protect its position while also mitigating further disruption to CBS."

CBS has said it feared that the Redstone family would unilaterally make changes that would harm CBS shareholders. The Redstones' bylaws change reinforces the company's concerns, CBS said.

"The latest step by NAI provides further evidence of why we concluded that we had no choice but to file our action in the Delaware courts, in order to protect the interests of all CBS shareholders," CBS said in a statement after the bylaws change.

CBS sued the Redstone family Monday, alleging that Shari Redstone was trying to force a merger with Viacom Inc. even if it would harm CBS shareholders.

The Redstones filed a brief in the case late Tuesday, calling CBS' attempts to eliminate their voting control "egregiously overbroad and unjustified" and said the move would be "an unprecedented usurpation of a controlling stockholder's voting power."

The Redstones' National Amusements asked the judge to deny CBS' request to block the Redstones from making changes at CBS before Thursday's board meeting.

There is deep distrust on both sides. Moonves has bristled over media reports that Shari Redstone has been conducting a stealth search to replace him.

Moonves prides himself on his successful 12-year run managing the broadcasting company with little management oversight from the Redstones. But that changed in the last two years as the family patriarch, Sumner Redstone, who turns 95 next week, became ill and Shari Redstone began taking a more active role in Viacom and CBS.

Legal experts have called CBS' gambit to dilute the Redstones' power the "nuclear option." The Redstone family told the judge that such a severe remedy was not warranted, saying there was no clear evidence that Shari Redstone planned to make changes to the board.

National Amusements called CBS' effort "extraordinary both in scope and finality in response to unsupported allegations."

"NAI does not have, and has never had, any intention of replacing the CBS board or taking other action to force a merger," the company said in its Tuesday brief.

According to National Amusements, CBS has overreacted based on "unsourced media reports," that have cited knowledgeable people who have said that Shari Redstone was prepared to replace CBS board members with ones that were aligned with her views.

CBS, in a response filed Wednesday morning, said it "was not seeing ghosts."

"Five independent directors of undisputed renown — former CEOs and senior business executives along with the former dean of Harvard Law School — determined that [Shari Redstone] was such a serious threat to the corporation and all its stockholders that their fiduciary duties required action," CBS said in its court papers.

Shari Redstone already has one close ally on the CBS board: Robert Klieger, a Los Angeles attorney who served as Sumner Redstone's personal lawyer when the patriarch was sued by a former female companion. Klieger successfully represented Sumner Redstone in that fraught 2016 court case when the former companion, Manuela Herzer, tried to get Sumner Redstone declared mentally incapacitated. In 2017, Klieger joined the CBS board.

Last Friday, Klieger approached another board member, Bruce Gordon, and said National Amusements wanted a third board member, Charles Gifford, removed from the board before CBS' annual shareholders meeting Friday. In its brief, National Amusements said it had concerns with Gifford that stemmed from unspecified "incidents" that occurred in 2016 and 2017. (Gifford, 75, is a former Boston banker who has served as chairman emeritus of Bank of America Corp. since 2005.)

Earlier this week, National Amusements said the board member, whom it now revealed as Gifford, had engaged in "bullying and intimidation."

Gifford was not immediately available for comment. CBS defended Gifford on Wednesday, saying in a statement that he has "always conducted himself with courtesy, integrity and staunch dedication to all of our shareholders."

"It is unfortunate and revealing that NAI has resorted to baseless personal attacks against a member of CBS' board," CBS said in its statement. "The allegations regarding him are not only vague and unsubstantiated, they are utterly inconsistent with our knowledge of him."

CBS noted that Shari Redstone had previously supported Gifford's involvement in an important CBS board committee. In addition, six weeks ago, National Amusements said in a regulatory filing that it planned to support the reelection of all current CBS board members, including Gifford.

The corporate wrangling comes just two years after National Amusements unilaterally made sweeping changes to Viacom's board — moves that were announced via a fax that arrived in the office of Viacom's then-chief executive late one Friday in May 2016.

That dispute also wound up in a Delaware court, and Viacom Chief Executive Philippe Dauman eventually resigned. That helped clear the decks for Shari Redstone to install Bob Bakish as the new chief executive of Viacom.

Talks about a Viacom-CBS merger broke down over her push to have Bakish serve in an influential role at the combined company.

UPDATES:

1:45 p.m.: This article was updated with a Delaware judge issuing an order to prevent further changes to CBS or its board.

11:50 a.m.: This article was updated with a statement from CBS about the Redstone family's bylaws changes.

11 a.m.: This article was updated with the Redstone family's move to amend CBS bylaws.

9 a.m.: This article was updated with CBS' Wednesday filing and statement and with additional background information.

This article was originally published at 7:25 a.m.

--Ends--

Latest (5/15): Les Moonves, CEO of CBS, privately concedes that his fight to wrestle control of the broadcast outfit from Shari Redstone could end with its sale to another player in the rapidly evolving media business, FOX Business has learned.

Insiders at CBS say a priority is achieving victory over Shari and her father, Sumner, who own a controlling stake through their holding company, National Amusements Inc. But these same insiders say Moonves is well aware of the challenges CBS will face as an independent company, given its relatively small size compared with the likes of Comcast, or if the courts allow, the proposed combination of AT&T and Time Warner.

With that in mind, Moonves will be open to a merger or being sold if the price is right. “Les knows what’s happening in the media industry,” said one CBS insider. “And he knows if he prevails here he could be sold.”

On Wednesday, a Delaware Chancery Court judge will hear arguments from CBS, which filed an unusual and explosive lawsuit earlier this week against the Redstones to dilute their controlling stake. The suit came after a contentious round of negotiations in which Shari Redstone was looking to merge CBS with the other media company the family controls, the ailing Viacom unit of National Amusements. Moonves has balked over price and her management demands.

Moonves plans a CBS board vote on Thursday to complete the dilution and strip control of the broadcaster from the Redstones. One CBS insider told FOX Business: "Les would never have even considered buying Viacom if Shari didn't force this on him."

The bold move by Moonves took the media industry by surprise, and if he’s successful, the outcome could have wide-ranging implications not just in the media business, but throughout corporate America. The lawsuit essentially puts the Chancery Court—which is regarded as the top legal venue for adjudicating more prosaic corporate disputes—in the position of determining something that is considered nearly unprecedented: Who is the rightful owner of a family company in a dispute between a controlling shareholder and management.

“The Delaware court usually doesn’t want to get involved in ownership disputes of this nature,” said a long-time media executive, who spoke on condition of anonymity. “They want to make sure parties are merely following the rules. They don’t want to get involved in a family-type dispute.”

In a statement, National Amusements said it “is outraged by the action taken by CBS and strongly refuted its characterization of the events.” The company said it was not forcing CBS to merge with Viacom and that a possible deal seemed to be on track until Moonves filed the lawsuit. The Redstones believe that Moonves filed the suit to protect an unnamed board member from being ousted over “incidents of bullying and intimation.”

A spokeswoman for National Amusements declined any further comment, but FOX Business has learned through another company executive that National Amusements is planning to make its own filing with the Delaware court sometime on Tuesday. This executive wouldn’t rule out that the Redstones could fire CBS board members to prevent Moonves’ move to dilute National Amusements' control over CBS.

But people close to Moonves believe he’s got a strong legal case to make: Namely that Viacom’s assets – which include entertainment networks like Nickelodeon and MTV, are inferior to CBS’s entertainment and news programming and that Redstone was forcing a sale at inflated prices.

And Moonves is also thinking long-term, the people add: As the drama plays out in court and in the boardroom, Moonves and his management team have weighed the possibility of CBS being purchased or merged with another company, according to two CBS insiders with direct knowledge of the matter.

A CBS spokesman declined to comment on the matter but would not deny Moonves' thinking as characterized by the insiders.

People familiar with Moonves’ priorities said at least for the near term the 68-year-old CEO wants to run CBS as a standalone outfit and to leverage its premium entertainment and news programming. He is in the middle of a long-term growth plan and has been reaching internal benchmarks.

Investors have rewarded the company by snapping up its shares, which have climbed more than 10% over the past five years. Viacom has been a market laggard, with its stock losing half its value.

That said, people in Moonves’ inner circle acknowledge that if he prevails over Redstone, his company would immediately become takeover bait for large technology companies such as Apple or even Google or Verizon, which have enormous amounts of cash on hand for such a purchase and are looking for various forms of content.

Given the rapidly changing media business, where even profitable companies such as CBS are coming under cost pressure because of the phenomenon known as cord cutting, CBS would have to consider a merger partner if and when one comes along, these people added.

"Verizon has already expressed interest in CBS," Porter Bibb, managing partner of Mediatech Capital Partners, told FOX Business, adding that the telecom giant would probably prefer a combined CBS and Viacom because together the media titans are "worth at least 50% more than the two standalones would get individually."

The first order of business for Moonves is prevailing over the Redstones. Shari Redstone took the reins of National Amusements as the health of her 94-year-old father declined. She has sought to consolidate power, first by pushing out Philippe Dauman as Viacom CEO and then by attempting to reunite Viacom with CBS.

Moonves has resisted the merger for the past two years, openly suggesting that he would rather be fired than be forced to buy Viacom at what he thought was an inflated price. He has also balked at her management demands including a push to install Viacom CEO Robert Bakish as the No. 2 at the combined company.

But Moonves believes he has a good hand in opposing his nominal boss. First, if Redstone fired him, Moonves would walk out with an enormous pay package estimated anywhere from $150 million to $200 million.

And from a legal standpoint, he believes CBS bylaws allow him to oppose mandates from the controlling investors if they are not in the best interest of most CBS shareholders. While the Redstones hold a controlling interest in CBS, they don't own most of its stock. It is Moonves’ intention to dilute the family’s controlling stake to the point that it will vote like any other shareholder.

“Les believes he's got all the cards in this one," said a CBS executive. "If he loses and gets fired, he walks away even richer. If he wins, he is a hero to shareholders because the Viacom deal makes no sense."

And as another CBS insider said, if he sells the company down the road, he will end up with still more.

Also from The Hollywood Reporter:

Will CBS-Viacom Brawl End With Leslie Moonves' Golden Parachute?

Two media giants head to court as the TV mogul places a last-ditch bet on outmaneuvering Shari Redstone, with the fate of an empire on the line.

Is Shari Redstone the protagonist in a drama that could be titled "Daddy Dearest," in which her domineering father years ago quietly devised a method to block her from eventually taking control of his media empire? Or is CBS Corp., which stunned Redstone by suing May 14 to prevent her from forcing a merger with Viacom, just playing the long odds with an audacious legal argument? Has CBS chairman Leslie Moonves calculated that even if his side loses, he'll be paid handsomely to leave while sparing himself a possibly futile struggle to make a success of the combined companies?

Those are among the looming questions now that Moonves, 68, has launched open and potentially very personal warfare with Redstone, 64. CBS is arguing that a largely unknown (until now) provision in its charter allows the company to dilute the Redstones' long-standing control by issuing new voting shares to stock­holders. The implication is that in 2005, when mogul Sumner Redstone split his media empire into two stand-alone companies — CBS and Viacom — he slipped in a provision giving the respective boards a way to block his daughter should she eventually try to impose her will.

The Redstones' National Amusements holding company says it "strongly disagrees" with the CBS interpretation of the provision in question and that there never was any intention of forcing a merger.

Clearly Shari recoils at any suggestion that her now-ailing father meant to stymie her. While certainly Sumner did not always express a fond parent's faith in his daughter's ability to succeed him, she takes the position that Sumner supported her in 2005 when the companies were split and supports her today. (Whether Sumner, now a frail 94 and unable to speak, is capable of expressing an opinion on this issue could become a very sensitive part of the dispute.)

When Shari seized control of Viacom in 2016, then-chairman Philippe Dauman did not attempt to invoke the so-called "nuclear option," choosing instead to take a very large check (about $72 million) to go away. But to many observers, Dauman had long appeared to be phoning it in and stashing the cash while Viacom drifted deeper and deeper into difficulty as its cable channels (MTV, Nickelodeon) and Paramount studio faltered and the media landscape changed.

At the same time, Moonves — also richly remunerated (he made $69.3 million in 2017) — has long been the undisputed master of his domain and has delivered good results even in turbulent times for CBS and the broadcast industry. He commands the loyalty of his board and the support of many, though not all, Wall Street analysts.

Under pressure to deliver scale in an advertising market increasingly dominated by Google and Facebook, Shari has decided the best path for her family empire is to merge CBS and Viacom into one $32 billion company. But Moonves' insistence on maintaining control does not come as a surprise to anyone who knows him. And Shari was willing to leave him in charge of a combined company — for now — though initially she insisted on some meaningful role for Bob Bakish, her handpicked Viacom CEO. Some observers thought she had in effect blinked when she then agreed that Moonves didn't have to give Bakish, 54, a top job as long as he got a board seat. But CBS apparently saw that as allowing the camel to poke its nose into the tent, as lawyers like to say.

Now CBS has rejected the whole idea of a merger, opting instead to go to war. In legal papers filed in Delaware, the company questions Shari's earlier tactics in taking control of National Amusements and Viacom and explicitly argues that she "presents a significant threat of irreparable and irreversible harm" to CBS. It also claims Shari stymied a potential acquisition of CBS — sources say the suitor was Verizon — that would have benefited CBS shareholders. In response, National Amusements says it "is outraged by the action taken by CBS and strongly refutes its characterization of recent events. NAI had absolutely no intention of replacing the CBS board or forcing a deal that was not supported by both companies."

The move to dilute the Redstones' 80 percent voting power certainly is unusual, according to legal experts. "I don't know if it's going to work," says University of Pennsylvania law professor Jill Fisch. "Maybe nobody's ever thought of it." Columbia Law School professor John Coffee agrees CBS' move is "radical" and references two other corporations with dual-class share structures designed to ensure voting power. "Remember, if this can happen at CBS, it could happen at Facebook or Google years from now."

In the suit, CBS argues that the so-called "Redstone discount," meaning the family's super-majority voting control, has long been viewed by Wall Street as "a potential cloud and depressant on the market value of CBS stock." In other words, CBS shareholders suffer under Redstone rule, so the solution should be independence. Pointing to registration and proxy statements through the years, CBS claims the company has been held out to regulators and anyone buying common stock as an entity that would be governed by an independent board. The first test of this bold theory comes at a hearing May 16 in Delaware Chancery Court. But that's only the beginning. It won't settle the big issues such as Moonves' continued role at CBS and Shari's potential fiduciary-duty counterclaims against the CBS board.

And, of course, a deal could still be in the cards. As top Delaware corporate lawyer Francis Pileggi notes, "A lot of the time, litigation is used as a negotiating tactic." Especially when it comes to the Redstone empire.

Or Moonves may have another goal in mind. One longtime industry insider — the veteran of his own Redstone wars — says the odds of CBS prevailing in court seem to be so long that "it smells to me like Les wants to get canned, collect his pay and go home." That go-away fee could be much larger than Dauman's, between $180 million and $280 million, according to an analysis of recent SEC filings. And the clock is ticking. Unless a deal is reached, the nuclear war could take an additional toll on two companies struggling to keep pace with digital goliaths. Viacom disclosed about 100 additional cost-cutting layoffs on May 15.

Analyst Steven Cahill warns that if Redstone goes to the mat to keep control and push through a merger, that could lead to "names being dragged through the mud and uncertainty over leadership and corporate structure for some months or even years as legal cases play out, likely with a fair amount of name-calling along the way." The only sure thing: The lawyers will prosper and Moonves will, too.

--Ends--

Latest (5/14): CBS filed suit on Monday 14th May 2018, alleging that majority shareholder Shari Redstone is seeking to "force" a merger with rival Viacom on unfavorable terms, reports AFP.

The lawsuit filed in Delaware Chancery Court claims "breaches of fiduciary duty" by Shari Redstone and National Amusements, the holding company created by her father, 94-year-old Sumner Redstone.

CBS is seeking a temporary restraining order "to protect the status quo and to prevent imminent and irreparable harm" from merging CBS and Viacom, two media groups which were split a decade ago by Sumner Redstone.

The lawsuit alleges that Shari Redstone is seeking "to force through a merger of CBS and Viacom on terms that are contrary to the best interests of the public stockholders -- without allowing them any voice on the transaction."

This effort "would subvert the board-approved Special Committee process," evaluating a tie-up of the two firms.

CBS said in February it had established a committee to consider reuniting the two companies, combining CBS with Viacom's networks which include Nickelodeon, MTV, BET and Comedy Central.

The companies previously explored a combination in 2016, but later abandoned the effort.

Shari Redstone, acting on behalf of her father, effectively controls both firms through National Amusements through special voting shares.

CBS has called a special board meeting for Thursday that will consider issuing a dividend that would dilute the voting power of the holding company from 79 percent to 17 percent.

The dividend "would enable the company to operate as an independent, non-controlled company and more fully evaluate strategic alternatives," a CBS statement said.

The lawsuit said Shari Redstone could force a merger by replacing CBS board members.

"If Ms. Redstone can replace Board members or modify the Company’s governance documents in the next three days, it is uncertain that the board will be able to protect all stockholders by considering at the next Board meeting whether to take action in response to her threats and breaches of fiduciary duty," the suit alleges.

Also, from Deadline:

CBS Stakes Claim For Independence, Sues National Amusements For Breach Of Fiduciary Duty

In a dramatic escalation of the long-simmering tensions between CBS and controlling shareholder National Amusements, CBS and the Special Committee of its Board of Directors have filed a lawsuit looking to slash NAI’s controlling stake. While the near-term goal is to scuttle the proposed merger of CBS and Viacom, CBS says it seeks to operate as “an independent, non-controlled company,” with more strategic options down the line.

The suit (read it here) in Delaware Court of Chancery alleges breaches of fiduciary duty by National Amusements, the controlling shareholder of both CBS and Viacom. Shari Redstone, who runs National Amusements, has been locked in a struggle with CBS chairman and CEO Leslie Moonves over the company’s merger talks with Viacom. The flare-up comes on an already momentous week for CBS, which is holding its annual upfront presentation to advertisers on Wednesday and convening its annual shareholder meeting Friday.

The lawsuit seeks to prevent National Amusements from interfering with a special meeting of the board of directors. At the meeting, the directors will consider declaring a dividend of shares of Class A common stock to all of the Company’s Class A and Class B stockholders, as is permitted under CBS’ charter. The dividend would dilute the voting interest of National Amusements from its current level of about 79% to 17%. It would not dilute the economic interests of any CBS stockholder, the company said.

Redstone had reportedly indicated she would consider ousting Moonves and the entire CBS board if they stood in the way of the merger. One point of contention is the role that Redstone’s hand-picked CEO of Viacom, Bob Bakish, would play in the combined company. Moonves, who would run the re-merged entity, has favored CBS Chief Operating Officer Joe Ianniello over Bakish as his No. 2.

Wall Street reacted to the lawsuit by boosting CBS stock by 4%, while Viacom’s took a hit, dropping nearly 7% in morning trading. Many analysts in recent weeks have observed that Viacom needs the merger more than CBS. Viacom has been attempting to crawl out of a deep hole with a portfolio of cable networks, including MTV, Nickelodeon and Comedy Central, that has been hurt by cord-cutting and other disruptions to the traditional bundle. While CBS is experiencing similar headwinds, Moonves and his team have increased revenue from retransmission consent and content licensing. It has also debuted stand-alone streaming networks like CBS All-Access as hedges against live linear ratings erosion.

Reps from Viacom and National Amusements did not immediately respond to Deadline’s requests for comment.

The suit argues that National Amusements’ control derives from the company’s dual-class stock structure, not NAI’s economic ownership. A motion for a temporary restraining order looks to keep Redstone “from abusing NAI’s voting control and further harming CBS and its public stockholders in breach of their fiduciary duties,” according to the documents.

CBS is also demanding a May 17 board meeting to “discuss ways in which the Board may protect the Company against Ms. Redstone moving forward, including the potential issuance of a stock dividend that would dilute NAI’s voting power.” That gathering would come one day after CBS holds its customarily lavish upfronts presentation at New York’s Carnegie Hall, showcasing its upcoming TV season to deep-pocketed advertisers, with an after-party at the Plaza Hotel.

“The Special Committee has taken this step because it believes it is in the best interests of all CBS stockholders, is necessary to protect stockholders’ interests and would unlock significant stockholder value,” the company said in a press release. “If consummated, the dividend would enable the company to operate as an independent, non-controlled company and more fully evaluate strategic alternatives.”

CBS and Viacom were corporate siblings from 2000-2006. Since splitting, their fortunes have diverged in ways not envisioned by National Amusements founder and longtime chairman Sumner Redstone, Shari’s father. CBS after the separation became the most-watched broadcast network and has had a nearly two-decade run of ratings dominance.

Citing marketplace consolidation, Shari Redstone has long sought to recombine the companies, which have been holding formal merger talks since February. The main sticking points have been the management team and the value in the deal from the CBS side given the significant struggles at Viacom in recent years.

--Ends--

Also, from Bloomberg:

Les Moonves Sets Stage for Final Showdown With Redstone Family

Leslie Moonves has decided the fate of countless TV shows, from “Survivor” to “C.S.I.” Now he’s trying to write his own finale.

CBS Corp., where Moonves serves as chairman and chief executive officer, sued its controlling shareholder National Amusements Inc. on Monday -- an unusual legal maneuver intended to block an unwanted merger with Viacom Inc. and wrest control of CBS away from Sumner Redstone and his heirs, the very family that put Moonves in power.

This could be the last stand for Moonves, a 68-year-old former actor who has run CBS for the past 13 years. If he prevails, he would emerge from this legal dispute free from control of the Redstone family, for whom he’s worked for nearly two decades. Or he can get ousted from his company, an unceremonious end to one of the most storied careers in the modern media business.

CBS claims Shari Redstone, president of National Amusements, isn’t acting in shareholders’ best interests, and must be prevented from replacing board members to force the network to merge with Viacom on her terms.

A Delaware chancery court judge will hear CBS’s argument on Wednesday, a day before the company’s board is scheduled to vote on National Amusements’ voting stake in CBS. Judge Andre Bouchard must decide if CBS’s board has the power to dilute NAI’s voting control.

CBS Takes Redstones to Court as Hopes Fade for a Viacom Deal

A board committee set up to weigh the Viacom merger is recommending directors approve a stock dividend that would dilute NAI’s voting power to approximately 17 percent from 80 percent -- a move it says will protect the interests of CBS’s stockholders.

“No management team can perform in the shadow of the dangerous power Ms. Redstone wields,” the company said in a filing.

CBS filed suit after weeks of negotiations with Viacom, the owner of MTV, Comedy Central and Paramount Studios, which also is owned by the Redstone family. National Amusements labeled the act an outrage, and said it would “defend our position vigorously.”

Shari Redstone has been urging Moonves to merge with Viacom since she and her father deposed that company’s CEO, Philippe Dauman, in 2016. Viacom’s value had plummeted under Dauman’s stewardship, and the Redstones hoped Moonves could restore the company to its former glory. Viacom, which also owns the Nickelodeon child-targeted channel, was once the crown jewel of the Redstone’s media assets.

Viacom’s CEO
The two companies are locked in an unusual tussle. The Redstone family controls both businesses, and they were one corporation before a breakup in 2005. Getting them back together has proved challenging. Shari Redstone has indicated she wants Viacom CEO Bob Bakish to become the combined company’s second-in-command. Moonves wants to keep his own people in charge.

Though Moonves was more keen to combine with a media company on stronger footing, he was willing to join with Viacom so long as he received assurances of his independence from the Redstone family. The billionaire and his daughter never gave him those assurances, CBS said in its legal filing.

Moonves, who had already seen the Redstones oust Dauman, opted to pre-empt any move against him by challenging his controlling shareholders’ grip on power by using the dividend as a defense measure, said Larry Hamermesh, a Widener University professor who specializes in Delaware corporate law.

Showing Harm
“It may be tough for directors to show there’s irreparable harm to the company that justifies the dilution,’’ Hamermesh said. “The dividend that dilutes NAI down to 17 percent is pretty strong stuff.’’

Other companies with stock structures that allow investors to use voting power to control a firm have come under attack in Delaware, said Charles Elson, director of the John L. Weinberg Center for Corporate Governance at the University of Delaware.

Last year, Facebook Inc. scrapped plans to create a class of nonvoting shares that would have allowed founder Mark Zuckerberg to retain voting control even while selling almost all his shares to fund philanthropic endeavors. “These dual-stock structures are becoming increasingly disfavored,’’ Elson said.

NAI owns about 10 percent of CBS’s shares, but the family’s voting power gives its nearly 80 percent control in CBS, which operates the Showtime premium cable network as well as its namesake broadcast network.

“While there is likely some months ahead of legal proceedings, we think this move all but kills a deal in any recognizable form,” Steven Cahall, an analyst with RBC Capital Markets, said in a note.

--Ends--

Also, from The Los Angeles Times (H/T: The Virginia Gazette):

CBS chooses 'nuclear option' against Shari Redstone: It sues to thwart Viacom merger

CBS Corp. has essentially declared war on its controlling shareholder Shari Redstone, setting the stage for an epic battle for control of one of America's oldest and most popular broadcasting companies.

CBS' board on Monday filed a lawsuit intended to thwart Redstone's effort to push through a merger of CBS and Viacom Inc., the other New York-based media company controlled by the Redstone family.

The legal gambit escalates a high-stakes feud that has been playing out behind the scenes between Redstone and CBS' Chairman and Chief Executive Leslie Moonves for much of this year.

"CBS draws first blood," John Janedis, media analyst with the investment firm Jefferies, wrote in a research report.

The lawsuit came following weeks of tensions between Moonves and Redstone over the possible CBS-Viacom merger. On Friday, a Redstone representative told CBS that Shari Redstone wanted an unidentified CBS board member to be removed in advance of the company's annual meeting with shareholders later this week, according to a person familiar with the matter who was not authorized to comment publicly.

CBS became alarmed, people close to the executive said. Moonves and several other board members have been suspicious about Redstone's motives for months. They worried that she would invoke the Redstone family's voting control to unilaterally reconfigure CBS' board. The company quickly mobilized and held a meeting with members of a special committee of the board on Sunday. The committee formally rejected the CBS-Viacom merger and prepared a pre-emptive strike.

CBS on Monday asked a Delaware judge for a temporary restraining order to prevent Redstone and her family's investment vehicle, National Amusements Inc., from trying to exert their influence before the board can meet Thursday and vote on a measure that would strip the Redstones of their control.

Moonves and other CBS executives have been stewing for months over CBS' falling stock price as investors became skittish about the potential for a merger with the weaker company, Viacom. Leaks to media outlets that Redstone was prepared to fire the well respected Moonves, should he oppose a merger, only served to bolster CBS' view that big changes were afoot.

Such fear is understandable. Only two years ago, Shari Redstone and her ailing father, Sumner Redstone, unilaterally made changes to Viacom's board, which immediately tilted the balance of power and led to sweeping management changes. According to CBS' lawsuit, Shari Redstone had been quietly interviewing candidates to replace Moonves.

The suit seeks to eliminate the Redstone family's clout by treating them like ordinary shareholders. Although the Redstone family owns just 10.3% of CBS' stock, they hold preferred shares — A shares — which give them nearly 80% of the vote.

Instead, at a meeting Thursday, CBS directors will consider issuing a dividend of Class A shares to all stockholders that would dilute National Amusements' voting interest to 17%.

"Ms. Redstone, through her recently obtained domination and control of [National Amusements], has taken actions over the past two years that have led the Special Committee to conclude that she presents a significant threat of irreparable and irreversible harm to the Company and its stockholders," the lawsuit says.

The lawsuit, filed in Chancery Court in Delaware, accuses Shari Redstone of breaching her fiduciary duty to CBS shareholders in her pursuit of a CBS-Viacom merger. CBS contends merger talks have wiped out $7 billion in CBS market value, harming rank-and-file shareholders. Last year, CBS shares were trading as high as $70 a share, but lately have been hovering around $50.

CBS also alleged in its complaint that Redstone rebuffed the CEO of another company about a possible merger with CBS. The potential suitor was Verizon Communications, according to two people familiar with the matter who were not authorized to speak publicly.

CBS' board or its shareholders were not allowed to entertain discussions with Verizon — which likely would have sent CBS' shares soaring, the sources said.

The Redstones appeared to be blindsided by Monday's lawsuit, in part because CBS' special committee had made at least two offers to buy Viacom. Although talks were slow, Shari Redstone felt that progress was being made toward a CBS-Viacom union.

National Amusements Inc. said in a statement it was "outraged" by CBS' lawsuit. It "strongly refutes [CBS'] characterization of recent events," adding that it had "absolutely no intention of replacing the CBS board or forcing a deal that was not supported by both companies."

The company said it raised "specific concerns about incidents of bullying and intimidation in relation to one CBS director, dating back to 2016. NAI has made every effort to deal with this matter privately and confidentially. Unfortunately, CBS' action today continues to enable and empower such conduct."

National Amusements was preparing to file its own court papers, as early as Tuesday.

"Pass the popcorn," Doug Creutz, a media analyst with Cowen & Co. wrote in a research report. "It is hard to gauge the chances of success for CBS, however, we view the suit as consistent with acting in the best interest of shareholders."

Shari Redstone has led the campaign for reuniting the companies, and this is the second time in two years that she has tried to make that happen. She believes they would be stronger together as traditional media companies gird for battle with such technology giants as Facebook, Google, Netflix and Amazon.

But CBS does not want to be weighed down by Viacom's cable channels, including MTV, Comedy Central, VH1 and Nickelodeon, which have lost steam in the ratings as viewers switch to streaming services that don't have commercials.

And Moonves and other CBS board members don't want Shari Redstone to have sway over the company that Moonves has successfully managed for 12 years.

"She has threatened to impose her and NAI's will on the company at the expense of all of the company's stockholders," CBS said in its lawsuit. "She has undermined management. It has been publicly reported that she will replace directors who will not do her bidding. She has sought to combine CBS and Viacom regardless of the strategic and economic merits of the transaction and to the exclusion of considering any other potential transaction."

The lawsuit is a "classic example" of why companies with two classes of stock, including CBS and Viacom, can be problematic, said Charles Elson, director of the Weinberg Center for Corporate Governance at the University of Delaware.

Under CBS' structure, holders of Class A shares have voting power, while those with Class B shares do not.

Redstone previously said that she would like Moonves to serve as chief executive of the combined company for at least two years. A sticking point in the merger talks is what role her handpicked lieutenant — Viacom CEO Bob Bakish — would play.

With its lawsuit, CBS went for the "nuclear option," said C. Kerry Fields, a professor of business law and ethics at the USC Marshall School of Business. The suit, Fields said, is Moonves' way of communicating to shareholders that CBS is on a strong trajectory under his leadership and should not be saddled with Viacom's troubles.

Fields said the judge will "undoubtedly" grant the temporary restraining order to prevent interference with the board's special meeting.

"Judges typically are sympathetic to applications for temporary restraining orders when there is a matter of great seriousness that might be upset if this injunction isn't put in place," he said.

CBS shares closed $53.65, up 2%. Viacom closed at $28.74, down nearly 5%.

UPDATES:

1:25 p.m.: This article was updated to include comments from University of Delaware professor Charles Elson.

9:55 a.m.: This article was updated to include a statement from National Amusements.

9:05 a.m.: This article was updated to include comments from USC professor C. Kerry Fields.

8:10 a.m.: This article was updated to add that the lawsuit accuses Shari Redstone of breaching her fiduciary duty.

This article was originally published at 7:35 a.m.

--Ends--

Latest (5/4): Shari Redstone, the media heiress whose family controls CBS Corp and Viacom Inc , has offered CBS CEO Leslie Moonves to drop her demands for Viacom CEO Bob Bakish to be his No. 2 following a merger, as long as Bakish sits on the combined company's board, people familiar with the matter said on Friday, May 4th, reports Reuters.

Moonves has agreed to run the combined company for at least two years, as long as CBS Chief Operating Officer Joseph Ianniello will be president and chief operating officer of the combined company, so he can succeed him, sources have previously said.

Redstone, daughter of media mogul Sumner Redstone, has offered not to give Bakish any executive role in the combined company, but still wants him to sit on the board of directors and eventually succeed Moonves, the sources said on Friday.

Moonves does not want Bakish to be part of the combined company at all - either as an executive or board member - because he is seeking as much autonomy as possible in running the combined company, said one of the sources.

As a result of the impasse over Bakish's role, CBS executives have serious doubts that a deal will happen, the source said. CBS and Viacom have also disagreed about the stock exchange ratio that should be used in a merger, although the two sides are making progress on that front, the sources added.

The sources asked not to be identified because the matter is confidential. CBS, Viacom, and National Amusements Inc, the company of Shari Redstone, declined to comment.

Redstone offered her concessions earlier this week in a meeting with Moonves that included Richard Parsons, who recently joined the CBS board and is acting as a conduit between the two sides, the sources said.

There has not been any agreement about the composition of a combined company's board, the sources said.

Ten of the 14 director nominees for consideration at this year's CBS annual meeting are 70 or older. The average age is 72. The average for companies in the S&P 500 Index as a whole is 62. Two of Viacom's directors are 70 or older, according to the company's proxy statement.

Latest (4/11): Shari Redstone is likely to replace CBS chief Les Moonves if no merger deal is reached with Viacom, sources have told CNBC. CBS is expected to make another offer soon, but the new bid is expected to fall short on price, sources say.

If Moonves is removed as CEO of CBS, the exec could collect an eye-opening $184 million from the company, reports Deadline.

Latest (4/10): Viacom in recent days got an expression of interest from a major media and tech company — but it was rebuffed by Viacom, according to a source briefed on the situation, reports the New York Post.

That prospective bidder was particularly interested in Viacom’s Paramount Pictures unit as it floated an interest in the entire company, the source said. Meanwhile, other media companies have expressed an appetite for its TV networks, including Nickelodeon, Comedy Central and BET, according to sources. “If Viacom launched an open sales process, there would absolutely be buyers,” a source closely following the merger talks said.

Viacom’s reluctance to engage with suitors other than CBS has, in turn, convinced many insiders that CBS and Viacom are determined to overcome their differences, the source added.

Media tycoon Sumner Redstone — whose holding company National Amusements Inc. has voting control of both CBS and Viacom despite his only owning about a 10-percent economic interest in the media businesses — doesn’t want to let Viacom go, according to one source. Accordingly, “Sumner has made Viacom Shari’s baby,” the source added, referring to his daughter, Shari Redstone, who is now pulling strings as vice chair of both CBS and Viacom. “I would be very surprised if they sold Viacom.”

Latest (4/9): Viacom is pushing CBS Corp. to raise its takeover bid for the company, asking for a deal that would add nearly $3 billion to the valuation of the company. Viacom has asked CBS to raise its all-stock bid to a level that would value the company at around $14.7 billion. Viacom as expected is also pushing for its current CEO, Bob Bakish to be named president and chief operating officer of the combined company, to be led by CBS’ chairman-CEO Leslie Moonves. News of Viacom’s counteroffer was first reported early Monday (9th April 2018) by Reuters. A source close to the situation confirmed Viacom’s counteroffer despite the fact that both Viacom and CBS have yet to publicly acknowledge the statis of acquisition negotiations. CBS is speculated to reject Viacom's counteroffer.

Additionally, one of CBS Corp.’s biggest shareholders has written to the company’s board saying it should only proceed with a deal for Viacom Inc. if certain terms can be agreed on. The shareholder, who declined to be identified, wants CBS Chief Executive Officer Leslie Moonves and his management team to lead the combined company. If that doesn’t happen CBS should be compensated with a “clear premium” when the final share ratio of a deal is decided, according to the letter obtained by Bloomberg. A merger with Viacom isn’t the “optimal strategic path” for CBS, the shareholder wrote in the letter, dated March 21. It urges the broadcaster’s special committee of independent directors not to pay above current market price in any transaction. “Coming to the rescue of a weakly positioned, poorly executing, over-levered Viacom is not CBS’s burden,” the investor wrote. The shareholder is among the top 10 CBS holders, according to a person familiar with the matter who asked not to be identified as the details aren’t public.

Latest (4/4): Viacom has swiftly rejected CBS’s below-market offer to reunite the US media companies separated over a decade ago, kicking off what is likely to be one of the most hotly contested takeover battles in the traditional broadcasting and film industry. However, Viacom is speculated to make a counterproposal this week, people familiar with the matter have said.

CBS offered 0.52 of its shares for each Viacom class B share, valuing the owner of Nickelodeon, MTV and the Paramount film studio below its $12.8bn market capitalisation, said people briefed about the matter.

Viacom believed the bid failed to recognise the fair value of the company, people close to its senior management said, adding that CBS would have to offer more than 0.62 of its own shares to get a deal done.

The significant gap in valuation, however, is not the only obstacle to getting a deal done.

Les Moonves, chairman and chief executive of CBS, wants the combined company to be run by his lieutenants. According to people briefed on CBS’s proposal, Mr Moonves would remain in charge and Joe Ianniello, CBS’s chief operating officer, would be his second-in-command, leaving Bob Bakish, Viacom’s chief executive officer, out of the picture.

Shari Redstone, who controls both companies through the holding group National Amusements, favours Mr Bakish as the second-most senior figure in a combined company, said people briefed about the matter.

Negotiations between the two sides were likely to stretch for several weeks, said people close to both sides.

Although the Redstone family are keen to get a deal done, believing that a merger would generate significant annual synergies, it remains unclear whether an agreement between the top managers of the two companies an be reached.

A deal would reunite CBS and Viacom 13 years after Ms Redstone’s father, Sumner, split them in an effort to allow Viacom to grow faster.

At the time, Viacom was one of America’s hippest media companies, with many analysts believing that MTV and Comedy Central would experience record revenue growth based of the wide appeal they had on younger television viewers. However, with the advent of digital champions such as Netflix, HBO and Vice, Viacom’s top brands struggled to perform as expected.

CBS, which in the mid-2000s was viewed as the weaker unit of the then combined group, has instead flourished under the leadership of Mr Moonves. CBS’s stock value has more than doubled since the split, while Viacom’s has fallen below its debut as an independent company.

Original post:

Viacom / CBS Merger: Viacom Inc. Board Forms Special Committee to Evaluate Potential Combination with CBS Corporation

Viacom Inc. Board Forms Special Committee to Evaluate Potential Combination with CBS Corporation

Update (2/1): Viacom Inc. (NASDAQ: VIAB, VIA) today announced that its Board of Directors has established a special committee of independent directors to evaluate a potential combination with CBS Corporation. The Committee has retained independent legal counsel and is retaining independent financial advisors in connection with this evaluation.

There can be no assurance that this process will result in a transaction or on what terms any transaction may occur. Neither Viacom nor the Committee intends to comment further until the process is completed.

About Viacom

Viacom is home to premier global media brands that create compelling entertainment content - including television programs, motion pictures, short-form content, apps, games, consumer products, podcasts, live events and social media experiences - for audiences in more than 180 countries. Viacom's media networks, including Nickelodeon, Nick Jr., MTV, BET, Comedy Central, Paramount Network, VH1, TV Land, CMT, Logo, Channel 5 (UK), Telefe (Argentina), Colors (India) and Paramount Channel, reach approximately 4.3 billion cumulative television subscribers worldwide. Paramount Pictures is a major global producer and distributor of filmed entertainment. Paramount Television develops, finances and produces original programming for television and digital platforms.

For more information about Viacom and its businesses, visit www.viacom.com. Viacom may also use social media channels to communicate with its investors and the public about the company, its brands and other matters, and those communications could be deemed to be material information. Investors and others are encouraged to review posts on Viacom’s company blog (blog.viacom.com), Twitter feed (twitter.com/viacom) and Facebook page (facebook.com/viacom).

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Update (4/3): CBS Corp. will offer less than the current market value of Viacom Inc. in its opening bid for the owner of Nickelodeon and MTV, according to a person with knowledge of the matter, showing how far apart the companies are as they explore recombining.

CBS' proposed all-stock offer — which could come in the next few days — is expected to put a lower valuation on Viacom than its current market capitalization, according to a person familiar with the process but not authorized to discuss it.

In addition, the CBS offer is expected to stipulate that its chairman and chief executive, Leslie Moonves, would run the combined company for at least two years, the knowledgeable person said. Moonves' contract with CBS goes through mid-2021.

Viacom and CBS vice-chairwoman Shari Redstone is pursuing a merger of the two media companies that split more than a decade ago, according to multiple insiders who spoke to TheWrap.

With the Hollywood landscape quickly shifting, Redstone, president of the privately-held National Amusements that controls both media companies, has concluded that a bigger footprint is necessary for the companies to thrive. CBS’ core business is broadcast television along with multiple digital properties, while Viacom holds cable channels like Nickelodeon and Comedy Central along with the Paramount movie studio.

A time frame for any potential merger is unclear, but three individuals with knowledge of the companies said that Redstone is actively moving in that direction, which represented another shift in her back-and-forth mindset on the matter.

Viacom and National Amusements declined to comment, and CBS had no immediate response to a request for comment.

Viacom shares reacted quickly to the news. Shares of the company, which controls MTV, Nickelodeon, Comedy Central and the Paramount movie studio, rose nearly 10% Friday, or $2.95 a share, to $33.76 a share from $30.90. Volume was strong – 12.45 million shares – compared to average volume of 5.07 million.

Shares of CBS rose more modestly, up 1.85%, or $1.07 a share, to $58.83 a share from $57.78. Volume was 6.19 million compared with average volume of 4.01 million.

CBS chairman Les Moonves, who has long resisted talk of recombining the companies, is now open to the possibility, the insiders said. He would be the most likely person to run the merged companies, though Redstone is considering other candidates, according to two insiders.

An individual close to Moonves acknowledged the process to TheWrap: “He’s having active discussions with Shari and the board on a wide variety of issues all the time, including this one. And those discussions continue with regard to looking to merge the two companies.”

One insider told TheWrap that Redstone was looking at other candidates because Moonves was demanding an ownership stake and she thought his demands were too rich. The individual close to Moonves disputed this, saying: “At no time has he asked for an ownership position.”

The move to merge the companies represents another reversal for Redstone, who directly appealed to CBS and Viacom to merge in September 2016, then retreated from this in the following months, presumably because of Moonves’ opposition.

In a letter in September 2016 to both boards from her parent company National Amusements, she touted the potential of “substantial synergies” that a merger would bring. She called on the boards to “respond even more aggressively and effectively” to combat the challenges they both faced.

Redstone later reconsidered after ousting Viacom CEO Philippe Dauman and replacing him with Bob Bakish — whom she installed after successfully wresting control of Viacom in a bruising boardroom and legal battle over succession plans involving her father, Sumner Resdstone.

“We talked about it, and what became apparent to me very quickly was that our assets were severely undervalued, which I had understood, but what I didn’t understand at the time was the significant upside that existed in our businesses once we had a good management team in place and the culture came back,” Redstone said at last May’s re/code conference.

The new merger talk comes amid a new period of consolidation in the entertainment and media industry. In December, Disney announced plans for a $52.4 billion acquisition of the bulk of 21st Century Fox’s movie and TV assets, while telecom giant AT&T is attempting to complete the $85.4 billion acquisition of Time Warner announced more than a year ago.

Meanwhile, the rise of streaming giant Netflix as well as the ambitious moves by tech giants like Amazon and Apple into the entertainment content space have set off a period of strategic change in the sector.

The market cap of Viacom is $12.7 billion, while the market cap of CBS is $23.2 billion.

In February 2016, the then 92-year-old Redstone stepped down as chairman of both Viacom and CBS amid questions about his age and mental competency. Moonves assumed the chairman title at CBS, while Viacom CEO Philippe Dauman was ousted and ultimately replaced by Robert Bakish.

Viacom and CBS had merged into a single company in 1999, which Sumner Redstone split in 2005 in an attempt to maximize shareholder value.

The Redstones control both the CBS and Viacom through their supervoting shares held by National Amusements.

As of December 2016, National Amusements, directly and through subsidiaries, holds approximately 79.8 percent of the Class A (voting) common stock of Viacom Inc., constituting 10 percent of the overall equity of the Company, and holds approximately 79.5 percent of the Class A (voting) common stock and 2.4 percent of the Class B (non‐voting) common stock of CBS Corporation, constituting 9.1 percent of the overall equity of the Company.

Also, from Variety:

Viacom, CBS Shares Rise After Report Suggests New Merger Talks Have Started

Shares of both Viacom Inc. and CBS Corp. rose noticeably Friday after a new report suggested the two companies, both controlled by the Redstone family, could once again be considering the prospect of merging.

A report in The Wrap suggested Shari Redstone, president of the family’s National Amusements movie-theater chain, had recently sparked new discussions within the companies about a possible merger. Her father, Sumner Redstone, had combined CBS and Viacom in 2000, only to pull them apart six years later. National Amusements in September of 2016 formally requested that the boards of both companies consider the possibility of a new merger on an all-stock basis, then stopped the process at the end of that year.

CBS declined to comment. A Viacom spokesman did not immediately respond to a query seeking comment.

The report comes as more media companies are considering tie-ups that would give them a larger footprint in a sector that has been flummoxed by new technology and consumer patterns. Monetizing viewership of content has become more difficult as consumers migrate to new video screens and behaviors that aren’t measured as easily, crimping the flow of advertising support and undermining media companies’ ability to lock in fees from distributors.

To fight back against these trends, a number of prominent media companies have set big acquisitions or outright mergers. Among the recent combinations: Charter Communications and Time Warner Cable and Lionsgate and Starz. Other tie-ups have been proposed but not completed. Discovery Communications is expected to finalize its purchase of Scripps Networks Interactive later this year. AT&T is pursuing legal options to finalize its proposed merger with Time Warner. And Walt Disney has agreed to purchase a substantial chunk of 21st Century Fox, including the 20th Century Fox movie studio, the FX and National Geographic cable networks and a passel of regional sports operations.

The companies that don’t embrace other assets have begun to look considerably smaller.

If a merger is being discussed, it is not on a fast track. A person familiar with the situation suggested no substantive steps in any process were taking place at the current time.

Viacom shares reacted quickly to the news. Shares of the company, which controls MTV, Nickelodeon, Comedy Central and the Paramount movie studio, rose nearly 10% Friday, or $2.95 a share, to $33.76 a share from $30.90. Volume was strong – 12.45 million shares – compared to average volume of 5.07 million.

Shares of CBS rose more modestly, up 1.85%, or $1.07 a share, to $58.83 a share from $57.78. Volume was 6.19 million compared with average volume of 4.01 million.

CBS has fared well in recent months, despite its medium size in the sector. The owner of the CBS broadcast network and the Showtime cable outlet has in recent months focused on maximizing the revenue it draws from its content by scrutinizing the fees it draws from retransmission and overseas syndication. Rather than make big acquisitions, CBS has launched a spate of new digital businesses, including the “CBS All Access” subscription video on demand service and a streaming-video news product, CBSN, that makes new use of content from CBS News. Leslie Moonves, the company’s chairman and CEO, has discussed the launch of a new streaming-video sports-content service and CBS has unveiled interesting plans for “All Access,” like a revival of the classic series, “The Twilight Zone.”

Viacom, meanwhile, has worked to recalibrate itself under a new leader. Bob Bakish took over as CEO of the company in December of 2016 and has since that time reorganized the company and placed new leaders in charge of MTV and set about to transform the company’s Spike cable outlet into a more general-entertainment property called the Paramount Network. A launch is slated in the days ahead. Bakish has also placed more emphasis on events related to some of the company’s big assets, including a new festival launched by Comedy Central.

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Also, from the LA Times:

Shari Redstone once again eyeing a merger of CBS and Viacom

Shari Redstone wants to recombine CBS Corp. and Viacom Inc. to better fortify the two medium-sized media companies at a time when other entertainment companies are scrambling to bulk up.

There are no merger talks underway, three people familiar with the matter who were not authorized to publicly discuss the situation said Friday. However, Redstone, whose family controls the voting shares of CBS and Viacom, ​​​​​​ increasingly sees a merger as a compelling option for the two companies that have operated separately for 12 years, according to these people.

Redstone, who serves as vice chair of both companies, has expressed her feelings to the leadership and boards of the two entities, according to the sources.

"Shari is determined to get them back together," said one of the sources. "Everything else she could think of went nowhere."

Redstone was not immediately available for comment.

Viacom owns MTV, Comedy Central, BET Nickelodeon and the Paramount Pictures film studio in Hollywood. CBS owns the CBS broadcast network, TV stations, premium channel Showtime and a boutique film studio.

Her rekindled interest in merging the companies, which was reported Friday by the Hollywood trade publication the Wrap, comes as little surprise. Redstone previously said she didn't support the decision by her father, the ailing mogul Sumner Redstone, to divide the family empire in 2006.

"I was never a great proponent of the split of the two companies," she said at a media conference in November 2016.

Earlier that fall, Redstone announced that she wanted the two companies to explore a merger and board-level exploration committees were formed. The stronger CBS began evaluating whether to acquire Viacom, but the talks fell apart in December 2016 over a valuation of Viacom, which has seen its stock fall more than 50% since early 2015.

Redstone also decided that she wanted to give Viacom Chief Executive Bob Bakish — who was appointed at the end of 2016 — a chance to turn around the company.

But much has changed in the last year. Key Viacom cable channels continue to struggle with ratings declines and accelerated cord cutting. Viacom generates its profit from cable TV channels, so the shrinking universe of pay-TV homes makes it more difficult to grow its business.

Compounding matters, Paramount is coming off another rough year, with recent flops such as "Suburbicon,""Mother" and "Downsizing." The studio ranked seventh last year among all distributors in market share in the United States and Canada, according to Box Office Mojo.

Paramount's new chairman and CEO, Jim Gianopulos, who joined last year, has been shaking up the studio's executive ranks in an effort to engineer a turnaround.

Meanwhile, CBS' stock stagnated in 2017 as investors grew less bullish on media.

Other medium-sized companies have become merger bait as traditional media companies see increased scale — and distribution — as a way to compete with the likes of Google, Facebook, Amazaon.com and Netflix.

Telecommunications giant AT&T is trying to buy Time Warner Inc., which owns HBO, CNN, TBS and the Warner Bros. movie and television studio. Last summer, two other cable programmers — Scripps Networks Interactive and Discovery Communications — agreed to their own merger.

Then last month, Rupert Murdoch's 21st Century Fox stunned the industry when it agreed to sell much of the company, including the 20th Century Fox movie and television studio, to the Walt Disney Co. Analysts and investors predicted the blockbuster deal would trigger other consolidations, including a recombination of Viacom and CBS.

People close to the companies quickly cautioned that there was no timetable for a deal, or even if one would happen.

"There have been talks about this — and many other things — at the board level," according to one person close to CBS.

Others have speculated on the prospect of a roll-up of CBS, Viacom and Lionsgate. Lionsgate, in recent years, has been more successful than Viacom's movie division.

Viacom shares closed Friday at $33.76, up $2.95, or nearly 10% on Friday.

CBS stock closed up nearly 2%, or $1.05 to $58.83 a share.

###

Also, from Observer:

CBS and Viacom Reportedly Eyeing Merger

What once was broken may be made whole once again.

TheWrap is reporting that Viacom and CBS vice-chairwoman Shari Redstone is looking to merge the two media companies following their split in 2006.

Amid the Hollywood arms race that has seen AT&T attempt to acquire Time Warner and Disney swallowing up 21st Century Fox, Redstone, who serves as president of National Amusements Inc. and controls both media companies, is looking to scale her own business to keep pace.

CBS earns its keep with broadcast television—the small screen’s most-watched show, The Big Bang Theory, has them set up nicely—and several digital properties. Viacom owns Paramount Pictures, as well as popular cable destinations such as Comedy Central and Nickelodeon.

CBS led all television networks in total viewers last year, according to Nielsen data.

But how serious are these discussions? It depends on who you ask.

According to Reuters, “Viacom Inc and CBS Corp are not in active merger discussions, although controlling shareholder Shari Redstone has had exploratory conversations with CBS directors about recombining the companies.”

CBS declined Observer’s request to comment. Viacom has yet to respond, neither has National Amusements Inc.

No timeline for the potential deal has emerged yet, though TheWrap’s sources say Redstone is pushing for it. She and father Sumner Redstone unsuccessfully attempted to merge the two in 2016.

CBS chairman Les Moonves, who is said to have been against the merger for some time, is reportedly softening on that position. If the merger were to go through, he is thought to be the frontrunner to head both companies.

Here’s how one of TheWrap’s sources explained it: “He’s having active discussions with Shari and the board on a wide variety of issues all the time, including this one. And those discussions continue with regard to looking to merge the two companies.”

“I’m very confident that our unparalleled collection of businesses will continue to grow in their present form, as well as the many new platforms that are making a splash in the new media landscape,” Moonves said of the split back in 2006. The move was originally made to diversify the media conglomerate and regain the confidence of Wall Street investors.

This rumor pops up as other major deals are going down across Hollywood.

The aforementioned sale of Time Warner to AT&T comes with a price tag of $85.4 billion, while Disney’s acquisition of Fox set them back $52.4 billion. Some insiders have also posited that Apple is eyeing Netflix for an estimated $75 billion.

More details to come…

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Also, from Reuters UK:

Shari Redstone explores adding new CBS directors - WSJ

(Reuters) - Shari Redstone, a controlling shareholder of CBS Corp (CBS.N), has discussed adding new directors to the CBS board as she renews her push to merge the company with Viacom Inc (VIAB.O), The Wall Street Journal reported on Wednesday.

Shari Redstone and Sumner Redstone, her ailing 94-year-old father, together control both CBS and Viacom Inc (VIAB.O) through their privately owned movie theatre company, National Amusements Inc. The Redstones failed in an attempt to merge the two companies in 2016.

Shari Redstone, who is vice chair of the CBS board, has had exploratory conversations with CBS Chief Executive Leslie Moonves and directors about recombining the companies, sources have told Reuters.

While Moonves is receptive to a combination, he has some reservations, sources have told Reuters.

Spokesmen for CBS and Viacom declined to comment.

CBS is looking to replace several of its directors at its annual shareholders meeting in May, and Shari Redstone is gathering names of possible candidates, according to The Wall Street Journal.

Shari Redstone’s push to revisit a CBS merger with Viacom has become more pressing in light of Walt Disney Co’s (DIS.N) planned acquisition of a majority of Twenty-First Century Fox Inc’s (FOXA.O) assets, the sources told Reuters.

A combined CBS, which owns cable networks including Showtime and The Movie Channel as well as the CBS TV Network and CBS TV Studios, and Viacom, whose businesses include Paramount Pictures, Nickelodeon Movies and MTV Films, would have more negotiating leverage with cable and satellite companies.

In addition, Shari Redstone does not want to wait for the verdict on the U.S. Department of Justice’s lawsuit to block AT&T Inc’s (T.N) $85 billion acquisition of Time Warner Inc (TWX.N), which is set to go to trial in March, the sources told Reuters. The Justice Department is suing to block that deal on the grounds that it is anti-competitive.

If that deal were to fall through, it would mean both AT&T and Time Warner Inc may look for other companies to combine with, sources have said.

Viacom’s new CEO, Bob Bakish, has improved relations with distributors, found financing for Paramount Pictures after Chinese investors dropped out and shuffled programming.

Even so, Viacom’s stock is trading around $32 a share, below the $35-$38.80 range it was trading at when it and CBS explored a merger in late 2016.

It is unclear if the valuation and corporate governance issues that caused the deal to fail in 2016 remain.

Some analysts said they believe the selloff in Viacom, along with the consolidation in the media space, should prompt CBS to revisit the deal.

“We think now is as good a time as any to reexamine why we continue to believe this deal is the most logical and appropriate transaction to take place within our media coverage universe,” MoffettNathanson analysts wrote this week.

###

Also, via The Hollywood Reporter:

Shari Redstone Pushing for New Board at CBS (Report)

There are no active talks to merge the companies as of the moment.

If the board of directors at CBS isn't keen on merging the company with Viacom, then some of the directors apparently need to be replaced.

At least that's what Shari Redstone might be advocating, The Wall Street Journal reported on Wednesday.

Redstone and her family control both Viacom and CBS through their large stake in National Amusements, and insiders say she's been getting serious about her desire to see the two media companies combined again, as they were prior to splitting Viacom in two back in 2005.

CBS CEO Les Moonves and some others on the board, though, have been resisting, and CBS investors appear to be siding with them. On Wednesday, for example, Viacom shares jumped 4 percent at the prospect of a new merger-friendly board at CBS, while shares of CBS fell 2 percent.

Rumors that CBS will merge with Viacom pop up often, most recently last week, though by Monday it appeared to Wall Street that there was nothing concrete in the works, which removed a catalyst for Viacom's long-suffering stock to move higher.

On Tuesday, in fact, Rosenblatt Securities analyst Alan Gould lowered his rating on Viacom stock to "sell" based on his opinion that it won't merge with CBS anytime soon, while he reiterated a "buy" recommendation on CBS. The analyst says CBS would make a better partner with Verizon, among others, than it would with Viacom.

While insiders tell The Hollywood Reporter that there are no active talks to merge Viacom and CBS right now, the Journal says that Redstone reached out to Moonves earlier this month to request that he start negotiating as early as this quarter.

Investors on both sides appear to be clamoring for something dramatic to happen, as shares of both Viacom and CBS trade for less than they did a year ago even as the stock market in general has been on a powerful bull run.

Plus, AT&T's pending acquisition of Time Warner and Disney's pending acquisition of most of 21st Century Fox has Wall Street presuming that media companies need to grow bigger, quickly, through acquisition, if they're to remain competitive.

CBS had no comment, and Viacom was not available for comment.

---

Also, from Variety:

Revival of CBS-Viacom Merger Talk Sows Tension Within Redstone Empire, Again

Chatter about Shari Redstone revving up an effort to recombine Viacom and CBS Corp. is sowing tension within both companies.

CBS insiders were aghast at a report in the Wall Street Journal Wednesday citing Redstone’s concern about a lack of long-term strategic planning at the Eye and the level of independence among its board members.

Meanwhile, Viacom executives are once again nervous about the potential for consolidation with CBS to bring wholesale changes to the management of the company, particularly the cable networks division. The sentiment among insiders is that things have only just started to settle down after a year of turmoil in 2016, before Bob Bakish was named permanent CEO in December of that year.

“Here we go again,” said an executive at Viacom’s MTV Networks.

Sources at both companies expressed surprise and frustration that the first stirrings of a re-merger effort are emerging through media reports rather than through the board room. A rep for Redstone declined to comment.


Redstone, who is vice chairman of Viacom and CBS, went public with her desire for the companies to reunite in the fall of 2016 but ultimately backed down after pushback from both boards on questions of price and governance. At that time, Viacom was on the ropes after a months-long legal battle between controlling shareholder Sumner Redstone, Shari Redstone and former Viacom CEO Philippe Dauman.

CBS and Viacom were first brought together by Sumner Redstone in 2000. But six years later, the mogul opted to re-divide the companies into separate entities. At the time, Redstone said he thought it would help both companies realize their true valuation from the market. Shari Redstone is on record as having opposed the split back in 2005.

The $52.4 billion deal unveiled last month by Disney to acquire 21st Century Fox has quickly heightened pressure on smaller media conglomerates like CBS Corp. and Viacom to bulk up or be seen as a takeover target. The Redstones’ tight control of CBS and Viacom has frustrated past efforts for CBS Corp. chairman-CEO Leslie Moonves to engage in merger conversations with prospective partners such as Time Warner, Lionsgate and more recently, Verizon.

It’s understood that Shari Redstone has insisted Viacom be part of any M&A conversations involving CBS. That’s a big hurdle for suitors who might be interested in CBS’ broadcast assets and its vast library of TV shows.

Viacom’s biggest drawback is its reliance on the MTV Networks division as its engine of earnings and profits. Not only are the core Viacom cablers (MTV, Nickelodeon, Comedy Central) facing ratings challenges, as is every other traditional TV outlet, but it’s clear that Viacom will have to shed some of its lower-profile channels in the coming years. How to put a price on those lesser channels today, given their steadily diminishing value, was a big part of the obstacle to re-merger discussions in 2016.

The coolness from top brass at CBS to a deal with Viacom has been palpable. It’s seen as a rescue effort for Viacom, which is still battling tough forecasts of declining affiliate and advertising revenue for its cable networks in the coming years. Viacom is also still in the early stages of a management turnover at Paramount Pictures, which hemorrhaged red ink during the previous three years.

CBS, on the other hand, has ridden the boom in content licensing to a series of record quarters. In March 2016, CBS laid out a five-year strategic plan at a daylong investor presentation in which it cited content licensing, international expansion, retransmission consent revenue, and new streaming platforms including CBS All Access and Showtime as pillars of its growth plan.

The Eye committed at that presentation to deliver 8 million OTT subscribers by 2020; last August, Moonves said CBS All Access and Showtime’s standalone streaming service were more than halfway to that goal. Retrans revenue, a big driver of profits, is projected to hit $2.5 billion annually by 2020.

On the international front, CBS has expanded Showtime’s reach in key foreign markets for the first time during the past two years, and it also swooped in on the fire sale of Australia’s Network Ten in November.

The level of detail that CBS laid out in 2016 and the progress reports delivered since then were cited by multiple CBS sources who were outraged by the reference to a lack of long-term planning in the Journal report, which cited multiple sources familiar with Redstone’s thinking.

The reported drive by Redstone to find replacements for some of CBS’ board members also rankled insiders, given the prominence of independent directors such as former Bank of America chairman Charles Gifford, former senator and Defense Secretary William Cohen, former NAACP president Bruce Gordon, and Harvard Law School dean Martha Minow. CBS typically holds its annual meeting in May. It’s unclear how many directors will be up for re-election at that time.

Sources said there is consternation within CBS over fears that tension between Moonves and Redstone could be destabilizing overall for the company. Sources close to the situation said that as of Wednesday, there have been no formal steps to initiate merger talks between the two boards.

---

Also, from Deadline:

Wall Street Has Mixed Response To Word Of Renewed Viacom-CBS Talks

UPDATED at 2:20 pm: Investor reaction has been mixed this afternoon to renewed speculation that CBS and Viacom are about to recombine.

A Wall Street Journal report this afternoon confirmed a story late last week that the former corporate siblings were again exploring a merger. An hour before the close of trading today, Viacom shares are up 2% to $31.96, given the perceived benefits of tying a cable-bundle-dependent company to the No. 1 broadcaster.

The two companies merged in 1999 in a then-momentous transaction, before parting ways in 2006. They had previously explored coming together again before abandoning plans in 2016. Given the Disney-Fox deal, AT&T’s pending takeover of Time Warner and a host of others, the urgency is growing for next-tier players to gain scale.


Sources said CBS Chief Executive Leslie Moonves had been deeply skeptical in 2016 about the value of the combining the broadcaster, which was thriving, with the struggling Viacom. And Viacom was optimistic about its prospects under the new leadership of Robert Bakish.

But the media landscape has shifted substantially since then.

“It’s ludicrous to thinking CBS and Viacom can be stand-alone companies,” said BTIG’s veteran media analyst Richard Greenfield. “It’s 18 months delayed for no reason other than Les Moonves’ obstinance. That’s what stopped this deal. In a world where Disney and Fox are merging, his obstinance no longer matters.:

What does matter, in the current climate, is scale. Content companies need a stronger balance sheet, in order to pursue sports, or need to amass a more content for an over-the-top service. CBS’s streaming service would be bolstered by Viacom’s wealth of children’s programming through Nickelodeon, Greenfield notes, not to mention Paramount’s film library.

According to the Journal, Shari Redstone is the chief proponent of the idea. She contacted CBS CEO Leslie Moonves, who previously had resisted the notion, to renew discussions about merging the broadcaster with Viacom.

The Redstone family controls CBS and Viacom through their holding company, National Amusements.

###

Also, from Reuters UK:

Exclusive - Viacom, CBS CEOs discuss potential merger: sources

(Reuters) - Viacom Inc Chief Executive Bob Bakish and CBS Corp CEO Leslie Moonves have had an exploratory discussion about merging the two media companies, sources familiar with the situation told Reuters on Thursday.

The discussion is a potential first step toward a recombination of CBS and Viacom. The boards of both companies have regularly scheduled meetings in the next several weeks and are expected to discuss the potential merger, the sources said.

The discussion between Bakish and Moonves, which took place earlier this month, was preliminary and no decisions have been made, but it signals that Moonves, who has had reservations about a potential deal between the companies, could be more open to the idea.

The sources wished to remain anonymous because they are not permitted to speak to the media. Viacom and CBS declined to comment. A spokeswoman for Shari Redstone declined to comment.

CBS and Viacom explored and decided against a merger in 2016, at the urging of its controlling shareholders, ailing 94 year-old media mogul Sumner Redstone and his daughter Shari Redstone. Those merger talks failed due to concerns by CBS’ directors and Moonves over the financial sense for CBS shareholders and governance issues.

Shari Redstone has continued to discuss with executives at both companies her desire to merge the two, which has gained steam since Walt Disney Co announced in December it would acquire a majority of Twenty-First Century Fox Inc’s assets, sources have told Reuters.

A combined company with CBS, which owns cable networks including Showtime as well as the CBS TV Network and CBS TV Studios, and Viacom, whose businesses include Paramount Pictures, Comedy Central, Nickelodeon and MTV, would have more negotiating leverage with cable and satellite companies.

“Scale matters now and is going to continue to matter in the future,” Shari Redstone told an audience at a luncheon at the Paley Center for Media in New York City last fall when asked about a potential CBS merger.

In a world with video streaming service Netflix Inc, which has a market capitalization of $113 billion and is dominating the media landscape, there is more pressure than ever on CBS and Viacom to merge, said Rich Greenfield, an analyst at BTIG.

CBS and Viacom combined would have a market value of more than $37 billion.

“There is an urgent need for scale,” he said. “And both companies are facing challenges that a combination could help address,” Greenfield said. “It is eat or be eaten.”

Bakish is expected to have a senior role at the combined company if the two companies agree to a merger, sources said.

Since he took over Viacom in late 2016, Bakish, 54, has improved relations with distributors, found financing for Paramount Pictures after Chinese investors dropped out and shuffled programming.

Even so, Viacom’s stock has been trading around $33 a share, below the $35 to $38.80 range it was trading at when it and CBS explored a merger in late 2016.

Viacom shares were last up 1.8 percent in afternoon trade. CBS shares were up 0.5 percent.

--Ends--

Also, from Variety:

CBS Corp. and Viacom Inch Closer to Formal Merger Discussions

CBS Corp. and Viacom are inching toward formally exploring a corporate reunion of the two halves of the Redstone media empire.

There is less opposition within CBS Corp. this time around compared to the last attempt by CBS/Viacom vice chairman Shari Redstone to bring the two companies back together in the fall of 2016. The early rumblings are that CBS would acquire Viacom in an all-stock transaction.

There are still big hurdles to clear in terms of valuation for Viacom, given the systemic concerns around its lower-profile U.S. cable networks, but there is also an understanding that the media landscape is changing fast and the potential for the two sides to work together on international growth initiatives provides rationale for a reunion. Viacom’s share price has also tumbled further during the past year, making a deal more attractive on a financial basis for CBS shareholders. As of Thursday, Viacom had a market cap of $13.8 billion, with shares closing at $33.61. CBS is valued at $22.7 billion, with shares closing at $59.27.


Sources close to the situation emphasize that neither side has yet engaged bankers or advisers to hammer out an agreement. But CBS Corp. CEO Leslie Moonves and Viacom CEO Bob Bakish have had at least one discussion about the possibility of merging, according to a Reuters report Thursday.

Media reports earlier this month that Redstone was poised to nudge the two companies into merger discussions raised some hackles at both companies. But after the emotions settled, the positive attributes of a reunified company are said to have become clearer for both camps. It’s understood that Moonves would run the combined operation with Bakish serving as a key corporate lieutenant. In 2016, the merger discussions initiated by National Amusements, the Redstone family holding company, came before Bakish was appointed as permanent CEO and Viacom was still reeling from the public legal battle between the Redstones and former Viacom CEO Philippe Dauman.

CBS and Viacom were first brought together in 2000 by Sumner Redstone, now chairman emeritus of both firms. The two were split up again in January 2006 out of Sumner Redstone’s frustration with a sagging stock price.

Moonves and Bakish have had a cordial relationship over the years. The two came to know each other after Viacom acquired CBS in 2000, when Bakish was running Viacom’s international channels division.

CBS’ management team has had a storied run of maintaining its status as the nation’s most-watched network, building Showtime into a major player, expanding its TV production activity, and diving into the OTT arena with CBS All Access. The expectation is that a recombined CBS and Viacom would have a stronger balance sheet to compete for talent, M&A opportunities, and for the pricey sports rights that have been crucial to CBS’ ability to wring top dollar out of MVPDs in retransmission consent deals.

For CBS, access to Viacom’s Paramount Pictures unit would help CBS’ Showtime pay cable network. The general streamlining of overlapping operations could yield savings of as much as $500 million, according to analyst Michael Nathanson of MoffettNathanson.

The downside for CBS is that the enlarged company would be the antithesis of the strategy that the Eye has touted to investors for years. CBS Corp. and its handful of channels anchored by the mothership broadcast network has been able to command top dollar from MVPDs in retrans and carriage agreements because it has been able to drive hard bargains for two must-have channels: CBS and Showtime. Adding Viacom’s 25 domestic cable channels would change the dynamic of discussions with traditional and upstart MVPDs considerably.

Under Bakish, however, Viacom has taken big steps to channel most of its programming resources into six flagship cable brands — Nickelodeon, MTV, VH1, BET, Comedy Central and Paramount Network (the rebranded Spike TV that debuted last week). Undoubtedly, it is only a matter of time before Viacom begins to shutter some of its lesser channels which are already losing distribution as MVPDs take a harder line in dealmaking and consumers embrace skinnier, cheaper bundles.

A deal between CBS and Viacom would also remove a hurdle to future M&A activity. It’s understood that the Redstones had previously balked at dealmaking opportunities involving CBS Corp. unless Viacom was also in the mix.

Reps for CBS, Viacom, and Shari Redstone declined to comment. The companies will likely have to acknowledge the brewing discussions by the time that both report earnings for the fourth quarter of 2017. Viacom is up first on Feb. 8, followed by CBS on Feb. 15.

--Ends--

Update - From Reuters UK:

CBS board to discuss potential Viacom merger on Thursday: sources

CBS Corp’s board is expected to discuss a merger with Viacom Inc on Thursday, sources told Reuters, a move that could begin a formal process to reunite the companies split by controlling shareholder Sumner Redstone more than a decade ago.

The board will need to decide if the deal is now attractive enough to CBS shareholders to overshadow concerns that scuttled a proposed tie-up pushed by Sumner and his daughter Shari Redstone in 2016.

The CBS board meeting is regularly scheduled and no announcement may come out of it, said the sources, who wished to remain anonymous because they are not permitted to speak to the media.

Viacom and CBS spokespeople declined to comment.

Viacom Chief Executive Bob Bakish and CBS CEO Leslie Moonves talked about the potential merger earlier this month, Reuters reported.

Viacom’s Nickelodeon and MTV networks and Paramount films could help broadcast-focused CBS’ All Access streaming service become more competitive, and the combined company could also better negotiate with cable and satellite distributors.

“They might be better able to develop more robust OTT offerings faster as a combined entity,” said Michael Nathanson, analyst with Moffett Nathanson, referring to “over the top” streaming.

Some could argue Viacom’s international presence is now more important for CBS given the rapid decline in U.S. cable subscriptions, some analysts have noted.

Walt Disney Co’s recent deal to buy Twenty-First Century Fox Inc assets has stoked a fresh push from Shari Redstone to rejoin the companies her father split in 2006.

Bakish has improved distributor relations, found financing for Paramount Pictures after Chinese investors dropped out and shuffled programming since taking over Viacom in late 2016.

But Viacom shares trade around $33, below a $35 to $38.80 range when the merger was last on the table, potentially making a deal more feasible.

CBS and Viacom last explored merging at the urging of ailing media mogul Sumner Redstone, 94, and Shari Redstone, who control both through privately held National Amusements.

Moonves and CBS’ board had concerns over corporate governance and the deal’s financial rationale, and the Redstones called off the effort in December 2016.

For CBS, which owns the CBS network, local broadcasters and Showtime, taking on cable networks could mean a difficult integration and tough negotiations, said Tim Nollen, analyst with Macquarie Research.

Merging for size alone may not make sense in the long term, and CBS could be better off on its own, some analysts cautioned.

Viacom shares were down 0.4 percent in afternoon trade. CBS shares fell 1.8 percent.

--Ends--

Also, from Reuters UK:

CBS, Viacom form special committees to explore merger

CBS Corp and Viacom Inc have formed special committees to explore a merger, the companies said on Thursday, the first step in potentially reuniting the companies split by media mogul Sumner Redstone more than a decade ago.

In separate statements, each company said that there is no assurance that the process will result in a transaction, and they would not comment further until the process is completed.

The companies had previously explored a merger in 2016 at the urging of ailing 94-year-old Sumner Redstone and his daughter Shari, who control CBS and Viacom through privately held National Amusements Inc.

Those talks failed due to concerns by CBS’ directors and Moonves over governance issues and the deal’s financial sense for CBS shareholders.

But Shari Redstone has continued to discuss with executives at both companies her desire to merge the two, which intensified after Walt Disney Co announced in December it would buy a majority of Twenty-First Century Fox Inc’s assets, sources have said.

“National Amusements supports the processes announced by CBS and Viacom to evaluate a combination of the two companies, which we believe has the potential to drive significant, long-term shareholder value,” the company said in a statement.

CBS Chief Executive Leslie Moonves and Viacom CEO Bob Bakish held discussions in January about a potential deal. The boards of both companies decided on Thursday to begin a formal process to explore the deal through special committees.

The deal would pair CBS’s broadcast network, television studios and Showtime cable network with Viacom’s Paramount Pictures, Comedy Central, Nickelodeon and MTV.

That could help CBS’ streaming service compete with Netflix Inc and boost the combined company’s leverage with cable and satellite distributors.

###

Also, from the LA Times:

CBS, Viacom boards form exploratory committees to evaluate a merger

CBS Corp. and Viacom Inc.'s boards each have formed special committees to evaluate whether a merger of the two companies would benefit shareholders.

CBS' decision came Thursday during a board meeting, an important first step in a process that could result in the reunification of CBS and Viacom.

Within a few minutes of CBS' announcing its move, Viacom separately released a statement saying that its board had taken the same step.

Viacom's board has "established a special committee of independent directors to evaluate a potential combination with CBS Corp.," the company said in a statement. "The committee has retained independent legal counsel and is retaining independent financial advisors in connection with this evaluation."

The two companies are controlled by the Sumner Redstone family. Shari Redstone, daughter of the ailing 94-year-old mogul and vice chairperson of both companies, favors the consolidation. Redstone and her family, through its holding company, National Amusements, control nearly 80% of the voting shares of the two companies.

However, the special committees will be composed of independent shareholders who must weigh whether a transaction would benefit all shareholders.

"National Amusements supports the processes announced by CBS and Viacom to evaluate a combination of the two companies, which we believe has the potential to drive significant, long-term shareholder value," the firm said in a statement. "National Amusements does not currently intend to make any further comments regarding the process."

It's unclear who would run the combined company, if the merger comes together. Although CBS Chief Executive Leslie Moonves has a strong track record managing CBS, Redstone might instead favor Bob Bakish, the executive she tapped to be chief executive of Viacom nearly 14 months ago.

CBS and Viacom are both medium-sized companies in a rapidly changing landscape where huge conglomerates, such as AT&T and the Walt Disney Co., are trying to scoop up media companies to better compete against internet giants Google, Apple, Facebook, Netflix and Amazon.com. Viacom owns MTV, VH1, Comedy Central, Nickelodeon and the Paramount Pictures movie studio.

CBS, which owns the CBS television network, TV stations and Showtime, is the stronger of the two companies. Wall Street values CBS at $22.5 billion. Its stock closed up 2.3% to $58.93 on Thursday.

Viacom, which has a market capitalization of $13.6 billion, has been trying to overcome management missteps, including a lack of investment in television programming, an uneven strategy for online distribution and consistently poor-performing movies at Paramount Pictures. Viacom also blundered by buying back its stock at inflated prices.

Viacom shares on Thursday closed down less than 1%, or 21 cents, to $33.21.

The two firms, both based in New York City, were part of the same company until 2006, when Sumner Redstone separated them because he believed that Viacom with its then-powerful portfolio of cable channels would be a growth stock. The more sturdy CBS was expected to pay investors a healthy dividend.

But the television landscape has dramatically shifted since then. CBS has been able to boost its value on the strength of its programming. The company has substantially increased revenue through the fees it charges cable and satellite television distributors who want to include CBS in their pay-TV bundle.

At the same time, Viacom has seen its revenue shrink. As its networks have grappled with lower ratings, Viacom has come under pressure from Charter Communications and other cable providers to reduce its carriage fees.

###

Also, from Variety:

CBS, Viacom Move Toward Merger Talks as Boards Begin to Evaluate Possible Deal

CBS Corp. and Viacom have taken the first steps toward negotiating a merger as both companies have established special board committees to evaluate a possibility of a deal.

CBS said Thursday its board has assembled a committee of independent directors to “evaluate a potential combination with Viacom Inc.” Viacom said it has “retained independent legal counsel and is retaining independent financial advisors in connection with this evaluation.”

The news came after a regularly scheduled CBS board meeting was held Thursday afternoon.

“There can be no assurance that this process will result in a transaction or on what terms any transaction may occur. Neither CBS nor the committee intends to comment further, until the process is completed,” CBS said in a statement. Viacom’s board issued the same statement.


National Amusements, the parent company of CBS and Viacom, endorsed the moves with a statement of its own. National Amusements president Shari Redstone, who is vice chairman of CBS and Viacom, has urged the companies to consider a reunion, given the pressure in the media landscape by M&A among its traditional rivals — Disney’s acquisition of most of 21st Century Fox and AT&T’s effort to buy up Time Warner — and the entry into the content arena by digital and tech behemoths with extremely deep pockets.

“National Amusements supports the processes announced by CBS and Viacom to evaluate a combination of the two companies, which we believe has the potential to drive significant, long-term shareholder value. National Amusements does not currently intend to make any further comments regarding the process,” the company said.

The statements mark the latest sign that the reunion of the two companies is in the offing. There are still big hurdles to clear in terms of valuation of a deal, given the systemic concerns around the diminishing value of Viacom lower-profile U.S. cable networks. But there is also an understanding that the media landscape is changing fast and the potential for the two sides to work together on international growth initiatives provides rationale for a reunion. Viacom’s share price has also tumbled further during the past year, making a deal more attractive on a financial basis for CBS shareholders. As of Thursday, Viacom had a market cap of $13.6 billion, with shares closing at $33.21. CBS is valued at $22.5 billion, with shares closing at $58.93.

There’s speculation that the deal would be structured as an all-stock transaction with CBS acquiring Viacom. Share prices for both companies were up in after-hours trading following the board announcements.

CBS and Viacom were first brought together in 2000 by Sumner Redstone, now chairman emeritus of both firms. The two were split up again in January 2006 out of Sumner Redstone’s frustration with a sagging stock price.

During the past 14 months under CEO Bob Bakish, however, Viacom has taken big steps to channel most of its programming resources into six flagship cable brands — Nickelodeon, MTV, VH1, BET, Comedy Central, and Paramount Network (the rebranded Spike TV that debuted last week). Undoubtedly, it is only a matter of time before Viacom begins to shutter some of its lesser channels which are already losing distribution as MVPDs take a harder line in dealmaking and consumers embrace skinnier, cheaper bundles. CBS Corp. chief Leslie Moonves has been vocal to investors about the importance of CBS focusing on a few must-have channels in MVPD negotiations rather than having to fight for carriage of lesser outlets.

A deal between CBS and Viacom would also remove a hurdle to future M&A activity. It’s understood that the Redstones had previously balked at dealmaking opportunities involving CBS Corp. unless Viacom was also in the mix. CBS is known to have had merger discussions with Verizon in recent months.

###

Also, from the Wall Street Journal:

CBS and Viacom, After 12 Years Apart, Again Explore Deal to Recombine

Shari Redstone, who with her father Sumner Redstone controls both companies, believes they need greater scale to compete

CBS Corp. and Viacom Inc. said Thursday that their boards have formed special committees to evaluate a potential merger, a deal that would reunite the two big pieces of the Redstone family’s media empire.

Shari Redstone, vice chairman of both companies, is pushing for a merger, people close to the discussions say. She, along with her 94 year-old father, Sumner Redstone, controls CBS and Viacom, with a roughly 80% controlling stake in each company through their holding company National Amusements Inc.

This is the second time in less than two years that Ms. Redstone has tried to get CBS and Viacom back together, after they split up in 2006.

Ms. Redstone believes both companies need greater scale to better compete against bigger rivals, people familiar with her thinking say. The new push comes as AT&T Inc. tries to acquire Time Warner Inc. and Walt Disney Co. has a pending deal to purchase the majority of 21st Century Fox ’s entertainment assets.

CBS Chief Executive Leslie Moonves has previously resisted attempts to merge with Viacom and people close to him say he is wary of the combination.

In a statement, National Amusements said it supports the moves by CBS and Viacom to explore the deal, “which we believe has the potential to drive significant, long-term shareholder value.”

CBS and Viacom said in statements they wouldn’t comment further on the matter.

Ms. Redstone took pole position in the family empire in 2016 after a power struggle in which Viacom’s earlier management team was ousted.

Now she faces the challenge of setting up both companies for the future, especially Viacom, owner of more than two dozen cable channels including MTV, Nickelodeon and Comedy Central and the Paramount Pictures studio. Viacom was especially hard hit in recent years as young viewers migrated away from its networks.

Merging with CBS is a tempting solution: It would help shore up Viacom’s balance sheet and combine its channels with a valuable portfolio that includes prime-time CBS programming, sports content such as NFL football and the premium cable channel Showtime.

Ms. Redstone reached out to with Mr. Moonves last month to make the case for restarting merger talks, people familiar with the situation said. Ms. Redstone also began pressing for new blood on CBS’s board, the people said.

CBS isn’t opposed to growing, but it isn’t yet convinced that Viacom’s assets are the best path to scale, a person familiar with Mr. Moonves’s thinking said.

Viacom Chief Executive Robert Bakish, meanwhile, has been attempting a turnaround there. When Mr. Bakish was named chief executive just over a year ago, the company was losing revenue, its debt was teetering on junk status, its channels were losing audience and its Paramount studio had just lost nearly half a billion dollars in a single year.

He has tried to right the ship by improving relations with Viacom’s distribution partners, slimming the company’s strategic focus to six flagship cable channel brands, starting a digital content studio and improving collaboration between divisions.

Under Mr. Bakish, Viacom has maintained its cable channel-carriage agreements but it has been forced in some cases to accept lower fees, hurting the long-term outlook for its distribution revenue.

Analysts think Viacom would have greater leverage to negotiate with distributors if it were part of CBS. MoffettNathanson analyst Michael Nathanson said a deal also could offer “substantial cost synergies.”

Others counter that in this case bigger may not be better. “We do not view ‘scale’ as an all-encompassing positive—especially when ‘scale’ just means slapping two completely different companies together just to get bigger,” said Wells Fargo analyst Marci Ryvicker in a recent note.

Both Viacom and CBS had fallen short of analysts’ initial expectations for profitability in 2017—although Viacom fared much worse than CBS—and the pressure to consolidate has only increased, people close to the situation say.


Ms. Redstone believes Mr. Bakish would make sense as Mr. Moonves’s eventual successor at a merged company, the people familiar with the matter said.

Inside CBS, Chief Operating Officer Joe Ianniello is seen as Mr. Moonves’s successor and has a clause in his contract allowing him to leave at the end of this year if he isn’t named president or if someone else is named president or chief executive, according to a regulatory filing.

Mr. Moonves, who is well-regarded by Wall Street, has a few cards to play against Ms. Redstone if he ultimately isn’t convinced that a merger is the right move. According to his contract, he can leave for “good reason” if a non-executive chairman is appointed, or if the board “ceases to consist of ‘original independent directors’ and ‘qualified replacement directors.’ ”

Ms. Ryvicker said in her report that a departure by Mr. Moonves would weigh on CBS shares.

###

Originally published: Saturday, January 13, 2018.

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People of Earth! The Massive Monster Mayhem Toys are available now at Toys"R"Us Canada! Check it out: http://www.toysrus.ca/search/index.jsp?fv=2510384&f=Taxonomy&fd=&fg=&keywords=massive+monster+mayhem&x=0&y=0

Regular Earth Toys are LAME... Introducing Massive Monster Mayhem TOYS!



Massive Monster Mayhem Toys are Now Available at Target in the US and Toys ‘R’ Us in Canada.

Click to shop Target.com: http://bit.ly/2Qn7kEq
Click to shop Toys R Us in Canada: http://bit.ly/2yrlgab

The Massive Monster Mayhem Toys are manufactured by Alpha Group and sold exclusively at Target in the US and Toys R Us in Canada.

THE CANDY CRUSADE! | Toy Play Series | Massive Monster Mayhem



Ready for a Candy Quest? Come along with the Massive Monster Mayhem Smacktion Figures in this hilarious toy play video “The Candy Crusade”.

Massive Monster Mayhem Toys are Now Available at Target in the US and Toys ‘R’ Us in Canada.

Click to shop Target.com: http://bit.ly/2Qn7kEq
Click to shop Toys R Us in Canada: http://bit.ly/2yrlgab

Blow It Up and BASH IT UP! Massive Monster Mayhem Bash Armor and Weapons are HERE!



Get Bash Armor for ALL your bashing needs! PLUS Bash Weapons have arrived! Massive Monster Mayhem Toys are Now Available at Target in the US and Toys ‘R’ Us in Canada.

Click to shop Target.com: http://bit.ly/2Qn7kEq
Click to shop Toys R Us in Canada: http://bit.ly/2yrlgab

Get AWESOME With These NEW Massive Monster Mayhem Smacktion Figures



Massive Monster Mayhem Smacktion Figures are here! RoBro's Massive Fart Power included.

Click to shop Target.com: http://bit.ly/2Qn7kEq
Click to shop Toys R Us in Canada: http://bit.ly/2yrlgab

The MASSIVE Moon Battle Ball is Here! Available NOW at Target and Toys ‘R’ Us Canada!



The MASSIVE Moon Battle Ball is here! With 5 feet of inflatable fun! Massive Monster Mayhem Toys are Now Available at Target in the US and Toys ‘R’ Us in Canada.

Click to shop Target.com: http://bit.ly/2Qn7kEq
Click to shop Toys R Us in Canada: http://bit.ly/2yrlgab

The Cadets Finally Meet Their Match! | Massive Monster Mayhem



The cadets meet their ULTIMATE match! Introducing cadet-in-the-making Maddie...

PUNTACULAR | Toy Play Series | Massive Monster Mayhem



Macho Cheese is bringing his Grate-est jokes with the Massive Monster Mayhem Smacktion Figures in this hilarious toy play video “Puntacular”. Massive Monster Mayhem Toys are Now Available at Target in the US and Toys ‘R’ Us in Canada.

Click to shop Target.com: http://bit.ly/2Qn7kEq
Click to shop Toys R Us in Canada: http://bit.ly/2yrlgab

MAJOR BIRTHDAY DISAPPOINTMENT | Toy Play Series | Massive Monster Mayhem



Happy Birthday Major Disappointment! He's on the hunt for a party in "Major Birthday Disappointment" with the Massive Monster Mayhem Smacktion Figures.

Click to shop Target.com: http://bit.ly/2Qn7kEq
Click to shop Toys R Us in Canada: http://bit.ly/2yrlgab
Click to shop The Entertainer in UK: http://bit.ly/2PHupWN

The Massive Monster Mayhem Toys are manufactured by Alpha Group and sold exclusively at Target in the US, Toys R Us in Canada, and The Entertainer in the UK.

Massive Monster Mayhem Toys Have Invaded The Entertainer!



People of the UK! Massive Monster Mayhem Toys are available now at The Entertainer!

Click to shop The Entertainer in UK: http://bit.ly/2PHupWN

Sumo VS Kevin | Massive Moon Ball Battle!



It's SUMO VS KEVIN! Who are you cheering for?

Click to shop Target.com: http://bit.ly/2Qn7kEq
Click to shop Toys R Us in Canada: http://bit.ly/2yrlgab
Click to shop The Entertainer in UK: http://bit.ly/2PHupWN

THE CLIP SHOW | Toy Play Series | Massive Monster Mayhem



It's Movie Night! Are you ready to watch the Massive Monster Mayhem Smacktion Figures in action?!

Spring Breaker VS Kevin | Massive Moon Ball Battle!



This Moon Ball is ready to make a splash on Spring Break!

Catch more Massive Monster Mayhem on Nickelodeon, Nicktoons and YTV!

Subscribe to the official Massive Monster MayhemYouTube channel for more Mayhem!

More Nick:DHX Brands Taps Alpha Group For 'Massive Monster Mayhem' Toys!

Originally published: Monday, October 01, 2018.
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon, Nicktoons and Massive Monster Mayhem News and Highlights!

Noobees | Rockers VS. Noobees | Nickelodeon Brasil


Sing A Nursery Rhyme in English & Spanish | Canticos “The Boo Boo Song” (“Sana Sana”) | Nick Jr.

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When kids get a boo boo, you can quickly comfort them in English & Spanish with this Canticos lyric video! To find more bilingual music videos from Canticos, and full episodes, games, and a collection of kids’ songs from your child’s favorite animated TV shows, visit the FREE Nick Jr. App.



Oh, no! Nicky Chickie got hurt. Can a “hoppy” friend and song make him feel better? You can sing along to the Boo Boo song in English and Spanish, and watch as Nicky Chickie’s tears clear away and a smile takes over his face. This music video includes lyrics on screen, making it easier to learn the words! The Boo Boo Song (“Sana Sana”) is a cute and catchy nursery rhyme that can be used to cheer up and/or as a tool to learn new words in two languages!

LYRICS (English/Español)

The Boo Boo Song
Oh no!
What happened dear?
Nicky Chickie got hurt right here.
Pat a froggy’s bum bum
and put away your sorrow.
If you don’t heal today,
you’ll heal tomorrow!
Things heal quicker
when you’re having fun,
so go back and play,
soon your boo boo will be gone.
Pat a froggy’s bum bum
and put away your sorrow.
If you don’t heal today,
you’ll heal tomorrow!
Pat a froggy’s bum bum.
And give me a kiss
for today and tomorrow!

Sana Sana
Oh no!
Qué pasó!
El pollito Nicky se lastimó.
Sana, sana,
colito de rana.
Si no sanas hoy,
sanarás mañana.
Ve a jugar
y no llores más.
Y sanarás más rápido,
ya verás!
Sana, sana,
colito de rana.
Si no sanas hoy,
sanarás mañana.
Sana, sana,
colito de rana.
Dame un beso
para hoy y mañana.

More Nick:Encantos and Nickelodeon’s to Debut 'Canticos' Merchandise in 2019!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Holidays on Nickelodeon Preschool and Nick Jr. Canticos News and Highlights!

Jace Norman & Riele Downs Play Two Truths and a Lie & Go BTS | #TryThis | Nickelodeon

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Serious things are going down on the Henry Danger 3-part television event. Play ‘Two Truths and a Lie’ with Jace Norman (Henry), Riele Downs (Charlotte) and the rest of the Henry Danger cast to try to figure out the mystery. Stick around for some hilarious bloopers and BTS action. Let me know what you think in the comments below! Catch more Henry Danger on Nickelodeon!



What do YOU think will happen in the Henry Danger"A New Evil" Trilogy? Let me know your picks in the comments below and be sure to check out PART 2 "A New Darkness" this Saturday at 8:00pm ET/PT on Nick USA! 💯

More Nick:Nickelodeon USA to Premiere TV Movie ‘Bixler High Private Eye’ on Monday, January 21st, 2019!
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon and Henry Danger News and Highlights!

Nickelodeon USA to Premiere TV Movie ‘Bixler High Private Eye’ on Monday, January 21st, 2019 [Updated w/PR]

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Update (1/9/2019) - Below is Nickelodeon USA's original Press Release announcing the exciting news! | http://po.st/BixlerHighPlpremiere:

NICKELODEON’S NEW ORIGINAL TV MOVIE, BIXLER HIGH PRIVATE EYE,
STARRING JACE NORMAN AND ARIEL MARTIN,
PREMIERES ON MONDAY, JAN. 21, AT 7 P.M. (ET/PT)

Share it: @Nickelodeon #BixlerHighPl


BURBANK—January 9, 2019—Nickelodeon’s new original TV movie, Bixler High Private Eye, starring Jace Norman (Henry Danger) and multihyphenate actress, singer and author Ariel Martin, a.k.a. “Baby Ariel,” is set to premiere on Monday, Jan. 21, at 7 p.m. (ET/PT). The live-action comedy follows Xander DeWitt (Norman), an inquisitive teenager who has a knack for solving mysteries, as he tackles his biggest case yet when his father suddenly disappears.

In Bixler High Private Eye, Xander’s sleuthing skills get put to the test when his dad, Russell, leaves for work one day and vanishes without a trace. Frustrated by his attempts to find his dad, Xander’s mom sends him to go live with his grandfather (Ed Begley Jr.), a retired private investigator. It’s in his dad’s hometown that Xander finds a surprising lead in the case and builds an unexpected partnership with Kenzie Messina (Ariel Martin), an investigative reporter for the school newspaper.


Bixler High Private Eye marks Norman’s fifth starring role in a Nickelodeon TV movie, and his first as an executive producer. He currently stars in Nickelodeon’s Henry Danger, the number-one live-action show on TV with Kids 2-11 and Kids 6-11, and the network’s longest-running live-action sitcom. Norman is also the co-founder of Creator Edge Media, an influencer marketing agency.

Ariel Martin, a.k.a. “Baby Ariel,” is an award-winning actress, singer, entrepreneur and author who has catapulted into mainstream media. She has captured an audience of over 40 million across all her social media platforms, and over 282 million views on her YouTube videos alone. Most recently, Martin released her debut book, “Dreaming Out Loud,” as well as her fourth single, “8 Letter,” in October 2018.

Bixler High Private Eye is executive produced by Jace Norman, Scott Norman, Rene Rigal (Immortals, 21 & Over) and Tobin Armbrust (Dark Places, Snitch), and is produced by Greg Sills (Grease Live!, Nickelodeon’s Kids’ Choice Awards). The TV movie was written by Christopher Baldi (Jim Henson's Turkey Hollow) and Danny Kallis (The Suite Life of Zack and Cody) & Michele Wolff (Ella Enchanted), and is directed by Leslie Kolins Small (Stuck in the Middle).

Nickelodeon, now in its 39th year, is the number-one entertainment brand for kids. It has built a diverse, global business by putting kids first in everything it does. The company includes television programming and production in the United States and around the world, plus consumer products, digital, recreation, books and feature films. Nickelodeon’s U.S. television network is seen in more than 90 million households and has been the number-one-rated kids’ basic cable network for 22 consecutive years. For more information or artwork, visit http://www.nickpress.com. Nickelodeon and all related titles, characters and logos are trademarks of Viacom Inc. (NASDAQ: VIA, VIAB).

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Original post:

Check out the official trailer and an awesome sneak peek of the new Nickelodeon original TV movie, Bixler High Private Eye starring Jace Norman and Ariel “Baby Ariel” Martin! Be sure to tune in to the TV premiere of Bixler High Private Eye Monday, January 21st only on Nick USA!



Jace Norman AND Ariel Martin?! This films gonna be a-may-zing! 🔍

In Bixler High Private Eye, Jace plays Xander DeWitt, who has a knack for solving mysteries and finds himself tackling his biggest case when his father leaves for work one day and suddenly disappears without a trace. After hijinks and skipping school to find his dad, Xander’s mom sends him to live with his former private investigator grandfather in his dad’s hometown. He finds a surprising lead there and teams up with Kenzie Messina, played by Baby Ariel, an investigative reporter for the school newspaper. The TV movie marks Henry Danger star Norman’s first time as executive producer.

More Nick:2019 on Nickelodeon USA | New Shows, Specials, Events, Movies, Episodes, and More!

Originally published: Tuesday, December 18, 2018.

H/T Nickandmore!, Anime Superhero Forum /@kanc.

Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest 2019 on Nickelodeon and Bixler High Private Eye News and Highlights!

'Peppa Pig Live! - Verrassingsfeest' to Tour the Netherlands in 2019

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Peppa Pig’s Surprise, the newest live stage show based on Entertainment One’s (eOne) top-rated series airing daily on Nickelodeon and Nick Jr., is coming to the Netherlands for the first time in 2019!


In Peppa Pig’s Surprise, locally titled Peppa Pig Live! – Verrassingsfeest it’s a lovely day and Peppa is playing outside with her friends. Mummy Pig and Daddy Pig have a surprise for her and her younger brother George, but no matter how hard they try, Peppa and George cannot guess what it is. Audiences will enjoy fun interactive games and, of course, many surprises!

The live show encompasses the charming, colourful nature of the incredibly popular preschool series and features brand-new songs and life- size puppets that walk, talk, dance, and jump up and down to give audiences a unique, fully immersive theatrical experience from the moment the curtain opens. The show gives little ones and their families the opportunity to engage with their favourite characters like never before in an unforgettable first live stage show experience.

The 65-minute live show will perform around 90 performances in theatres across the Netherlands (Nederland) between Saturday 19th January and Sunday 16th June 2019. More than 30,000 tickets have already been sold for the show!


Peppa Pig Live! – Verrassingsfeest follows the success of Peppa Pig's Big Splash (Peppa Pig – De Grote Plons!), which toured the Netherlands in 2016.

The Dutch tour of Peppa Pig Live! – Verrassingsfeest is produced by Van Hoorne Entertainment in collaboration with Entertainment One.

Tickets for Peppa Pig Live! – Verrassingsfeest are available to purchase now PeppaPigLive.nl.

Peppa Pig Live! – Verrassingsfeest Tour Dates and Times:

19-01-2019 | tijd 11:30
Nieuwe Nobelaer, Etten-Leur

19-01-2019 | tijd 15:00
Nieuwe Nobelaer, Etten-Leur

20-01-2019 | tijd 14:00
Posthuis Theater, Heerenveen

26-01-2019 | tijd 13:00
De Eendracht, Gemert

26-01-2019 | tijd 15:00
De Eendracht, Gemert

27-01-2019 | tijd 14:00
Kennemer Theater, Beverwijk

03-02-2019 | tijd 13:00
Zaantheater, Zaandam

03-02-2019 | tijd 16:00
Zaantheater, Zaandam

09-02-2019 | tijd 14:00
Fulco Theater, IJsselstein

09-02-2019 | tijd 16:00
Fulco Theater, IJsselstein

10-02-2019 | tijd 13:00
Theater Kerkrade, Kerkrade

10-02-2019 | tijd 15:00
Theater Kerkrade, Kerkrade

16-02-2019 | tijd 14:00
Theater aan de Parade, 's-Hertogenbosch

16-02-2019 | tijd 16:00
Theater aan de Parade, 's-Hertogenbosch

17-02-2019 | tijd 13:30
Stadsschouwburg Haarlem, Haarlem

17-02-2019 | tijd 16:00
Stadsschouwburg Haarlem, Haarlem

19-02-2019 | tijd 14:00
Rabo Theater De Meenthe, Steenwijk

21-02-2019 | tijd 14:00
Stadsgehoorzaal Kampen, Kampen

23-02-2019 | tijd 13:30
Theater De Voorveghter, Hardenberg

23-02-2019 | tijd 16:00
Theater De Voorveghter, Hardenberg

24-02-2019 | tijd 11:00
Schouwburg Hengelo, Hengelo

24-02-2019 | tijd 14:30
Schouwburg Hengelo, Hengelo

26-02-2019 | tijd 11:00
Schouwburg Gooiland, Hilversum

26-02-2019 | tijd 13:30
Schouwburg Gooiland, Hilversum

26-02-2019 | tijd 16:00
Schouwburg Gooiland, Hilversum

27-02-2019 | tijd 11:00
Schouwburg Gooiland, Hilversum

27-02-2019 | tijd 16:00
Schouwburg Gooiland, Hilversum

01-03-2019 | tijd 14:00
Theater Harderwijk, Harderwijk

03-03-2019 | tijd 14:30
Theater 't Voorhuys, Emmeloord

06-03-2019 | tijd 15:00
Theater de Stoep, Spijkenisse

09-03-2019 | tijd 16:00
Munttheater, Weert

10-03-2019 | tijd 14:00
Parktheater Eindhoven, Eindhoven

16-03-2019 | tijd 15:30
Schouwburg Almere, Almere

17-03-2019 | tijd 14:00
Schouwburg Odeon, Zwolle

23-03-2019 | tijd 14:00
Theater de Mythe, Goes

23-03-2019 | tijd 16:00
Theater de Mythe, Goes

24-03-2019 | tijd 14:00
Theater het Kruispunt , Barendrecht

31-03-2019 | tijd 14:00
Schouwburg Amstelveen, Amstelveen

07-04-2019 | tijd 11:00
Schouwburg De Kring, Roosendaal

10-04-2019 | tijd 14:00
Schaffelaartheater, Barneveld

13-04-2019 | tijd 15:00
Soc. Cultureel Centrum De Ruchte, Someren

14-04-2019 | tijd 14:00
Schouwburg Kunstmin, Dordrecht

20-04-2019 | tijd 14:00
Theater de Blauwe Kei, Veghel

22-04-2019 | tijd 15:00
Chassé Theater, Breda

28-04-2019 | tijd 15:00
Cultuurhuis De Klinker, Winschoten

30-04-2019 | tijd 11:00
Beatrix Theater, Utrecht

01-05-2019 | tijd 14:00
Stadstheater, Zoetermeer

02-05-2019 | tijd 11:00
AFAS Circustheater , Den Haag

03-05-2019 | tijd 16:00
Theater De Schalm, Veldhoven

05-05-2019 | tijd 11:00
Cultuurcentrum Achterolmen, Maaseik (BE)

12-05-2019 | tijd 14:00
TheaterHotel De Oranjerie , Roermond

18-05-2019 | tijd 15:00
Theater de Meerpaal, Dronten

19-05-2019 | tijd 14:00
De Lawei, Drachten

26-05-2019 | tijd 14:00
Isala Theater, Capelle a/d IJssel

01-06-2019 | tijd 14:00
Theater Castellum, Alphen ad Rijn

02-06-2019 | tijd 15:00
Stadsschouwburg De Harmonie , Leeuwarden

08-06-2019 | tijd 11:00
Schouwburg Gooiland, Hilversum

08-06-2019 | tijd 13:30
Schouwburg Gooiland, Hilversum

08-06-2019 | tijd 16:00
Schouwburg Gooiland, Hilversum

09-06-2019 | tijd 11:00
Schouwburg Gooiland, Hilversum

09-06-2019 | tijd 13:30
Schouwburg Gooiland, Hilversum

09-06-2019 | tijd 16:00
Schouwburg Gooiland, Hilversum

15-06-2019 | tijd 13:15
DeLaMar Theater, Amsterdam

15-06-2019 | tijd 15:30
DeLaMar Theater, Amsterdam

16-06-2019 | tijd 13:15
DeLaMar Theater, Amsterdam

16-06-2019 | tijd 15:30
DeLaMar Theater, Amsterdam

PEPPA PIG - VERRASSINGSFEEST!

Verrassing! Peppa Pig, bekend van Nickelodeon, komt terug naar het theater. Na de succesvolle voorstelling ‘De Grote Plons’ zijn het liefste varkentje en al haar vriendjes nu te zien in een verrassende nieuwe familiemusical.

Dit keer is het groot feest! Slingers en ballonnen vullen de hele kamer. Een grote, lekkere chocoladetaart staat op tafel. Het wordt een hele bijzondere dag. Samen met haar broertje George en haar vriendjes speelt Peppa vrolijk buiten. Maar dan hebben Mama Big en Papa Big een grote verrassing. Peppa heeft geen idee wat het kan zijn, jij wel?

Beleef met Peppa de leukste avonturen in de gezellige familiemusical ‘Verrassingsfeest’ met nieuwe meezingliedjes, swingende meedoedansjes, vrolijke varkentjeshumor én grote modderplassen. De superschattige handpoppen, kleurrijke decors en uiteraard vele spannende verrassingen maken de voorstelling tot één groot feest voor de hele familie!

Natuurlijk komt Peppa ook na afloop naar de foyer voor een foto en dikke knuffel met jou!

De voorstelling is een productie van Van Hoorne Entertainment in samenwerking met Entertainment One's.

From musicaljournaal:

30.000 tickets voor Peppa Pig Live! verkocht

De voorstelling is vanaf zaterdag 19 januari 2019 te zien

9 januari 2019 12:33

30.000 tickets voor Peppa Pig Live! verkochtNog voor de eerste try-out zijn er al ruim 30.000 tickets voor de nieuwe familiemusical Peppa Pig Live! – Verrassingsfeest verkocht. De voorstelling is vanaf zaterdag 19 januari 2019 te zien met zo’n 90 shows in theaters door heel Nederland.

Op dit moment wordt in de Van Hoorne Entertainment Studio’s heel hard gewerkt door de cast en crew aan de totstandkoming van de spiksplinternieuwe show. Maar al voor de officiële start van de tour blijkt de familievoorstelling Verrassingsfeest, net als zijn voorganger ‘De Grote Plons’, ook weer een succes te worden.

“Als wereldwijd bekend merk én al vele jaren te zien bij Nickelodeon heeft Peppa Pig inmiddels vele kinderharten veroverd. Na de zeer succesvolle tour van seizoen 2016-2017 twijfelden we geen moment om weer een nieuwe show van Peppa en al haar vriendjes naar het theater te brengen. Ook deze keer wordt het weer één groot feest voor de hele familie”, aldus producent Michael van Hoorne.

Het verhaal
Dit keer is het groot feest! Slingers en ballonnen vullen de hele kamer. Een grote, lekkere chocoladetaart staat op tafel. Het wordt een hele bijzondere dag. Samen met haar broertje George en haar vriendjes speelt Peppa vrolijk buiten. Maar dan hebben Mama Big en Papa Big een grote verrassing. Peppa heeft geen idee wat het kan zijn, jij wel?

Peppa Pig Live! – Verrassingsfeest is van 19 januari tot en met 16 juni 2019 te zien in het theater. Deze vrolijke voorstelling is een productie van Van Hoorne Entertainment in samenwerking met Entertainment One.

Meer info: www.vanhoorne.com

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Meer Nick:No Job Is Too Big, No Pup Is Too Small! 'PAW Patrol Live: De Grote Race' To Visit The Netherlands And Belgium For First Time During Summer 2019!

Additional sources: Theaters in Nederland, Facebook /@Theater aan de Parade.
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Nickelodeon Preschool, Nick Jr. Netherlands and Peppa Pig News and Highlights!

January 2019 on Nickelodeon Russia | The Loud House | SpongeBob | Bureau | Movies | Marathons + More!

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This January (январе), Nickelodeon Russia (Россия) will be premiering:


Смотри в январе | Nickelodeon Россия
Что тебя ждёт в январе

-- Brand-new episodes of The Loud House (Мой шумный дом)!;

-- Brand-new episodes of SpongeBob SquarePants (Губка Боб Квадратные Штаны)!;

-- Brand-new episodes of The Bureau of Magical Things (Бюро магических дел)!;

Plus, Nickelodeon Россия will air:

-- Episodes ofDanny Phantom (Дэнни-Призрак), The Legend of Korra (Легенда о Корре) and Fanboy & Chum Chum (Фанбой и Чам-Чам)!;

-- Marathons ofT.U.F.F. Puppy (ТУРБО-агент Дадли), House of Anubis (Обитель Анубиса) and Hunter Street (Хантер Стрит)!;

-- A selection of Nickelodeon Original Movies, including: Escape from Mr. Lemoncello’s Library (Побег из библиотеки Мистера Лимончелло), Splitting Adam (Расщепление Адама), Hey Arnold!: The Jungle Movie (Эй, Арнольд! Приключения в джунглях), Legends of the Hidden Temple (Легенды затерянного храма), and Swindle (Мошенничество)!

Больше Nick:The Island of Dreams Moscow to Open 'Teenage Mutant Ninja Turtles'-Themed Area in September 2019!

Originally published: Monday, December 31, 2018.

Additional sources: russian.typeit.org, Google Translate, IMDb.
Follow NickALive! on Twitter, Tumblr, Google+, via RSS, on Instagram, and/or Facebook for the latest Christmas on Nickelodeon Russia News and Highlights!
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