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Nickelodeon International's Nina Hahn and Jules Borkent Join TV Kids Festival Roster

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Nina Hahn, the Senior Vice President (SVP) of international production and development for Nickelodeon International and head of ViacomCBS International Studios (VIS) Kids, and Jules Borkent, the Executive Vice President (EVP) for kids and family at ViacomCBS Networks International (VCNI), will take part in a panel discussion as part of the upcoming TV Kids Festival.

In his role as brand lead for Nickelodeon International, Borkent is in charge of all aspects of content and business operations, overseeing brand and content management and strategy, acquisitions, production development, creative and multiplatform for Nickelodeon branded channels and platforms internationally. Hahn oversees international content development and co-production partnerships for all ViacomCBS kids’ content outside of the U.S. She coordinates and drives the development process, spearheads new production models, manages productions from pilot through to series and works in direct partnership with content teams around the world. Registration for this event is free. Information on how to register will be available on Wednesday.

Taking place from February 2 to 5, 2021, the TV Kids Festival will feature keynotes and panels with leading executives and creatives discussing the importance of alliances in producing and distributing top-notch kids’ programming today. It will be streamed live and available on-demand on World Screen’s brand-new, state-of-the-art events and festivals platform.

Sponsorships for the TV Kids Festival 2021 are now sold out. 

TV Kids Festival will also feature a panel session dedicated to the evolution of the distribution business, featuring CAKE’s Ed Galton, Entertainment One (eOne) Family Brands’ Monica Candiani and 9 Story Media Group’s Alix Wiseman; a session on kids’ co-productions, with Toon2Tango’s Ulli Stoef, Serious Lunch and Eye Present’s Genevieve Dexter, Boat Rocker Studios’ Jon Rutherford and Guru Studio’s Frank Falcone; and a panel on acquisition strategies that will include Cartoon Network’s Adina Pitt, M6’s Maud Branly, Kidoodle.TV’s Brenda Bisner and Hopster’s Ellen Solberg.

Also on the TV Kids Festival roster is Jonathan M. Shiff, creator of H20: Just Add Water, Mako Mermaids and The Bureau of Magical Things; Dan Povenmire, whose credits include Phineas and Ferb; Traci Paige Johnson and Angela Santomero, the co-creators of the hit series Blue’s Clues and Blue’s Clues & You!; Eric Ellenbogen, the CEO and vice chair of WildBrain; Claude Schmit, the CEO of Super RTL; and Sebastian Debertin, the head of fiction, acquisitions and co-productions at KiKA.

Nickelodeon Greece Gains Unexpected Audience as Kids Return to School

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Nickelodeon Greece's (Ελλάδα) has been the number one TV channel with kids across the country for the last 10 years, however, thanks to a recent lockdown due to the on-going COVID-19 (coronavirus) pandemic, the channel has found a new audience!


As thousands of primary school-aged children across Greece return to school following a two-month shutdown, the channel has noticed that more adults are tuning in.

On Thursday 14th January 2021, during the morning block when SpongeBob SquarePants (Μπομπ Σφουγγαράκης) is normally shown, Nickelodeon was not only the most-watched channel by kids, but also climbed to third place in the dynamic audience (viewers aged 18-54) across Greece! Even in ratings charts of all demos combined, including older audiences, Nickelodeon is a market leader in Greece!

During the 7:00am - 8:00am, Nickelodeon was watched by 10.45% of the TV viewing audience in Greece, thus winning the third place slot.


Τηλεθέαση: Απίστευτη πρωτιά χθες για το Nickelodeon

Το Nickelodeon, το κανάλι που τα παιδιά λατρεύουν να παρακολουθούν και οι γονείς λατρεύουν να εμπιστεύονται, είναι εδώ και 10 χρόνια η νο 1 τηλεοπτική επιλογή για τα παιδικά κοινά.
Τον τελευταίο καιρό όμως φαίνεται ότι εκτός από τα παιδιά, το Nickelodeon το επιλέγουν πλέον και οι ενήλικες , έχοντας προφανώς βαρεθεί και κουραστεί απο την πλειοψηφία των υπόλοιπων τηλεοπτικών επιλογών

Χθες, Πέμπτη 14 Ιανουαρίου, και συγκεκριμένα στην πρωινή ζώνη του Nickelodeon που προβάλλεται ο Μπομπ Σφουγγαράκης, το κανάλι όχι μόνο είχε την αναμενόμενη και συνηθισμένη πρωτιά στα παιδικά κοινά, αλλά σκαρφάλωσε στην 3η θέση του δυναμικού κοινού (18-54 χρονών) πανελληνίως. Ακόμα και στο σύνολο των ηλικιών, συμπεριλαμβανομένων δηλαδή και των ηλικιωμένων, το Nickelodeon αφήνει πίσω του πολλά από τα λεγόμενα μεγάλα κανάλια!

Το νούμερο που εφτασε το Nickelodeon στο δυναμικό κοινό χθες μεταξύ 7:00-8:00 ήταν 10,45% κατακτώντας έτσι την 3η θέση. Στο γενικό πληθυσμό το κανάλι έφτασε στο 9.54% με το πρώτο κανάλι (ΣΚΑΙ) εκείνη τη στιγμή να βρίσκεται στο 18.79% και όλα τα υπόλοιπα να βρίσκονται σε απόσταση αναπνοής απο το Nickelodeon.

Το Nickelodeon δεν είναι απλά η πρώτη επιλογή των παιδιών αλλά και η πρώτη επιλογή όσων νιώθουν και αισθάνονται παιδιά, δηλαδή όλων μας

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Μπομπ Σφουγγαράκης : Στο βάθρο της τηλεθέασης κάθε πρωϊ, ανάμεσα στα… θηρία

Τα δημοτικά σχολεία ξεκίνησαν ξανά με φυσική παρουσία των παιδιών και μαζί με αυτό τα παιδιά θυμήθηκαν την αγαπημένη τους συνήθεια, τον Μπομπ! Ο Μπομπ Σφουγγαράκης που προβάλλεται κάθε πρωϊ από τις 7 μέχρι τις 8 από το Nickelodeon μονοπωλεί το ενδιαφέρον όχι μόνο των παιδιών (που έτσι και αλλιώς επιλέγουν το Nickelodeon όλη τη μέρα) αλλά και των μεγαλύτερων.

Τα στοιχεία της Nielsen δείχνουν πως τόσο στο σύνολο του τηλεοπτικού κοινού όσο και στο δυναμικό κοινό το Nickelodeon φιγουράρει στις πρώτες θέσεις, πολλές φορές μάλιστα σε απόσταση αναπνοής από την πρώτη θέση.

Πολλά σπίτια επιλέγουν να ξεκινήσουν τη μέρα τους με αυτόν τον ευχάριστο τρόπο, με την παρέα του αγαπημένου σφουγγαριού που από το βυθό του Μπικίνι γεμίζει τις μπαταρίες μας με αισιοδοξία και χαρά.

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BFBS TV Adds Nickelodeon, Nicktoons and Nick Jr. to its Overseas Line-Up for Military Families

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Children of armed forces families stationed overseas are now able to stream Nickelodeon, Nick Jr. and Nicktoons on BFBS TV Player. This latest addition to BFBS’ children’s channel line-up is a direct response to recent feedback from military family audiences overseas to say that they would appreciate more children’s TV content.


At a time when many people across the world are still being advised to stay at home as much as possible, overseas military children* will now have access to programmes such as SpongeBob SquarePants, The Loud House and Horrid Henry on Nicktoons, It’s Pony, The Thundermans and Danger Force on Nickelodeon and PAW Patrol, Peppa Pig and Blue's Clues & You! on Nick Jr.

BFBS has been broadcasting to the UK armed forces community for over 75 years, bringing the best of UK TV, sport, music and entertainment to forces and their families worldwide, wherever they are stationed.

BFBS TV Player offers the UK armed forces and their families overseas access to 40 channels via mobile, tablet and connected TV devices.

Nickelodeon, Nick Jr. and Nicktoons join CBeebies, CBBC and CITV on BFBS TV Player to keep armed forces children entertained and connected with their lives back in the UK.


Nicky Ness, Director of Broadcasting and Entertainment for BFBS says:

“Our core mission is to entertain and inform our armed forces and their families, and to keep those serving overseas connected with home. We know how tough it can be for military families posted overseas to entertain their kids, so we are grateful to Nickelodeon for joining the many other broadcasters, movie studios and premium sports providers who partner with us to keep our armed forces and their families entertained when they’re away from home. ”

(* Excluding UK, Isle of Man, the Channel Islands and Ireland)


Original source: Cobseo.

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Mattel Unveils Hot Wheels Nickelodeon Character Car 2021 Mix 1 Case Line-Up

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Nicktoons, start your engines! Mattel has unveiled the line-up for the Hot Wheels Nickelodeon Character Car 2021 Mix 1 Case set!


"Find favorite characters from animated properties reimagined as premium Hot Wheels Character Cars. The 1:64 scale vehicles each features unique decos and authentic details as dynamic as the characters they represent," reads the description!

This Hot Wheels Nickelodeon Character Car 2021 Mix 1 Case (956P) includes 8 individually packaged vehicles, each featuring unique decos and authentic details as dynamic as the characters they represent. The 2021 slate features characters from the beloved Nicktoons Rugrats, Teenage Mutant Ninja Turtles and SpongeBob SquarePants. The Tommy Pickles car even comes with a full diaper load - although this may weigh him down when it comes to racing!

Included in the Hot Wheels Nickelodeon Character Car 2021 Mix 1 Case is:

1x Hot Wheels Chuckie Finster (UPC:887961907865)
1x Hot Wheels Patrick Star (UPC:887961966664)
1x Hot Wheels Michelangelo (UPC:887961966657)
1x Hot Wheels SpongeBob SquarePants (UPC:887961966596)
1x Hot Wheels Tommy Pickles (UPC:887961907902)
1x Hot Wheels Leonardo (UPC:887961966671)
2x Hot Wheels Reptar (UPC:887961907926)

Line-up subject to change

The Hot Wheels Nickelodeon Character Car 2021 Mix 1 Case is set to be released in January 2021, priced $37.99 (USD). The set can be pre-ordered now on Entertainment Earth.

Take a look at the Nicktoons cars and their packaging below!:
















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Nickelodeon Staff to Take Part in Kidscreen Summit 2021

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Kidscreen has announced that Nickelodeon staff will be taking part in a raft of sessions at the Kidscreen Summit 2021!


Being held virtually due to the on-going COVID-19 (coronavirus) health crisis between Monday, February 8 - Friday, March 8, 2021, Kidscreen Summit is renowned as the kids entertainment industry’s most important annual event. Top executives attend Kidscreen Summit to take advantage of the year’s best business networking, and to engage in critical dialogue on issues that affect the industry.

For more information about Kidscreen Summit 2021 and to register to attend, please visit https://summit.kidscreen.com. #Kidscreen21

Kidscreen Summit 2020 Sessions Featuring Nickelodeon Staff:

Speed Pitching - Canal+, Nickelodeon, iQIYI
Tuesday, February 9, 2021
8:00 AM - 9:00 AM

Business Pass Exclusive! Connect with top broadcasters and investors who have the power to greenlight your project. This highly effective format features eight-minute meetings—plenty of time to deliver the perfect pitch. 

NOTE: Advance sign-up required.

Featuring:

- Leo Geng, Senior Vice President, iQIYI
- Chris Rose, VP of Animation Production and Development, Nickelodeon
- Géraldine Soto, Head of Acquisitions, Prebuys and Coproductions, Kids Department, Canal+

Coffee with... DeAKids, Disney Junior, Nickelodeon
Tuesday, February 9, 2021
11:00 AM - 12:00 PM

Business Pass Exclusive! Start fresh at the Summit! Grab a cup of joe and connect one on one with buyers in 15-minute morning meetings.

NOTE: Advance sign-up required.

Featuring:

- Diane Ikemiyashiro, VP, Current Series, Disney Junior
- Brenda Maffuchi, Head of Acquisitions & Property Development, DeAKids
- Charly Valentine, VP Live Action Production & Development,  Nickelodeon

Speed Pitching - Nickelodeon, Discovery Latin America, Disney Channels
Tuesday, February 9, 2021
2:00 PM - 3:00 PM

Business Pass Exclusive! Connect with top broadcasters and investors who have the power to greenlight your project. This highly effective format features eight-minute meetings—plenty of time to deliver the perfect pitch. 

NOTE: Advance sign-up required.

Featuring:

- Or Handelsman, Senior Manager, International Acquisitions, Nickelodeon
- Alfredo Marun, Director of Development, Disney Channels
- Leticia Smith, Manager Sourcing & Acquisitions, Discovery Kids

Coffee with... Disney Junior, Lego, Nickelodeon
Wednesday, February 10, 2021
11:00 AM - 12:00 PM

Business Pass Exclusive! Start fresh at the Summit! Grab a cup of joe and connect one on one with buyers in 15-minute morning meetings.

NOTE: Advance sign-up required.

Featuring:

- Diane Ikemiyashiro, VP, Current Series, Disney Junior
- Jay Shah, Head of Global Content Distribution & Entertainment Business Development, LEGO
- Katherine Sils, VP International Digital Content Strategy & Social Engagement, Nickelodeon

Speed Pitching - PBS KIDS, Nickelodeon, Amazon Kids
Wednesday, February 10, 2021
2:00 PM - 3:00 PM

Business Pass Exclusive! Connect with top broadcasters and investors who have the power to greenlight your project. This highly effective format features eight-minute meetings—plenty of time to deliver the perfect pitch. 

NOTE: Advance sign-up required.

Featuring:

- Tommy Gillespie, Director, Children's Programming, PBS KIDS
- Or Handelsman, Senior Manager, International Acquisitions, Nickelodeon
- Josh Mandel, Senior Production Executive, Amazon Kids

Speed Pitching - Tencent Video, RTÉ, Nickelodeon
Thursday, February 11, 2021
8:00 AM - 9:00 AM

Business Pass Exclusive! Connect with top broadcasters and investors who have the power to greenlight your project. This highly effective format features eight-minute meetings—plenty of time to deliver the perfect pitch. 

NOTE: Advance sign-up required.

Featuring:

- Qing Fan, Producer, Content Investment & Co-Productions, Tencent Video
- Suzanne Kelly, Group Head of Children's & Young People's Content, RTE Television
- Chris Rose, VP of Animation Production and Development, Nickelodeon

Speed Pitching - TF1, Nickelodeon, Warnermedia International
Thursday, February 11, 2021
9:30 AM - 10:30 AM

Business Pass Exclusive! Connect with top broadcasters and investors who have the power to greenlight your project. This highly effective format features eight-minute meetings—plenty of time to deliver the perfect pitch. 

NOTE: Advance sign-up required.

Featuring:

- Zia Bales, Senior Acquisitions Manager Kids EMEA, Warner Media
- Yann Labasque, Head of Children Programs, TF1
- Charly Valentine, VP Live Action Production & Development, Nickelodeon

Coffee with... Lego, Nickelodeon, Super RTL
Thursday, February 11, 2021
11:00 AM - 12:00 PM

Business Pass Exclusive! Start fresh at the Summit! Grab a cup of joe and connect one on one with buyers in 15-minute morning meetings.

NOTE: Advance sign-up required.

Featuring:

- Jay Shah, Head of Global Content Distribution & Entertainment Business Development, LEGO
- Katherine Sils, VP International Digital Content Strategy & Social Engagement, Nickelodeon
- Kerstin Viehbach, Head of Commissioning & Development (Fiction), SUPER RTL

Coffee with... Nickelodeon, TF1, M6
Thursday, February 11, 2021
11:00 AM - 12:00 PM

Business Pass Exclusive! Start fresh at the Summit! Grab a cup of joe and connect one on one with buyers in 15-minute morning meetings.

NOTE: Advance sign-up required.

Featuring:

- Daphné de Beauffort, Head of Kids Content Acquisitions and Diversification, TF1
- Lila Hannou, Director, Animation Prebuys and Coproductions, M6, Gulli, Tiji & Canal J
- Tatiana Rodriguez, SVP & Brand Head, Kids & Families, Nickelodeon

In Conversation with... Eryk Casemiro, Nickelodeon Preschool
Tuesday, February 16, 2021
2:30 PM - 3:15 PM

Business Pass Exclusive! This virtual interview series is designed to help you understand what kids buyers are looking for right now. Hear about the future plans and priorities of the kids industry’s major content investors first-hand, and then participate in some Q&A. 

Featuring:

- Eryk Casemiro, SVP of Preschool, Nickelodeon Preschool

Opening up about race on screen
Wednesday, February 17, 2021
2:00 PM - 2:45 PM

In this session geared towards content creators, child development and media experts from Nickelodeon and OK Play team up to present exclusive new research on the role that media can play in helping parents and caregivers promote healthy social identities through open discussion about race and injustice from a young age.

Featuring:

- Makeda Mays Green, VP, Digital Consumer Insights, Nickelodeon
- Colleen Russo Johnson, Chief Scientist & Co-Founder, OK Play

In Conversation with... Nina Hahn, Nickelodeon
Tuesday, February 23, 2021
10:00 AM - 10:45 AM

Business Pass Exclusive! This virtual interview series is designed to help you understand what kids buyers are looking for right now. Hear about the future plans and priorities of the kids industry’s major content investors first-hand, and then participate in some Q&A.

Featuring:

- Nina Hahn, SVP, Production & Development | Head of VIS Kids, ViacomCBS Networks International

Yadda yadda yadda: Why talk shows are blowing up in kids media
Monday, March 1, 2021
10:00 AM - 10:45 AM

“You get a talk show, and you get a talk show!” It may well feel like Oprah was giving them out on a Favorite Things episode from the number of new kids talk shows in the pipeline. With its unique ability to tackle difficult topics, interact directly with kids, explore multiple POVs and educate through dialogue—the talk show format works on a lot of different levels that are apropos right now. Watch along as we explore why, and how to do them right.

Business Pass Exclusive! Connect with speakers at the end of their live sessions to ask questions or introduce yourself.

Moderating:

- Magalie Laguerre-Wilkinson, VP, News Programming, Nickelodeon

Featuring:

- Ben Lehmann, Executive Producer, Sesame Street, Sesame Workshop
- Halle Stanford, President of Television, Executive Producer, The Jim Henson Company

In Conversation with... Syrinthia Studer, Nickelodeon
Thursday, March 4, 2021
2:30 PM - 3:15 PM

Business Pass Exclusive! This virtual interview series is designed to help you understand what kids buyers are looking for right now. Hear about the future plans and priorities of the kids industry’s major content investors first-hand, and then participate in some Q&A.

Featuring:

- Syrinthia Studer, EVP, Nickelodeon & Awesomeness Films

User-generated content on a whole new level
Friday, March 5, 2021
12:00 PM - 12:45 PM

Looking for a better way to bring your audience into the content creation process? From kid panels providing real-time feedback, to crewing up with tween and teen producers, this session will explore a variety of working models for more authentically involving young voices and POVs. 

Business Pass Exclusive! Connect with speakers at the end of their live sessions to ask questions or introduce yourself.

Featuring:

- Rachel Kalban, VP, Research and Curriculum, 9 Story Media Group
- Paula Kaplan, EVP, Talent & Development, Nickelodeon/Viacom Digital Studios

Nina Hahn, SVP, Production & Development | Head of VIS Kids, ViacomCBS Networks International


As Senior Vice President, International Production & Development, Nina Hahn oversees international content development and co-production partnerships for Nickelodeon outside of the US. 

Based in London, Hahn coordinates and drives the development process, spearheading new production models, managing productions from pilot through to series, and working in direct partnership with Nickelodeon’s content teams around the world.  As part of this role, Hahn is responsible for internationally sourced productions, aligning Nickelodeon’s global production and development pipeline, representing Nickelodeon US’s production and  development interests abroad and identifying resources and expertise to drive creative partnerships and cultivate talent. As the main international production and development conduit for Nickelodeon’s channels, Hahn also ensures the cultural relevancy of all Nickelodeon production and development for global broadcast.

Hahn also works in direct partnership with Nickelodeon in the UK to source content from UK independent producers for potential global production and development.

Hahn is an industry veteran with more than 25 years of experience in creating and producing content for kids spanning all genres, from pre-school and kid’s animation, to live action and TV movies. Since joining Nickelodeon in 2005, Hahn has been responsible for overseeing the production and development of some of Nickelodeon’s biggest hits including live action favourite House of Anubis and pre-school animation Nella the Princess Knight.

Working closely with Nickelodeon US, Hahn is also the driving force behind establishing the brand as a core international hub for creators and talent, spearheading the international roll-out of creative outreach initiatives designed to unearth and identify new creative talent. These include the Nickelodeon Writers Program, designed to attract, develop and staff writers with diverse backgrounds and experiences on Nickelodeon Network Productions; and the global Nickelodeon Shorts Program, spanning both Nickelodeon and Nick Jr., providing animation and comedy talent with a platform to explore original characters, concepts and innovative styles through short form storytelling.

Prior to joining Nickelodeon, Hahn worked as an independent producer and development consultant for some of the world’s leading kid’s content producers and broadcasters in New York, including HBO and Jim Henson Productions.

Paula Kaplan, EVP, Talent & Development, Nickelodeon/Viacom Digital Studios


Magalie Laguerre-Wilkinson, VP, News Programming, Nickelodeon


Magalie Laguerre-Wilkinson is Vice President of News Programming for Nickelodeon, as well as Executive Producer of the recently rebooted Nick News series. In her role, Laguerre-Wilkinson spearheads Nick’s commitment of speaking to kids about the news and issues of the day they care about most, overseeing all aspects of research, development and execution of news segments across Nickelodeon’s platforms.  For long-form news content, she serves as Executive Producer of the net’s heralded Nick News series, which was recently rebooted in June with the acclaimed Kids, Race and Unity special, hosted by Alicia Keys and which Laguerre-Wilkinson co-executive produced. She is based in New York and reports to President of ViacomCBS Kids & Family Entertainment, Brian Robbins.

Laguerre-Wilkinson joins Nickelodeon from CBS News’ 60 Minutes, America’s most watched news program, where she served for over 15 years as an Associate Producer and Producer on stories for Ed Bradley, Lesley Stahl, Bob Simon, Steve Kroft, Anderson Cooper, and more. She was the key producer on one of the broadcast’s most memorable and inspiring stories about the Kimbanguist Symphony Orchestra in the Democratic Republic of Congo, which won Peabody and Emmy accolades.

She has reported from far corners of the world, while also covering domestic stories including Hurricane Katrina in New Orleans and Sandy in New York. Most recently, she produced stories on the political divide in the United States with Oprah Winfrey as a contributing correspondent, as well as profiles of French street artist, JR and the new music director of the New York Philharmonic, Jaap van Zweden. An interview host at Carnegie Council’s Ethics Matter and a producer and reporter for CUNY TV’s Arts in the City, Laguerre-Wilkinson previously worked as correspondent for CBS Evening News and producer for NBC Nightly News with Tom Brokaw.

Laguerre-Wilkinson is a native New Yorker and lives in Manhattan with her husband, Bruce and their daughters, Juliette and Joséphine. 

Syrinthia Studer, EVP, Awesomeness & Nickelodeon Films


Syrinthia Studer is Executive Vice President, Nickelodeon and Awesomeness Films, overseeing all live-action feature-length content for Awesomeness and Nickelodeon’s Kids & Family Studio in a role that encompasses development, production, acquisitions and co-financing. 

A 20-year industry veteran, Studer previously served as Paramount Pictures’ Executive Vice President, Worldwide Acquisitions, where she oversaw the global content acquisitions business, acquiring films for domestic and international theatrical release and distribution across multiple home entertainment platforms including streaming and digital VOD.

Studer is known for her ability to identify and nurture films across genres for global audiences. Among her notable acquisitions are the breakout comedy Book Club starring Jane Fonda, Diane Keaton, Mary Steenburgen and Candice Bergen which grossed $100M in the worldwide box office, Richard Linklater’s Boyhood which she acquired home media rights via a multi-picture relationship with IFC Films as well as numerous internationally distributed film festival favorites.  

Previously, she held senior strategic marketing and acquisitions roles at Paramount in addition to new business development with theatre chain Loews Cineplex Entertainment.

Chris Rose, VP of Animation Production and Development, Nickelodeon


As VP of Animation Production and Development, Chris Rose heads up the internal and external animation development and production teams for Nickelodeon International. In addition to identifying and developing new IP for NickToons, Nickelodeon, and Nick Jr, Rose works across Nick International’s original animated content production slate and manages the international component of the animated shorts program.

Rose previously ran the development and production arm of London’s Beano Studios (Dennis and Gnasher: Unleashed, So Beano!) and served as TV Commissioning Editor for ABC ME and ABC KIDS, ABC Australia’s children’s channels. Other roles include VP of Programming and Development at HIT Entertainment and Content and Acquisitions Manager for CBeebies. His kids’ TV credits include The Deep, Little Lunch, and Mike the Knight.

Tatiana Rodriguez, SVP & Brand Head, Kids & Families, Nickelodeon Latin America


Tatiana Rodríguez is Senior Vice President and Brand Head, Kids & Families, Nickelodeon Latin America. In this role, Rodriguez leads the content and programming strategies, partnerships, acquisitions, and media planning for the flagship network in the region, as well as for preschool network Nick Jr., across linear television, digital, branded apps and video-on-demand channels, among other platforms. She also works with Nickelodeon’s global channels to support worldwide programming and content strategy. Rodriguez reports into JC Acosta, President of ViacomCBS Networks Americas.

During her tenure at Nickelodeon Latin America, Rodríguez has been instrumental in crafting, spearheading and executing original productions employing pan-regional strategies for the Kids’ Choice Awards franchise, Nickelodeon Latin America’s Day of Play initiative, as well as for hit daily scripted formats.

A 20-year veteran, Rodríguez joined Nickelodeon in 1996 as a Programming and Acquisitions Manager and since then held various roles within the organization. Before working at the network, she served as Director of Panda Club, a children’s channel in Spain.

Born in Venezuela, Rodríguez holds a Bachelor of Science Degree in Communications from Universidad Católica Andrés Bello in Caracas, Venezuela.

Eryk Casemiro, SVP of Preschool, Nickelodeon Preschool


Eryk Casemiro is Senior Vice President of Nickelodeon Preschool, in charge of the network’s preschool production and development across all formats and platforms spanning digital, TV and film.  Based in Nickelodeon’s Burbank, Calif., headquarters, Casemiro manages the day-to-day operations of Nick’s preschool group, with creative and business oversight of the preschool Executives In Charge (EICs) on both the east and west coasts.

Casemiro is an Emmy® Award-winning producer that will continue to serve as an executive producer for Nickelodeon’s forthcoming reboot of the iconic kids’ series, Rugrats, which will include all-new adventures with fan-favorites Tommy, Chuckie, Phil, Lil, Susie and Angelica, and introduce a new world of characters.  A Rugrats alum, Casemiro was a producer on the original series during his time as Senior Vice President of Creative Affairs at Klasky-Csupo Productions. 

While at Klasky-Csupo Productions, Casemiro was also responsible for the development and production of beloved Nickelodeon shows such as The Wild Thornberrys, Rocket Power, As Told By Ginger, and All Grown Up!, earning the studio three Ark Trust Awards, four Humanitas Awards, 10 Emmy nominations, and an Emmy Award.  He also led the development and production of feature films for Paramount Pictures including Rugrats Go Wild, The Wild Thornberrys Movie, which earned an Academy Award nomination for Best Song, Rugrats in Paris: The Movie, and The Rugrats Movie.

Most recently, Casemiro was the Chief Creative Officer for Zodiak Kids Studios, comprised of Marathon Media and Tele-Image in Paris, and the Foundation in London, where he produced Kody Kapow for Sprout NBC/Universal; Lilybuds for France Televisions and Discovery Kids Latin America; and Magiki for DeA Kids and Planeta.  Prior to that, Casemiro was Chief Creative Officer for Marathon Media, overseeing the production of Get Blake for Nickelodeon Global and LoliRock, a co-production with Disney and France Televisions. 

Casemiro also worked as a writer/producer on series including: OLIVIA, based on Ian Falconer's award-winning book; Poppy Cat, adapted from illustrator Lara Jones' picture book series and currently seen in 170 countries across the globe; and The Mr. Men Show, adapted from Roger Hargreaves'Little Miss and Mr. Men book series, for which he received his 11th Emmy nomination--this time for Best Writing in a Children's Series.

Casemiro began his career with Lorne Michaels' Broadway Video, where he produced Sharon, Lois and Bram's Candles, Snow and Mistletoe for CBC, Lassie's 40th Special, and the long-running hit Frosty Returns, now in its 27th year on CBS.

Makeda Mays Green, VP, Digital Consumer Insights, Nickelodeon


Makeda Mays Green is Vice President, Digital Consumer Insights at Nickelodeon. In her role, she evaluates the most effective ways to reach target audiences through innovative research methodologies across Nickelodeon’s platforms. 

Previously, she served as the Director of Education & Research, Digital Media at Sesame Workshop (the creators of Sesame Street), where she examined the potential of current and emerging digital media platforms to provide quality educational material to children and families.

She has delivered several keynote addresses and guest lectured at Harvard University, New York University and Temple University. She is the author of Makeda: Moving Up in Media and has appeared on The Learning Channel, CNN.com, MSNBC.com and Good Morning America Now. 

Green is also a proud advisory board member of Raising Good Gamers, an initiative developed to create positive change in the culture and climate of online video gaming for youth; and Determined to Educate, a non-profit designed to support underserved youth through mentoring programs. She holds a B.A. from Wesleyan University and a M.A. and Ed.M in Psychology from Teachers College, Columbia University, and resides in Stamford, Conn., with her husband and three children.

Charly Valentine, VP Live Action Production & Development, Nickelodeon


As the Vice President of Live Action Production and Development, Valentine oversees all development and production for Nickelodeon International. From identifying IP, through every stage of production to premiere, Valentine handles development, writing, casting, and post-production for Nickelodeon’s productions in multiple global regions including, Hunter Street (Netherlands), Spyders (Israel), and Goldie’s Oldies (UK).

Valentine is also responsible for Nickelodeon International’s Live Action Requests For Proposals (RFP) outreach, which are distributed to multiple global territories to uncover exciting new talent and IP.

Prior to Nickelodeon, Valentine worked on a range of live action series and events including MTV UK’s Geordie Shore and other formats like Britain’s Got Talent, MasterChef and The X Factor, as well as Gogglebox and Dancing with the Stars

Valentine resides in London.

Or Handelsman, Senior Manager, International Acquisitions, Nickelodeon


Or Handelsman is Senior Manager of International Acquisitions for Nickelodeon at ViacomCBS Networks International, a role he assumed in February 2019. In his role, Handelsman is responsible for sourcing, negotiating and managing content acquisitions for Nickelodeon channels on an international and pan-regional basis. Working closely with the programming heads in international markets, Handelsman coordinates deals for Nickelodeon's channels around the globe.

Handelsman joined Nickelodeon in 2014 and held various roles within the company, predominantly responsible for local and pan-regional acquisitions for Nickelodeon channels across EMEA. Prior to Nickelodeon, Handelsman worked in international distribution of arthouse, European and independent films. He held sales and business affairs roles at international film distribution outfits Dreamcatchers, and Six Sales Entertainment.

Katherine Sils, VP International Digital Content Strategy & Social Engagement, Nickelodeon


As Vice President of Digital & Platform, Kate Sils oversees international digital content strategy and social engagement for Nickelodeon, Nick Jr., MTV, Comedy Central, Paramount Network and BET for ViacomCBS Networks International (VCNI).

In this role, Sils leads a team that leverages the scale of ViacomCBS’s global organization by disseminating and localizing digital-first content in over 100 markets worldwide. Her focus is on creating digital and social content strategies that can be localized across VCNI’s flagship brands to build momentum for linear programming across all platforms in all markets internationally.  As part of this strategy, Sils leads a team that works in tandem with VCNI’s linear and creative sectors to produce and distribute digitally relevant content designed to extend reach across VCNI’s owned and operated platforms, in combination with social, third party platforms. 

Since joining the company in 2003, Sils has evolved with the digital landscape, moving from launching websites and web games to debuting global blockbuster apps and programming content across multiple digital platforms globally.  In 2020, her work helped to propel ViacomCBS to #1 in the Tubular rankings for entertainment brands in digital content consumption, achieving almost 10 billion global views.  Furthermore, under her leadership, Nickelodeon has seen exponential growth on third party platforms, and now boasts some of the highest-ranking YouTube channels in the world.  

Sils holds a B.A. in Communication, with a specialty in arts and film, from University of Wisconsin – Madison. She resides in Brooklyn with her two amazing girls and two amazing gerbils.

More Nick:2021 on Nickelodeon | New Shows, Specials, Podcasts, Events, Movies, Episodes, and More!

Originally published: Tuesday, December 22, 2020.

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Nickelodeon Junior France to Premiere 'PAW Patrol: Ready, Race, Rescue!' on Saturday, January 16, 2021

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Nick News Brief: Nickelodeon Junior France will premiere PAW Patrol: Ready, Race, Rescue! (La Pat' Patrouille : La Grande Course !), a brand-new feature-length PAW Patrol (Paw Patrol : la Pat'Patrouille) special, on Saturday, January 16, 2021 at 09:50! The news follows Nickelodeon Junior releasing the movie in cinemas across France during summer 2020. In an all-new adventure, the pups take to the track for the Adventure Bay 500 and need to speed into action when legendary race car driver, The Whoosh, can’t compete. For more information about La Pat'Patrouille : La Grande Course !, click here.

Retrouvez l'épisode événement LA PAT' PATROUILLE, LA GRANDE COURSE
le 16 janvier à 9h50 sur NICKELODEON JUNIOR !


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Nickelodeon USA to Premiere New Episodes of 'The Loud House' in January 2021

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Things are going to get LOUD this January as Nickelodeon's hit animated series The Loud House returns with brand new episodes!


Friday, January 22, 2021 at 7:00pm - Cow Pie Kid/Saved by the Spell: Lynn pushes Liam to his limits when he becomes the star pitcher for the middle school baseball team. / Lincoln's friends try to stop him from performing a magic act at the middle school talent show. (#507)

Friday, January 29, 2021 at 7:00pm - No Bus No Fuss/Resident Upheaval: Lincoln and his friends try to find another way to get to school after a run in with the eighth-grade bullies on the bus. / Lincoln and Clyde are at odds when they discover there's only room for one of their grandmas at Sunset Canyon. (#509)


Subscribe to the official The Loud House& The Casagrandes YouTube channel!: https://at.nick.com/LoudCasaSubscribe


Originally published: Thursday, December 31, 2020.


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Nickelodeon USA to Premiere New Episodes of 'The Casagrandes' in January 2021

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Get dressed to fiesta and toast your tamale, as Nickelodeon USA will be premiering brand new episodes of the Emmy Award-winning The Casagrandes in January 2021 - and they're hotter than a jalapeno covered in hot sauce!


Friday, January 22, 2021 at 7:30pm - The Kid Plays in the Picture/Achy Breaky Art: Carl's love for toys gets him caught up in a toy reviewer career. / Frida's art gets a bad review, so the kids try to stage a new auction to lift her spirits. (#201)

Friday, January 29, 2021 at 7:30pm - Guilt Trip/Short Cut: Ronnie Anne and her primos try to win a trip around the world for Maria / When Carlota fails at hair cutting, she trains with CJ, the master barber. (#203)


Subscribe to the official The Loud House& The Casagrandes YouTube channel!: https://at.nick.com/LoudCasaSubscribe


Originally published: Thursday, December 31, 2020.

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Sifu Kisu and Giancarlo Volpe Reveal How 'Avatar: The Last Airbender' and 'The Legend of Korra' Fight Scenes Were Choreographed

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One of the most loved aspects of Nickelodeon's beloved animated series Avatar: The Last Airbender and The Legend of Korra is their incredible battle scenes. However, it's not that well known that, to help make the animated fight scenes as realistic as possible, both shows employed stunt performers!


The martial artists were filmed at specific camera angles to make it easier for storyboard artists and animators to draw their movements accurately.

Having the reference footage was a net positive because it reduced the time that storyboard artists helped reduce the time that storyboard artists had to spend drawing action and increased the authenticity of the characters' movements.

Business Insider recently talked to Sifu Kisu, a martial arts master who served as the primary martial arts consultant as well as a choreographer and stunt performer on both shows, and Giancarlo Volpe, a director of several Avatar: The Last Airbender episodes, about what it takes to be a reference actor for animation. Check out the video on businessinsider.in and read the transcript below!:


[grunting]

[air whooshing]

Narrator: These behind-the-scene clips are what's known as reference footage. Reference footage is used in animation all the time to make sure animated characters' movements, like walking and jumping, are realistic.

Probably the most difficult scenes to animate are fight scenes, like the extremely complex head-to-heads in Avatar: The Last Airbender and The Legend of Korra.

Animator: Instead of just going on the ground on his butt, he actually drops down, and he's like,

[blows]

on his finger. There's, like, air. You know, there's, like, wind. Narrator: To animate them meant finding someone who could perform and choreograph multiple martial arts styles.

Sifu Kisu: It was fun. I was the only person on the planet with my job for a hot minute.

Narrator: That's Sifu Kisu, a master of martial arts and the fight choreographer and reference actor for Avatar: The Last Airbender.

Narrator: Kisu has over 40 years of experience in martial arts and has studied tae kwon do, karate, jujitsu, Northern Shaolin-style kung fu, and more.

Kisu worked on all 61 episodes of Avatar and collaborated with a team of martial arts experts on Korra. In Avatar, having a choreographer and reference actor was especially important because the four kingdoms used different fighting styles with their own specific movements.

Kisu based each distinct bending style on a different martial art. The fluid movements of waterbending are based on tai chi, the spinning movements of airbending are taken from bagua, the powerful movements of firebending are based on Northern Shaolin-style kung fu, and the sturdy, low-center-of-gravity movements of earthbending are based on hung ga.

The first step in creating these animated fight sequences is storyboarding, when the artists receive a script and draw rough sketches of an entire episode. The descriptions of fight scenes in scripts typically only include the broad strokes of the fight, so the director of the episode will often create the temporary choreography during this initial phase.

Giancarlo Volpe: When we got to the actual fighting, you know, who kicks, who punches, who was the aggressor and all that, oftentimes I do something like this, where it's like, "Aang shoots air," and I'll just do this or something. Do a drawing that looks like that.

Narrator: After storyboarding comes choreography, where Kisu met with the animation team to refine the choreography of the fight scenes. There were usually about five to 10 fight scenes per episode that had to be choreographed. 

Kisu says that in this first meeting, he would just pitch a series of movements that he thought would represent a certain type of bending. For example, Kisu said that if a firebending technique called for swinging, flaming fists, he would suggest an appropriate movement, such as striking motions from double dagger form kung fu.

Other animated shows have tried to mix magic and martial arts, but Kisu noted that they don't often use martial arts movements when conjuring magic. You can see this when comparing Avatar: The Last Airbender to other shows featuring supernatural powers, like some scenes from Dragon Ball Z.

Kisu: It's like, if I'm holding a stone in my hand like this and it jumps out of my hand and hits the camera, you're going to question that, right? But if I wind up and I make the motion and the antic of throwing that, then that's going to read more to something you can understand, right? But we thought that that would be important, that it should come from somewhere to go to somewhere. And I think that was one of the big contributing factors to the success of Avatar: The Last Airbender.

Narrator: After Kisu and the director agreed on the choreography, they filmed the action. Kisu sometimes performed the fight choreography for two or more fighting characters separately.

Animators would later take these shots and combine them into a single fight between characters. After filming, the artists took the footage and used it to add more detail, like specific poses, to their initial storyboards. The time it cost to do the reference filming was recouped by having an extremely accurate model for drawing. Ultimately, this led to a better final product, because the character poses were more accurate.

The storyboard team sent the polished storyboards back to Kisu for review.

Volpe: Then it'd be sort of a back and forth where, like, maybe we come up with a new shot that we never talked about during the first meeting.

Narrator: This process was repeated two to three times until everyone was satisfied with the result. Before sending the finished storyboards off to a team in Korea for the final animation, the director would film one final version of the fight with Kisu with all of the finalized camera angles.

Kisu: If it was going to be a wide angle, we had these bleachers that were in, like, a little makeshift basketball court at Nickelodeon, and guys would crawl up there with the camera and get a down shot. We'd change to a wide angle and make it look like it was really far away.

Like, the fight with Zuko and Azula on the boat dock, where she tried to scratch his face and they had a fire battle, that was done on the front steps at Nickelodeon in front of the SpongeBob statue.

Narrator: Storyboards aren't created for every frame. They're created for every third frame of animation, so the reference footage made it easier for the animators to create the in-between frames that were missing.

While having reference footage is ideal, sometimes it was impossible to capture accurate live-action reference footage, mostly because the characters possess magical powers. Some fights in the show called for a movement that no real human could replicate, like this scene from Korra.

In these situations, the martial artists would split up the action into several chunks, which would be stitched together in the final animation.

Kisu: In the beginning credits for Avatar: The Last Airbender, when Zuko would do the big whirlwind kick with the flame and he'd come down and hit the ground, at the time, I was recovering from an injury, and so I couldn't do that kick. We call it a one-legged whirlwind kick. And so I'm literally rolled over someone's back, like, someone bent over, and then I just rolled over that person's back. The opening credits for Korra, they show, the airbender does this crazy thing where he kicks this way and lays back that way. I ended up just holding Brian in my arms, which is really funny.

Narrator: It's this lifelike martial arts choreography and attention to detail that make the difference between static fight scenes, like this, and dynamic ones, like this.

Watch Avatar: The Last Airbender and The Legend of Korra on CBS All Access and Netflix!

Subscribe to the NEW official Avatar: The Last Airbender YouTube channel!: https://at.nick.com/AvatarSubscribe

More Nick: Nickelodeon to Release 'Avatar: The Last Airbender' Cookbook in August 2021!

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Los Angeles Dodgers' David Price Wants to See MLB on Nickelodeon

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One of the main talking points from NFL Super Wild Card weekend was the alternate broadcast between the Chicago Bears and New Orleans Saints that was geared towards kids and aired on Nickelodeon.


The NFL Wild Card Game on Nickelodeon was a great success, giving Nickelodeon its biggest audience in four years, with many viewers taking to social media to say how much they were enjoying the “Nickified” game.

With the success that the alternate broadcast had, it has led to debate that maybe other sports should have a broadcast that kids can learn the game from.

Los Angeles Dodgers left-hander David Price was on Thursday’s edition of Hot Stove on MLB Network to talk about the work that The Players Alliance was doing in Phoenix. 

Towards the end of the interview, Price was asked by Matt Vasgersian about the way that MLB is presented on television and whether or not the broadcasts are designed too much around analytics. Price said that maybe Major League Baseball (MLB) needs to take a page out of the NFL playbook.

“One thing I would like to see is what the NFL did last weekend with Nickelodeon. Having Nickelodeon do their broadcast and that was a broadcast I watched with my kids. I know my kids loved it when Michael Thomas scored that touchdown and got slimed. They loved all the goofy graphics with guys having big bug eyes and hearing about what players’ favorite foods are, what they used to watch on Nickelodeon…It was different than the normal broadcast, but I enjoyed that greatly.” 

Vasgersian told Price that he was onto something and it was something that they have talked about as well.

Price would be the right player to ask for this question because he decided to opt out of the 2020 MLB season due to COVID-19 (coronavirus) concerns. He was able to watch more baseball and probably can pick out things that MLB can do better with the television product.

Over the years, viewers have seen ESPN and MLB Network do broadcasts that are centered around the use of Statcast. Plus, ESPN did a live show called Squeeze Play during the Wild Card round this past year where they went around to all the games. However, if one of the criticisms for MLB is that they don’t bring in the younger demographic, maybe having Nickelodeon or a kid-centered alternate broadcast of a game isn’t a bad idea for kids to get to know the players and gain more fans.

Chicago White Sox pitcher Lucas Giolito was asked a similar question during an “Ask Me Anything” chat he had on Reddit as a fan asked him if the MLB should have a similar broadcast and would he volunteer to be slimed? Giolito was all for it, saying "I think that would be amazing and I'd absolutely be in line to get slimed. I hear it tastes like chicken".

Would you like to see MLB on Nickelodeon? And what do you think slime tastes like? Let me know in the comments or tweet me @dailynicknews!


Original source: Barrett Sports Media.

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Nickelodeon to Premiere New 'SpongeBob SquarePants' Episodes 'Lighthouse Louie' and 'My Two Krabses' on Monday, January 18, 2021

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Nickelodeon will be premiering the brand new SpongeBob SquarePants episodes "Lighthouse Louie" and "My Two Krabses" on Monday, January 18, 2021 (Martin Luther King Jr. Day) at 12:00 p.m. (ET/PT) as part of the Best Day Off Ever!


In "Lighthouse Louie," when SpongeBob cleans up the Boating School's lighthouse, he meets a cute but uncomfortable companion! Then, in "My Two Krabses," Mr. Krabs gets ready for a hot date, but SpongeBob and Patrick give him a little more help than he needs. (#261A/#259B)

Nickelodeon did plan to air "Lighthouse Louie" along with its paired episode cart, "Hiccup Plague", however, this has episode cart now been delayed until a later date. The episode is available on the recently released SpongeBob SquarePants: The Complete Twelfth Season DVD set. Although unconfirmed, it's thought that Nickelodeon has delayed the premiere of this episode due to the on-going COVID-19 (coronavirus) pandemic, similar to "The Kwarantined Krab".

In "Hiccup Plague," no one is safe from a case of contagious hiccups. (#261B)



Nickelodeon will also be treating viewers to a exclusive first-look at the upcoming SpongeBob movie Sponge on the Run, which will debut on Paramount+ in February 2021!


Nickelodeon will also be hosting a special double feature of The SpongeBob Movie and Sponge Out Of Water the same day!

And that's not all the SpongeBob fun to be had this month! Make sure to catch a spongeriffic sneak peek of the brand new spin-off Kamp Koral: SpongeBob's Under Years during the NFL Wild Card Game on Nickelodeon half-time show, as well as the The SpongeBob SportsPants Countdown Special pre-game special, Sunday, January 10, only on Nick!


Listen to The SpongeBob Musical here!: https://spongebobmusical.blogspot.com

SpongeBob SquarePants: Battle for Bikini Bottom - Rehydratedis available now on PC, Xbox One, PlayStation 4 and Nintendo Switch!

CALLING ALL GOOFY GOOBERS! (ROCK!) Are ya ready for a deep dive into the world of SpongeBob SquarePants? The SpongeBob YouTube channel is THE PLACE for all fan-favorite SpongeBob moments! We’re serving up everything from legendary scenes to remixes of classic songs to deep dives into Bikini Bottom lore. Be sure to check back every week for Music Mondays, Wumbo Wednesdays, and Flashback Fridays! Subscribe now at https://www.youtube.com/SpongeBobOfficial!

Shop SpongeBob!: https://www.spongebobshop.com - SpongeBob face masks now available, with ALL proceeds going to charity!

More Nick:Nickelodeon Reveals First Look of Characters in Original 'Kamp Koral: SpongeBob’s Under Years' Animated Series!

Originally published: Thursday, December 31, 2020.

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Nickelodeon to Premiere New Episodes of 'Blue’s Clues & You!' and 'Bubble Guppies' on Friday, January 22, 2021

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Catch brand new episodes of Blue’s Clues & You! and Bubble Guppies, premiering Friday, January 22, 2021 at 11:00 a.m. (ET/PT), only on Nick Jr. on Nickelodeon, do-do doo!


Blue’s Clues & You!

11:00 a.m. - Blue's Big Imagination: Imagining along with Josh and Blue in a game of Blue's Clues to figure out what Blue envisions a mysterious shape to be; a story created by Slippery, Magenta and Tickety helps Mr. Salt discover his own imagination. (#209)

Bubble Guppies

11:30 a.m. - The Mighty, Untidy Titans!: When some untidy Titans (played by Guppies) start messing up Zooli, Nonny and Oona's goat farm, the goat herders must journey to the Titans' cloud realm to ask them to tidy up. (#514)


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PAW Patrol Moto Pups | Theme Song & Opening Titles | Nick Jr.

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Check out the theme song and opening titles for PAW Patrol Moto Pups, the latest theme in Nickelodeon's beloved CG-animated preschool series, PAW Patrol!


In PAW Patrol Moto Pups, the PAW Patrol will dive into the world of motorsports, including daring new moves, and introduce fans to puurfect new team member - Wildcat, the first cat member of the PAW Patrol - who will help when big trouble comes to town!

The Moto Pups theme will be meticulously integrated into the PAW Patrol toy world, staying true to the storylines and characters while exploring new rescues. The attention to detail will transcend to the toys, with new innovative features and inspiring transformations like the PAW Patrol Wildcat's Moto Pups Deluxe vehicle, featuring authentic graphics and details, large wheels and a retract function that allows it to perform wheelies. Wildcat wears a motorcycle jacket and helmet. When it's time for a quick mission, click Wildcat into the driver's seat, pull the vehicle back and watch him take off. Wildcat's bike shoots forward, does a wheelie, and races straight for the adventure. Pull the vehicle back to do your own stunts and do wheelies over and over. Suitable for children from 3 years old.

More Nick: Spin Master Announces Star-Studded Voice Talent for 'Paw Patrol' Movie!

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NFL on Nickelodeon Highlights! | NFL Wild Card Game: Bears vs. Saints

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NFL on Nickelodeon Highlights! | NFL Wild Card Game: Bears vs. Saints


Catch all of the highlights and best moments from the January 10th NFL Wild Card game on Nickelodeon, where the New Orleans Saints faced off against the Chicago Bears! Featuring announcer Noah Eaglewill, CBS Sports analyst Nate Burleson, and All That and Unfiltered stars Gabrielle Nevaeh Green and Lex Lumpkin.


Follow NickALive! on Twitter, Tumblr, Reddit, via RSS, on Instagram, and/or Facebook for the latest NFL on Nickelodeon News and Highlights!

Nickelodeon x Madden NFL 21 | SpongeBob Joins The Yard! 🏈 Gameplay Highlights w/ Lex Lumpkin

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Nickelodeon x Madden NFL 21 | SpongeBob Joins The Yard! 🏈 Gameplay Highlights w/ Lex Lumpkin


Nickelodeon x Madden NFL 21 presents new SpongeBob-inspired content in The Yard! Play new game modes The Flying Dutchma's Ghostly Grab, Sandy's Rocket Arm Rally, and the Goo Lagoon Bowl. And earn exclusive SpongeBob-inspired gear by completing challenges in the new SpongeBob Reef-Top.

Find out more about Nickelodeon x Madden NFL 21 here!: http://nickalive.blogspot.com/2021/01/ea-sports-teases-madden-nfl-x-spongebob.html

More Nick: Nickelodeon and Paramount+ Release Sneak Peek of 'Kamp Koral: SpongeBob's Under Years'!

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Nickelodeon Unveils 'Are You Afraid of the Dark?: Curse of the Shadows' 3D Poster

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Prepare to be cursed! Nickelodeon has unveiled a 3D poster to celebrate Are You Afraid of the Dark?: Curse of the Shadows, premiering Friday, Feb. 12, at 8 p.m. (ET/PT) on Nickelodeon!


Produced by ACE Entertainment, Are You Afraid of the Dark?: Curse of the Shadows is a six-part limited series based on the beloved horror anthology series based on the '90s kids' cult classic. The miniseries will premiere on Friday, Feb. 12, at 8 p.m. (ET/PT) on Nickelodeon, with new episodes airing every Friday night.

Are You Afraid of the Dark?: Curse of the Shadows follows an all-new Midnight Society group of kids who learn of the terrifying curse cast over their small seaside town, and are haunted by a mysterious creature known as the Shadowman. In the just-released trailer, viewers are introduced to the new Midnight Society members and get a glimpse at the horrors that await them in the shadows.

The new members of the Midnight Society are: Luke, played by Bryce Gheisar (The Astronauts, Wonder); Jai, played by Arjun Athalye; Hanna, played by Beatrice Kitsos (Child's Play, iZombie); Gabby, played by Malia Baker (The Baby-Sitters Club); Seth, played by Dominic Mariche (The Christmas Yule Blog, A Gift to Cherish); and Connor, played by Parker Queenan (Party of Five, Andi Mack).

Are You Afraid of the Dark?: Curse of the Shadows is produced by ACE Entertainment (To All The Boys I've Loved Before, The Perfect Date) with ACE founder Matt Kaplan and Spencer Berman serving as executive producers and Paul Kim as co-executive producer. Jeff Wadlow (Fantasy Island, Truth or Dare) serves as executive producer and the primary director for the series. JT Billings (Beware That Girl, Charming) serves as showrunner and executive producer.

Production of Are You Afraid of the Dark?: Curse of the Shadows for Nickelodeon is overseen by Shauna Phelan, Senior Vice President, Live-Action Scripted Content; and Zack Olin, Senior Vice President, Live Action. Brian Banks serves as Nickelodeon's Executive in Charge of Production for the series.

One of the Nickelodeon's most iconic series from the '90s, the original Are You Afraid of the Dark? delivered riveting stories of horror to young audiences, all from a kid's perspective. Are You Afraid of the Dark? is owned by DHX and was created by D.J. MacHale and Ned Kandel, who are also executive producers on the project.



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Getting Organized with Production Management | Animation 101 | Nickelodeon Animation

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Getting Organized with Production Management | Animation 101 | Nickelodeon Animation


Behind every team of incredible artists is a solid production team. Hear from Magdiela Duhamel (Production Manager, The Casagrandes) and Carlo Padilla (Production Coordinator, The Casagrandes) on how they help keep dozens of creative people on track, on time, and on budget while producing world class animation.

Check out the Nickelodeon Animation Studio online: Website | Facebook | Tumblr | Twitter | Instagram | YouTube

More Nick:2021 on Nickelodeon | New Shows, Specials, Podcasts, Events, Movies, Episodes, and More!

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Classic Rugrats Comic Strip for Saturday, January 16, 2021 | Nickelodeon

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Classic Rugrats Comic Strip for Saturday, January 16, 2021 | Nickelodeon
Rugrats, provided to Creators Syndicate by Nickelodeon, based off the popular animated television series has been created for children and family's to laugh and enjoy together.

Follow these comics and their take on real episodes of the show and their own spin on hilarious adventures.

Read more Rugrats comic strips!: https://www.creators.com/features/rugrats

More Nick:Nickelodeon Unveils First Look at CG-Animated 'Rugrats' and 'Big Nate'!
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ViacomCBS Sues Insurer Over Denial Of COVID-19 Coverage

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ViacomCBS filed a suit in California federal court on Thursday, January 14, 2021, alleging Great Divide Insurance Co. reneged on its coverage agreement by refusing to protect the media giant from losses when it was forced to delay or cancel production for its television shows and live events due to the COVID-19 pandemic, Law360 is reporting.


ViacomCBS, which produces television shows like Danger Force, The Astronauts and Side Hustle as well as live events like the Nickelodeon Kids' Choice Awards and SlimeFest, said in its complaint that it bought an insurance policy from Great Divide, a subsidiary of W. R. Berkley Corp., to protect against losses should events ever disrupt its productions.

When the COVID-19 (coronavirus) pandemic hit in March 2020, ViacomCBS said it delayed principal photography on more than 100 television productions and was forced to postpone productions, like the 2020 Kids' Choice Awards. As a result, the company suffered substantial financial losses, according to the suit.

But when it turned to Great Divide for payment, ViacomCBS said the insurance company interpreted the policy in "an overly narrow and wrongful manner" and refused to cover various losses. And instead of continuing the policy, as required under the agreement, for its third annual period, Great Divide only offered to continue it if an exclusion was included for losses related to COVID-19, according to the complaint.

While Great Divide has had an insurance industry standard form exclusion for certain losses caused by viruses and bacteria since 2006, ViacomCBS said that exclusion was not part of its insurance policy. The policy provides $30 million of cast coverage, $10 million of extra expense, $10 million for imminent peril coverage, $1 million in civil authority coverage and $1 million in ingress and egress coverage, the suit states.

"Great Divide did nothing in selling the policy to limit its liability for virus- or pandemic-associated risks," ViacomCBS said. "Nor did Great Divide warn ViacomCBS that even though it did not include a virus or pandemic exclusion, it would interpret the policy as if it contained one."

The suit includes claims of breach of contract and seeks declaratory relief to have the policy renewed without any amendments. It also seeks coverage for losses on production, as well as damages and attorney fees.

Counsel for ViacomCBS did not immediately respond to a request for comment Friday and a representative for Great Divide could not be immediately reached for comment.

ViacomCBS is one of several companies to go after its insurance company for not paying out on COVID-19 losses. Last month, hotel operator Procaccianti sued insurer Zurich American for failing to cover losses it incurred during state-mandated COVID-19 shutdown orders, while Zurich hit back saying its policy expressly excludes viruses as a covered cause of loss.

That same month, a Pennsylvania hotel said its losses from pandemic measures ordered by Gov. Tom Wolf should be covered by Westfield Insurance Co., while movie theater chain Cinemark Holdings Inc. is seeking more than $400 million from Factory Mutual Insurance Co. for unpaid COVID-19 business interruption claims.

Meanwhile, the owners of the Philadelphia Union Major League Soccer team this month sued Chubb unit Federal Insurance Co., alleging the insurer refused to honor its $192 million policy to cover COVID-19-related losses after their athletes caught the virus that affected its properties.

But judges have also recently been tossing these kinds of cases out left and right.

A London judge in December rejected a cafe owner's pursuit of Allianz for losses caused by the forced closure due to the pandemic, instead awarding the insurer's costs.

And just last week, a Florida federal judge tossed a Miami catering company's lawsuit seeking to force Scottsdale Insurance Co. to pay for COVID-19-related losses, while another Florida judge rejected a Miami restaurant chain's lawsuit seeking to compel Aspen Specialty Insurance Co. to cover its losses. A Texas federal judge shot down a dentist's suit seeking coverage from Aspen.

ViacomCBS is represented by Kirk Pasich, Anamay M. Carmel and Caitlin S. Oswald of Pasich LLP.

Counsel information for Great Divide was not immediately available.

The case is ViacomCBS Inc. v. Great Divide Insurance Co., case number 2:21-cv-00400, in the U.S. District Court for the Central District of California.

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Nickelodeon Junior France Preps Anti-Sexism Series for Children

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Nickelodeon Junior, Nickelodeon France's top-rated preschool channel, is gearing up to launch a series that aims to make young children aware of the fight against sexism. Chouette, pas chouette, produced by local prodco 2 Minutes as a co-production with Gaumont, will start airing weekdays at 16:35 on Nickelodeon France. The series follows the adventures of a panther, a beaver, a sheep and all their friends.


The 16-episode series of 1 minute 30 second animated shorts presents various sexist stereotypes, such as girls can’t play soccer or boys can’t do ballet, and asks children to question their prejudices to eventually understand that being a boy or girl does not determine what you can or can’t do.

The programme is supported by an educational booklet on gender equality and the deconstruction of sexist stereotypes and is aimed at four- to six-year-olds.

Chouette, pas chouette was designed by screenwriters and directors Franck Salomé, Fernando Worcel and Nicolas Sedel alongside illustrator Sandrine Acquistapace.

The show, produced in association with Les Chiennes de Garde and The Center for Media & Information Education, was overseen by the former director of youth programmes at TF1, Dominique Poussier, and supervised by consulting firm EY and Make.org Foundation.

Chouette, pas chouette will air across all major TV channels in France, including Nickelodeon Junior, TF1, France Télévisions, Piwi+ (CANAL+ Group), Gulli (M6 Group), and Disney Channel & Disney Junior (The Walt Disney Company group). The initiative is in partnership with Make.org's “Stop Violence Against Women” campaign.

“This initiative is part of the TF1 Group’s action plan in favour of gender equality, the fight against sexism and harassment and also it is an awareness-raising campaign about violence against women,” said Christelle Leroy, director of corporate social responsibility at TF1 Group.

Chouette, pas chouette ! - ép. 1 - LE ROSE



Chouette, pas chouette ! - ép. 2 - LA FOOTBALLEUSE



Chouette, pas chouette ! - ép. 8 - LA COUR DE RECRE



Chouette, pas chouette ! - ép. 12 - LE TROUILLARD


From Make.org:

“Chouette, pas chouette”, une série TV animée pour lutter contre les stéréotypes sexistes

Ce programme pour les enfants de 4 à 6 ans sera diffusé à partir du 13 janvier 2021 sur toutes les grandes chaînes de télévision, réunies pour la Grande Cause de Make.org “Stop aux violences faites aux femmes”.

Produite par 2 Minutes en coproduction avec Gaumont, “Chouette, pas chouette !” est une série de 16 programmes courts animés diffusés à partir du 13 janvier 2021, et tout au long de l’année, dans les programmes jeunesse des plus grandes chaînes de télévision : TF1, France Télévisions, Piwi+ (Groupe CANAL+), Gulli (Groupe M6), Disney Channel & Disney Junior (groupe The Walt Disney Company), Nickelodeon Junior et sur l’application ludo-éducative Bayam, acteurs réunis pour sensibiliser les plus jeunes enfants à la lutte contre le sexisme et au respect de la différence. 

‍Jaja, la panthère, Gégé, le castor, Kiki la brebis et tous leurs copains sont des enfants. Dix enfants comme les autres. Ni beaux ni moches, ni gentils ni méchants, ni bêtes ni super intelligents, ce sont juste des enfants avec comme tous les enfants, des tonnes d’a priori. “Une fille, ça ne peut pas jouer au foot ou devenir pilote d’avion !” “Un garçon, ça ne peut pas pleurer ou faire de la danse classique !” Le principe narratif de ces films est de confronter les très jeunes enfants à ces stéréotypes sexistes pour susciter leur empathie, les pousser à remettre en cause leurs préjugés et comprendre que naître fille ou garçon, grand ou petit, croco ou panthère, ne détermine pas ce que sera sa vie. Bref, que « C’est plus chouette quand on se respecte ! ».

Le programme télévisé est complété par un livret pédagogique autour de l’égalité filles/garçons et la déconstruction des stéréotypes sexistes, et s’adresse aux enseignants de la maternelle à la 6ème, aux éducateurs et aux professionnels de l’éducation. Ce livret est élaboré par le Centre pour l’Éducation aux Médias et à l’Information (CLEMI). 

Les films ont été conçus par les scénaristes et réalisateurs Franck Salomé, Nicolas Sedel et Fernando Worcel, et l’illustratrice Sandrine Acquistapace, avec l’association Chiennes de Garde et le CLEMI, et produits par la société 2 minutes et Gaumont. Le tout piloté par l’ancienne directrice des programmes jeunesse de TF1, Dominique Poussier, et encadré par le cabinet de conseil EY et Make.org Foundation.

‍“Chouette, pas chouette” est l’une des actions issues de la Grande Cause “Stop aux violences faites aux femmes”, initiée en 2017 par la plateforme de mobilisation citoyenne Make.org, en partenariat avec la Fondation Kering. Une consultation citoyenne nationale avait réuni 400 000 participants autour de la question “Comment lutter contre les violences faites aux femmes ?”. L’une des propositions plébiscitées était celle d’Ange : “Il faut que l'on apprenne aux enfants le respect de l'autre sexe, fille et garçon, les faire débattre sur le sujet.” D’où l’idée de la série “Chouette, pas chouette”.

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« Chouette, pas chouette » : Une série animée pour lutter contre les stéréotypes sexistes chez les tout-petits

JEUNESSE A partir de mercredi, Fafa Lapin, Jaja Panthère & Cie s'invitent dans les programmes jeunesse de toutes les grandes chaînes pour plus d'empathie et moins de sexisme

- « Chouette, pas chouette », c’est une série animée de 16 épisodes multidiffusés à partir de mercredi sur TF1, France Télévisions, Canal+, Disney, Gulli, etc.

- Le projet est né dans le cadre de la Grande cause nationale « Comment lutter contre les violences faites aux femmes ? » lancée par Make.org

- Comment parler de ces valeurs aux plus petits ? Un vrai défi pédagogique

A partir de mercredi, ils seront partout, sur toutes les chaînes, de TF1 à Gulli en passant par France Télévisions, Piwi +, Disney Channel et Junior, Nickelodeon Junior et même l’application Bayam. Molang ? Marinette ? Les Petits Poneys ? Non, Fafa Lapin, Jaja Panthère, Lili Cochonne, Toto Goeland et tous leurs copains et copines. Chouette, pas chouette est une nouvelle série animée, destinée aux 4-6 ans et surtout à déconstruire les stéréotypes sexistes comme « Une fille, ça ne peut pas jouer au foot », « Le rose, ce n’est pas pour les garçons «, «Une fille ne peut pas être cheffe «… Des trucs pas chouettes.

Le sexisme commence très tôt, dès la cour de récréation

Chouette, pas chouette est née dans le cadre de la Grande cause nationale « Comment lutter contre les violences faites aux femmes ? » lancée par Make.org, avec plusieurs actions comme la plateforme « Mémo de vie » au service des personnes victimes de violences, des hébergements d’urgences en collaboration avec des hôtels et donc une sensibilisation à la lutte contre le sexisme dès le plus jeune âge.

« De nos discussions avec le Centre pour l’Éducation aux Médias et à l’Information (CLEMI) et l’association Chiennes de Garde, il est vite apparu que la racine du mal des violences faites aux femmes était le sexisme, explique Dominique Poussier, responsable éditoriale du projet et ancienne directrice des programmes jeunesse de TF1. Or, il se manifeste très tôt, dès la cour de récréation. A peine la cloche retentit, que les garçons jouent au foot et occupent les 2/3 de la cour, et les filles se retrouvent dans les coins. »

Toutes les chaînes se sont engagées

Mais on ne parle pas aux enfants comme aux adultes, et même aux ados, sur ces sujets-là. « Il fallait un programme très accessible mais pas trop didactique, dont on imaginait qu’il puisse se glisser dans toutes les grilles des chaînes ». Produite par 2 Minutes en coproduction avec Gaumont, Chouette, pas chouette se compose de 16 épisodes, d’une minute 30, faits pour rester, être multirediffusés. « D’habitude, ce genre de campagne, sur des sujets qui nous tiennent à coeur, dure une semaine, puis on passe à autre chose. C’est le principe même de la télévision. L’objectif était ici que toutes les chaînes s’engagent en même temps, sur la durée, pendant trois ans. Il n’y a eu aucune hésitation. »

Apprendre aux enfants l’empathie et le vivre-ensemble

Chaque épisode questionne un préjugé sexiste et celui ou celle qui l’a dit. Une fille n’a pas le droit de jouer au foot ? Et si toi, tu n’avais pas le droit d’y jouer ? « Ce n’est pas de la faute des enfants, commente la responsable éditoriale de la série. Ce sont des clichés qui sont dans nos têtes depuis longtemps, une construction historique et culturelle. Il n’est donc pas question de les gronder, mais de leur apprendre l’empathie et le vivre-ensemble. D’ailleurs, la voix-off avait un petit côté "tu vois, il ne faut pas faire ça", et on a tout repris pour qu’elle soit moins donneuse de leçon, plus complice et bienveillante. On est dans la nuance, mais c’est très important chez les jeunes ».

Si les 16 courts en appellent d’autres, et il y a de la matière en termes de clichés sexistes, ce n’est pas prévu pour l’instant. Mais un livret pédagogique sur l’égalité filles/garçons et la déconstruction des stéréotypes sexistes sera adressé aux enseignants des écoles, de la maternelle à la 6e, pour ouvrir et continuer le dialogue. Un dialogue et une lecture également possibles avec le livre Les filles et les garçons peuvent le faire aussi chez Gründ, ainsi que, sur une approche différente mais complémentaire, l’inénarrable Mortelle Adèle.

###


"Chouette, pas chouette" : avec cette nouvelle série, les chaînes pour enfants s'engagent dans la lutte contre les stéréotypes sexistes

La série met en scène une galerie d'animaux anthropomorphes, dans un univers graphique coloré, avec des scénarios conçus pour confronter les très jeunes enfants aux stéréotypes sexistes et remettre en cause les préjugés en suscitant l'empathie. 

Les principales chaînes pour enfants vont diffuser à partir de l'année prochaine la série animée Chouette, pas chouette, à destination des 4 à 6 ans, afin de lutter contre les stéréotypes de genre et promouvoir l'égalité entre filles et garçons.

"Respect mutuel"

France Télévisions (Okoo), Disney Channel, Gulli (M6), Piwi+ (Canal+), Nickelodeon, le groupe TF1 et Bayard jeunesse (Bayam) diffuseront à partir de janvier cette série en 16 épisodes d'1 minute 30, projet lancé lundi sous l'égide du ministre de la Justice, Eric Dupond-Moretti, d'Elisabeth Moreno, ministre déléguée à l'Egalité entre les Hommes et les Femmes, et de Marlène Schiappa, ministre déléguée à la Citoyenneté.

"Les univers graphiques, l'identité des personnages et les scénarios ont été créés autour du thème du respect mutuel. Ils visent aussi à lutter contre le sexisme ordinaire dès le plus jeune âge et notamment à déconstruire les clichés en tous genres", détaille France Télévisions dans un communiqué.

"Les personnages de la série sont 10 animaux anthropomorphes (5 filles et 5 garçons) : Jaja Panthère, Gégé Castor, Toto Goéland, Kiki Mouton, Nono Croco, Lulu Hibou, Baba Ourse, Fafa Lapin, Lili Cochonne et Wawa Chihuahua. Des enfants qui parlent, jouent, et vivent comme les autres !", précise Canal+ de son côté.

"Initier le dialogue dans les familles et favoriser la tolérance et l'empathie"

"'Une fille, ça ne peut pas jouer au foot ou devenir pilote d'avion !''Un garçon, ça ne peut pas pleurer ou faire de la danse classique !' Le principe narratif de ces films est de confronter les très jeunes enfants à ces stéréotypes sexistes pour susciter leur empathie, les pousser à remettre en cause leurs préjugés et comprendre que naître fille ou garçon, grand ou petit, croco ou panthère ne détermine pas ce que sera sa vie", ajoute Disney.

"Adapté aux jeunes enfants, les graphismes sont lisibles et colorés. Et au-delà des problématiques de genre, c'est plus largement le respect de l'autre que ce programme met en lumière afin d'initier le dialogue dans les familles et favoriser la tolérance et l'empathie", estime Gulli, qui ajoute que la chaîne portera ce projet "au-delà de son antenne".

Ce programme, conçu avec l'association Chiennes de Garde et le Clemi (Centre pour l'Éducation aux Médias et à l'Information), est complété par un livret pédagogique autour de l'égalité filles/garçons et la déconstruction des stéréotypes sexistes, qui s'adresse aux enseignants de la maternelle à la 6ème, aux éducateurs et aux professionnels de l'éducation.

Cette initiative s'inscrit dans les nombreuses actions menées dans le cadre de la Grande Cause "Stop aux violences faites aux femmes" (#StopVFF) initiée en 2017 par la plateforme de mobilisation citoyenne Make.org, en partenariat avec la Fondation Kering.

###


« Chouette, pas chouette », une mini-série pour dégommer les stéréotypes sexistes

Depuis le 13 janvier, Fafa Lapin, Jaja Panthère, Lili Cochonne et tou.te.s leurs ami.e.s, s’invitent dans votre salon pour distraire vos enfants et faire valser les stéréotypes de genre. "Chouette, pas chouette" est un programme qui s’adresse aux 4-6 ans. Cette série, orchestrée par une troupe d’animaux anthropomorphes, a pour vocation d’éduquer les plus jeunes esprits à la tolérance et au respect de l’autre. "Un garçon, ça ne pleure pas et ça ne porte pas de rose", "Une fille, ça ne peut pas être cheffe et ça n’aime pas le foot!"... ces phrases, qui hérissent le poil, sont mises à mal. Les nouveaux petits héros renversent les "normes" et deviendront sûrement les meilleurs alliés de vos bambins. "Chouette, pas chouette" est bien plus qu’une mini-série basique, c’est un véritable support pédagogique que toutes les chaînes s’arrachent. 

Bienvenue dans le temple du respect

Depuis presque une semaine, ils siègent en maître dans votre poste de télévision et accompagnent le petit déjeuner de vos enfants. Au total, 16 épisodes d’une durée d’1min30 viendront rythmer ce mois de janvier. Aucun sujet n’est laissé dans l’ombre, toutes les thématiques qui concernent le genre sont passées au peigne fin. Les cheveux longs, les métiers, le football, les princesses et les chevaliers… Dans un décor aux couleurs vives, ce gang d’ami.e.s bienveillant.e.s décortique avec leur vision d’enfant, tous ces clichés qui naissent dès la cour de récré. À mi-chemin entre l’insouciance et la maturité, ils tentent de comprendre ce qui cloche dans leurs paroles, parfois involontairement sexistes. 

Au détour d’une conversation, ils apprennent à y voir plus clair et à prendre conscience du poids de certains mots. Le premier épisode se consacrait, par exemple, au "rose". Pour Kiki la petite brebis, c’était ainsi impensable qu’un garçon porte un t-shirt rose et pourtant, son copain Wawa l’a fait. Elle-même se retrouve plongée dans un univers dans lequel on lui impose une couleur qu’elle déteste, elle a un déclic et comprend que chacun est libre d’aimer ce qu’il veut. C’est par le biais de l’expérience et de l’empathie que les protagonistes s’aperçoivent que leurs remarques n’étaient "pas chouettes".

Les chaînes de télévision engagées dans cette lutte

France Télévisions (Okoo), Disney Channel, Gulli (M6), Piwi+ (Canal+), Nickelodeon, le groupe TF1 et Bayard jeunesse (Bayam)... toutes ces chaînes se sont emparées de cette mini-série pour lui donner la visibilité qu’elle mérite. "Les univers graphiques, l'identité des personnages et les scénarios ont été créés autour du thème du respect mutuel. Ils visent aussi à lutter contre le sexisme ordinaire dès le plus jeune âge. Notamment à déconstruire les clichés en tous genres", détaille France Télévisions dans un communiqué.

"Une fille, ça ne peut pas jouer au foot ou devenir pilote d'avion !", "Un garçon, ça ne peut pas pleurer ou faire de la danse classique !".... Le principe narratif de ces films est de confronter les très jeunes enfants à ces stéréotypes sexistes pour susciter leur empathie, les pousser à remettre en cause leurs préjugés et comprendre que naître fille ou garçon, grand ou petit, croco ou panthère ne détermine pas ce que sera sa vie", complète Disney.

Faire bouger les lignes

Ce projet, lancé sur la plateforme citoyenne Make.org et soutenu par l’association féministe Les Chiennes de Garde ainsi que le Clemi (Centre de liaison de l’enseignement et des médias d’information) compte faire grand bruit. En effet, si les 4-6 ans sont les principaux concernés par ce dessin animé, les adultes aussi doivent en prendre de la graine. "Chouette, pas chouette" se destine aussi au corps enseignant, elle fait office d’outil pédagogique ludique et distrayant. Cette mini-série est une belle alternative au clip institutionnel sérieux souvent diffusé en début de cycle scolaire.

D’ailleurs, "Chouette, pas chouette" est complétée par un livret pédagogique sur l’égalité filles/garçons. Il sera adressé aux enseignants des écoles, de la maternelle à la 6e, pour étendre davantage le débat.

D’autres initiatives dégomment aussi les stéréotypes sexistes de façon instructive. C’est le cas du livre "Les filles et les garçons peuvent le faire aussi" ou de la collection "J’aime PAS". À découvrir sans plus tarder !

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Originally published: Tuesday, January 12, 2021.

Source: C21 Media.

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